Completed February 21, 2022
Recorded April 1, 2022 by Robert Brown (alto saxophone), Sherry Du (piano), Ben Giroux (percussion)
Mixed and mastered by Ed Tetreault 
Written in collaboration with the Smithsonian Environmental Research Center
Supported by funding from the Maryland State Arts Council Creativity Grant

Coral reefs have fascinated me since my childhood, when I first learned about them watching Pixar’s iconic Finding Nemo. I remember being entranced in theaters by the animated reef’s resplendent colors, hypnotic variety of life, and stunning textural complexity. When I had the chance to work with the Smithsonian Environmental Research Center to create a new work, coral reefs instantly came to mind as an obvious point of inspiration. 

I knew that in creating a work based on the remarkable vibrance of coral reefs that I would want to evoke, first and foremost, their almost contradictory capacity to be as alien as they were beautiful. Much research has been done to better understand coral, an academic field aging back millennia with luminaries like Pliny the Elder struggling to classify them. To capture their eerie allure, I decided to use saxophone multiphonics to ground the entire piece. These sounds could be raucous, violent, and unexpected, but also shockingly beautiful. The resulting piece, Variations for Worlds Below, is an essentially cyclic piece, consisting of four variations on a simple progression of chords built around a number of these saxophone multiphonics. 

The piece begins meditatively, establishing a broadly peaceable yet unpredictable atmosphere imitating the swaying motion of anemones and polyp tentacles. The next variation moves through songful rumination against a bed of sparkling aleatory in order to suggest the glimmering of sunlight through water. From there, the music deepens in unease to consider the alien worlds of deepwater coral and culminates in a rumbling, overpowering climax. Finally, the soundworld drifts apart into pieces, as we return to the surface.

Special thanks to Karen McDonald, Christine Buckley, Kristen Goodhue, and the rest of the Smithsonian Environmental Research Center’s Folklife team for the indispensable support they provided in realizing this piece.

Random Stuff

Variations for Worlds Below, for alto saxophone, percussion, and piano

Theresa Coffey is a trumpeter and doctoral research fellow at the Norwegian Academy of Music. She loves playing with mixed ensembles and is always looking for collaborators interested in expanding or mixing genres. She's particularly interested in electroacoustic and interdisciplinary work for trumpet and extended musical media. 

As an orchestral player, Theresa has worked as a substitute with the Grand Rapids Symphony Orchestra, Whiting Park Festival Orchestra, Elmhurst Symphony, and the Northwest Indiana, Southwest Michigan, and West Michigan Symphony Orchestras. She has performed with the Oslo Philharmonic, Norwegian National Opera, and Oslofjord Kammerfilharmoni.

Electroacoustic composer, field recordist, naturalist, squirrel. https://elliecherrymusic.com/

Variations for Worlds Below, for alto saxophone, percussion, and piano

Bobby Ge