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Contact me :
Follow me : @bochkovsky-composer
Twitter: @Bochkovsky
Facebook : www.facebook.com/profile.php?id=100007324244661
Email: florian.bochkovsky@gmail.com

01-Welcome To Eden's Land (By Florian Bochkovsky)

"La musique est une révélation plus haute que toute sagesse et toute philosophie."
"Music is a revelation higher than all wisdom and philosophy."

Ludwig Van Beethoven

I am a flute teacher, concertist flutist, composer and software engineer.
I have taken back the study of piano since May 2018. I am a member of the Sacem in Paris and of the Swiss association Archebole located in Lausanne.
My flute teachers were :
Jacques Lévêque
Maurice Beugnon
Alain Marion
Michel Debost
Pierre Lambert
Robert Hériché and
Shigenori Kudo 
My composition's teacher was :
Lucian Metianu
I'm on Facebook since 2017 : https://www.facebook.com/franck.douvin
You can follow me on my website : https://www.franckdouvin.com and on the composers's  plateform : https://www.soundcloud.com/franckdouvin
If you want to support my compositions and recordings posted on my YouTube channel : https://www.youtube.com/channel/UCq-H2y_Kg_7ftLiY4n3qxSw or simply support my activity as a musician, you can donate to me via Paypal : 
https://www.PayPal.me/franckdouvin
Thanks, Franck

In my music, I try to inspire me different forms that are in the nature, where microcosm and macrocosm intertwine closely.
It is really pleasant to be able to share our musics through our passions and ideas...
I currently have 67 Opus and all scores are available. 
Thank you for listening, comments and reposts !

Je suis professeur de flûte traversière, flûtiste concertiste, compositeur et ingénieur software.
J'ai repris l'étude du piano depuis Mai 2018. Je suis Membre de la Sacem à Paris et de l'association Suisse Archébole dont le siège est à Lausanne.
Mes professeurs de flûte traversière furent :
Jacques Lévêque
Maurice Beugnon
Alain Marion
Michel Debost
Pierre Lambert
Robert Hériché et
Shigenori Kudo 
Mon maître de composition était :
Lucian Metianu
Je suis sur Facebook depuis 2017 : https://www.facebook.com/franck.douvin
Vous pouvez me suivre sur mon site internet : https://www.franckdouvin.com
ainsi que sur la plateforme compositeurs : https://www.soundcloud.com/franckdouvin
Dans ma musique, j’essaie de m’inspirer des différentes formes qui se trouvent dans la nature, là où microcosme et macrocosme se mêlent étroitement.
C’est vraiment agréable de pouvoir partager nos musiques, nos passions et idées...
J’ai actuellement  à mon actif 67 Opus et toutes mes partitions sont disponibles.
Merci pour votre écoute, commentaires et reposts !

Si vous souhaitez soutenir mes compositions et enregistrements postés sur ma chaîne YouTube : https://www.youtube.com/channel/UCq-H2y_Kg_7ftLiY4n3qxSw ou tout simplement soutenir mon activité de musicien, vous pouvez vous me faire un don via Paypal  :
https://www.PayPal.me/franckdouvin
Merci, Franck

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.