Bobsan's tracks

A Deal With God is my new collaboration with @user-520977840 – an emerging producer and DJ. ZARD started the track in an ambient-electronic style, and I picked it up from the drop with my groovy house beat. Our parts keep intertwining throughout the track. It’s ambient house at 123 BPM, where atmosphere meets energy.
While testing the unfinished track in a DJ set, I thought of layering it with the vocal from Kate Bush – Running Up That Hill, since the key was the same. It worked great, so I added similar vocal chops directly into the track. That’s also why it’s called A Deal With God.
Live, it can also be connected directly with Bush, but that depends on the DJ’s skill – getting a license for such a famous vocal is, of course, not possible.

SK:
Ako znie stret generácií Gen X a Gen Z v jednej skladbe?
A Deal With God je moja nová spolupráca so ZARD-om – vychádzajúcim producentom a DJ-om. ZARD začal skladbu v ambient-electronic štýle a ja som na to nadviazal od dropu svojím groovy house beatom. Naše časti sa v skladbe neustále prelínajú. Je to ambient house v 123 BPM, kde sa strieda atmosféra s energiou.
Keď som ešte nedokončený track skúšal v DJ sete, napadlo mi ho, kvôli rovnakej tónine, podložiť vokálom od Kate Bush – Running Up That Hill. Fungovalo to skvele, a tak som podobné vokálne chop-y vložil aj priamo do skladby. Aj preto nesie názov A Deal With God.
Naživo sa to dá prepojiť aj priamo s Bush, ale to už je na šikovnosti DJ-a – licenciu na takýto známy vokál, samozrejme, vybaviť nejde.

ZARD vs. Bobsan - A Deal With God

Six years ago, I made my first remix of a Slovak classic – Richard Müller’s Tlaková níž. Back then, with Rišo’s manager’s approval, I released it as an unofficial future bass version. It was more of a listening experiment than a dance track – today I see it as a lesson in my inexperience.
Now I’ve revisited the remix and turned it into a club-ready track. Inspired by the sound of Boys Noize, Skrillex, and their Fine Day Anthem, it was a challenge to get close to their sonic power – the result is a version that works as a real floorfiller.

SK:
Pred šiestimi rokmi som spravil svoj prvý remix slovenskej klasiky – skladby Richarda Müllera Tlaková níž. Vtedy som ho po dohode s Rišovým manažérom zverejnil ako neoficiálnu verziu vo future bass zvuku. Bol to skôr posluchový experiment než tanečný track – dnes ho beriem ako školu mojej neskúsenosti.
Teraz som sa k nemu vrátil a posunul ho do klubovej podoby. Inšpiroval som sa zvukom Boys Noize a Skrillexa, aj ich hymnou Fine Day Anthem. Bola to výzva priblížiť sa ich zvukovej sile – výsledkom je verzia, ktorá funguje ako floorfiller.

Richard Muller - Tlakova Niz (Bobsan 2025 remix)

In August 2025, the global remix competition Madonna – Ray of Light Global Remix Challenge took place, organized by Madonna, Warner Music Group, Beatport, and LabelRadar. The results have not been announced yet. My remix is in speed garage style, at 137 BPM.

SK:
V auguste 2025 prebehla globálna remixová súťaž Madonna – Ray of Light Global Remix Challenge, ktorú pripravili Madonna, Warner Music Group, Beatport a LabelRadar. Výsledky zatiaľ neboli oznámené. Môj remix je v štýle speed garage, tempo 137 BPM.

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Ray Of Light (Bobsan speed garage remix)

Na tejto veci robím už niekoľko rokov. Začalo to ako remix skladby Marko Damian – Otáča sa mi svet, ale postupne som ju prerábal toľkokrát, že toto je 26. verzia – dnes konečne s beatom, ktorý znie polámanejšie, niekde na hrane UKG, aj keď tempo má len 128 BPM. Už to tuším začína mať drive :D

EN:
I've been working on this track for a few years.
It started as a remix of a song by the Slovak rapper Marko Damian – Otáča sa mi svet,
but after so many reworks, only the initial idea from that remix remains.
This is version number 26 – now with a slightly broken beat, somewhere on the edge of UKG,
even though it's still just 128 BPM.
I think it finally starts to have some drive.

Marko Damian - Otaca sa mi svet (Bobsan Remix)

My Bassline Rework of Cornfield Chase from Hans Zimmer’s Interstellar soundtrack.
I wasn’t trying to improve a perfect piece – just to see if it could live as a dance track.
The harmony stays the same, but everything else is built from scratch for the dancefloor – new drums, bass, and pressure.
Let the listeners decide if it works.
My sound has drive, not hype.

SK:
Moja Bassline Rework verzia skladby Cornfield Chase z soundtracku Interstellar od Hansa Zimmera.
Nechcel som vylepšiť dokonalú skladbu – skôr zistiť, či sa z nej dá spraviť tanečná verzia.
Harmónia ostáva, ale všetko ostatné som postavil odznova pre klub – nové bicie, basa a tlak.
Nech si každý poslucháč posúdi sám, či to funguje.
Môj zvuk má drive, nie hype.

Bobsan – Cornfield Chase (bassline rework)

I started making music back in 1999.
My progress has been steady rather than fast.
It took me so long to sound the way I wanted.
My sound has drive, not hype.

Bobsan – Cornfield Chase (bassline rework)

𝙱𝙾𝙱𝚂𝙰𝙽