A generative patch in VCV rack, with my cello sounds

Cello + Modular Synth

JENNY WILSON - BOY (PLEASE FORGIVE ME)  ionnalee remix

Last edited & mixed on 25 May 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA. 

I am adding to "Unmaking Together" by Krakenkraft (https://soundcloud.com/winterer) & Raincat (https://soundcloud.com/raincat-306596410) 

https://soundcloud.com/winterer/unmaking-together-krakenkraft-joins-raincat-disquiet0697

I am calling it "Composite Tools Made With Glue."  Krakenkraft had earlier added work to Raincat’s piece. 
https://soundcloud.com/raincat-306596410/unmaking-music-disquiet0697

My contribution is in the center.

Yesterday I recorded some Bastl Kastle outdoors and used some of that audio with effects and breathing spaces added for my contribution here. 

Photography/Art - Krakenkraft, Raincat & remixed by Jim Lemanowicz, 15 May 2025

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This original version of “Composition Made With Glue” was submitted as part of Disquiet Junto Project 0699: Third Third. The Assignment: Record the final third of a trio.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 699th weekly Disquiet Junto project, Third Third — The Assignment: Record the final third of a trio — at https://disquiet.com/0699/

Composition Made With Glue (disquiet0699) by Krakenkraft, Raincat  & Jimmy Lem

Songs from a Screaming Void - 01

a project created in december 2020 found from the archive 

Procedure:
A MIDI sequence was created with Elektron Octatrack,
which drives a piano track in Ableton.
The sequence was then broken down into four melodic lines.
The first line were transposed by +7 semintones
the second by +11 semitones
the third -13 semitones
the fourth line remains in the same pitch
then the harmony was extracted from each melodic line.
For each track, the ghost plays its part and sings as it pleases.
Next, for the sake of musicality, each ghost decides which notes to play and which to omit from its part.
During the performance the Time increase and the ensemble takes place
second take with the "singing ghost" track add

work in progress 

cover art is a waterpaint made by me in 1999

ghost I *take two

There are moments when sounds and images fall like rain from the clouds of memory.

Mnemonic Rain

Recorded, mixed & mastered on 29 Oct & 01 Nov 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Synths, samples, effects.

This original version of "Go Ahead, Ernie” was submitted as part of Naviar Haiku 617: An Autumn Nightfall

an autumn nightfall
the skeleton of a huge fish
drawn back by the sea.

by: Saitō Sanki

Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

Photography/Art - Jim Lemanowicz, 30 Oct 2025, Massapequa train station, Massapequa, NY, USA

Music & art © 2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see www.naviarrecords.com/haiku-music-challenge

Go Ahead, Ernie (naviarhaiku617)

A piece from the last year archive reworked in these days

Metropolis (everyday life of common people)

Interlude_Nmbr3_Sketch1-002

TWIMC SHOP http://twimc.cc/shop/nosa
Spotify http://twimc.cc/spotify/nosa
Apple Music http://twimc.cc/apple/nosa
iTunes http://twimc.cc/itunes/nosa
TIDAL http://twimc.cc/tidal/nosa

flawed beauty and moderately danceable beats
written by: Edvald Johansson

from the forests of Karlskoga, in the midwest of Sweden, comes producer,
musician, and songwriter Johan Lundgren.
with half a lifetime of producing and songwriting behind him, solo debut
was never a topic of discussion, until he swapped the long winters of
Stockholm for a few years in California, where Tungorna came to life.

he describes the change of environment and the limited equipment as a way
to challenge himself. “i only had my laptop, a cheap microphone and a
small keyboard with me, but nowadays, that’s all you need.”
sharing this mindset are his fellow collaborators of the audiovisual
project iamamiwhoami, for which Lundgren has been a frequent live
musician for many years - Johan Lundgren describes the experience as “a
creative push”.

this is also how Tungorna was introduced to their label, To whom it may
concern. “eith their label they have formed an inspiring environment,
with their music and the world surrounding it, keeping total control, not
only of the creative process but also the production, without some guy in
a suit intervening.”

from the likes of artists and producers such as Four Tet and Caribou,
Tungorna creates music with a lo-fi and naïve quality that still occupies
depth through its multi layered musicality.
Lundgren describes Tungorna’s sound as “a collage of interesting bits and
pieces that don’t necessarily have to be ‘good’. the beauty is in the
flaws and is kept together with melodies and a moderately danceable
beat.”

Tungorna debuts on TWIMC and Kobalt Music, with the dark and playful
single “NOSA”, on November 11.
the track also comes with a video by WAVE, the director collective
composed by Jonna Lee & John Strandh, who describe it as a “beautiful but
dark memory caught on camera”.

http://twimc.cc

Interlude_Nmbr3_Sketch1-002

RoboBoboV2

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