Dramatic, great! Excellent choir, fantastic instrumentation !!

Very good dramaturgy in this well designed soundtrack! - Hello, here my new track: „My longing is holding me tight“. I would be glad again, if you listen in and give me some feedback (repost, comments on the track timeline, or like). In the introduction to the track you can learn something about the background of the meaning of the song title.  As always: If you need any support from me for your music, please contact me. With best regards from Berlin Karl  https://soundcloud.com/user-867592383/my-longing-is-holding-me-tight

Superbe style dramatique, belles orchestrations!!

Excellent dramatic and powerful composition ... wonderful instrumentation and well crafted build

Epic/Hybrid/Dark

Comment if you like :)

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Fire of Dragon (By Florian Bochkovsky)

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Disaster ( By Florian Bochkovsky)

Piece for organ and fixed media electronics. The first performance was given by Vladimir Magalashvili in his concert 'Organ . Light . Percussion . Electronics' on 26 May, 2024 at the Kirche Zum Guten Hirten, Berlin-Friedenau. 

A majestically broad cycle of chordal 'mantras' propels the main body of the music, with visceral synth tones weaving in and out of the organ texture.

OMEGA (organ + electronics) (2023)

Cromlech Vortex - 01 - Laisser - Courre (T.Corbière)

Reminiscence VI

Resting In The Dark -  Shane Beck & Walter Fini

Fragmented, Parts I + II (New Mix)

From the 5 track album IMPROVISATIONS
https://peteswinton.bandcamp.com/album/improvisations

02. JP 02 DIGITAL GUZHENGS

Dont Ever Fade Away

I intended for Tankards & Tiaras to be written as a pub style sing-a-long song like Roll Out The Barrel, but it slowly started drifting into an instrumental piece.  

When I'm writing I have very strong visions, like scenes from a film and they live repetitively rent free in my head ... sometimes very annoying!  For this piece my vision began in an Edwardian-era working man's pub where folks have gathered at the end of a hard days work, joyous with each others company, raising their tankards to each friend's health.  When I sent it off to Oliver Lodge (composer) I knew I wanted it to transition from working man's pub to an upper-class party at a ballroom; two extremes of the British Edwardian era.

You will hear that the first half of the piece is simply a clunky piano (like you'd find in the corner of a pub) and violins are added to help build the track.  I then wrote a bridge to help lead into the next segment.  I kept the bridge pretty because I am a romantic and I also had visions of the two worlds crossing over romantically, like Romeo and Julia, or a Jane Austen story.  The second half of this track then builds to a full crescendo, as you would expect to hear at an oppulent dance in a ballroom, with Edwardian ladies and gentlemen dressed in full regalia.

How did I do?  Does this track give you any visions?  Could you hear it being played in a ballroom scene in an Edwardian-era film?  Or maybe as background music in a pub?  Or perhaps a music hall?

I haven't release this track as a single but it's on my Moments In Time album being released on Jan 5th, 2024.  Thank you for listening!

Moments In Time

Tankards & Tiaras

Tankards & Tiaras | Joanna Finnis

Dreamy Lydian is more than just a song; it's an experience. It's a journey through the subconscious, a glimpse into the hidden realms of possibility. It's a reminder that even in the darkest night, there's always a spark of light, a whisper of magic waiting to be heard.

CREDITS:
Produced by Shehzad Bhanji
Recorded and Engineered at SB Studio, Adelaide, Australia 
Mixed & Mastered by Shehzad Bhanji
Drums by Lee Kelly
Synth by Miguel Thomas

Dreamy Lydian

Desolation

Une composition  crée pour mon ami @alcablast
A composition made for my bro @alcablast
A picture by : https://www.facebook.com/emmanuellerambergillustrations/?fref=ts

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Alcablast's Theme (By Florian Bochkovsky)

Archdevil (By Florian Bochkovsky)

New epic music wrote in 7/4

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Alien Attack (By Florian Bochkovsky)

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Chaos In The Sky (By Florian Bochkovsky)

Florian Bochkovsky

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