Radiell

THE CALM OF THE WATERMELON CITY (ANALOG RECORDING)

From The Mental

Taken from the new EP "Noyaux" - out Nov. 6th  2015 on Morr Music.
Buy the single on iTunes: api.morrmusic.com/itunes/1044652779
Follow Benoît Pioulard for updates:
http://pioulard.com/
https://www.facebook.com/pioulard
www.morrmusic.com

Buy on iTunes

Benoît Pioulard: Noyaux

Lightness - Music For The Marble Palace (1998) by Brian Eno

Pre-order 'All Together Again' on LP/CD/DL: http://phonofile.link/all-together-again

There is no end to composer Peter Broderick’s creative output, and so we present to you his new album titled 'All Together Again' — available worldwide on November 17th 2017 via Erased Tapes. 

Words from Peter, October 2017:

"Ever since I started releasing records in 2007 (10 years ago now!), people have contacted me periodically to ask if I’d be interested in making music to accompany their projects. Most of these projects have been things like films, dance pieces and theatre plays . . . but every so often I get the odd request for something a little different. Peter, would you write a song for my wedding? My one year anniversary? A ferry boat ride?

In early 2015 I was asked to perform 12 minutes of music during a runway show as part of New York Fashion Week. I agreed and began composing a 12-minute piece which I could perform on my own with a few different instruments and some looping pedals. I made a recording of the piece and sent it over to my contacts at the fashion show . . . but a few days before I was to fly out to New York, they wrote back and told me they actually just wanted me to play a few older songs that they were already familiar with. Feeling slightly disappointed, I shelved the other piece, giving it the title If I Were A Runway Model.

It is with great pleasure that I now present this piece in a collection of commissioned works spanning the last decade . . . it’s All Together Again. This group of oddball works does indeed include a couple pieces written for weddings (Our Future In Wedlock and The Walk), and a song someone asked me to write as a gift for his wife on their first year wedding anniversary (Emily). And indeed, there’s a 17-minute piece written to accompany a ferry boat ride in Istanbul (A Ride On The Bosphorus). A few of the pieces were written for films (Robbie’s Song, Atlantic and Seeing Things), and one for a kind of interactive installation (Unsung Heroes).

In my early days of recording, I took pride in playing all the different instruments myself and doing the recording myself as well. And then at some point I started branching out, working with other musicians and recording engineers. But this record is very dear to me in that it’s a return to that original approach . . . playing all the different instruments myself, working with my limits on each one, and my own limits in recording and mixing. I’ve always held a broad curiosity for all different instruments and all different styles of music, and if nothing else I hope this record will portray that curiosity, and my pure love for this thing we call music. Can you dig it?"

The cover art was made by Peter himself in his hometown of Portland, Oregon, by cutting and sticking different coloured paper fragments to depict the individuality of each track. 

TRACK LISTING

1. If I Were A Runway Model
2. Robbie’s Song
3. A Ride On The Bosphorus
4. Emily
5. Our Future In Wedlock	
6. The Walk
7. Atlantic		
8. Seeing Things
9. Unsung Heroes	

WEBSITE: www.peterbroderick.net

All Together Again

Peter Broderick - A Ride On The Bosphorus

California-based r beny appeared on my radar late last year, with his beautifully crafted opus fashioned from modular and hardware synthesizers entitled cascade symmetry. Kicking of 2018, now on Dauw label from Ghent (Belgium), this mysterious composer returns with a cassette (and digital) album, titled saudade, which is now available for pre-order. The sparkling synth bits are back, shimmering in a sunlight of the San Jose beaches, bathed in light winds of tape hiss and lo-fi textural treatments. “Saudade” is a Portuguese word, referencing to a melancholic state of mind, and its loose translation perfectly captures the mood of longing for someone with a repressed knowledge that they may never return. The opening track, “fernwood”, which we are proud to premiere for you today, is a beautiful and fragile prelude to an emotional journey.

Pre-order

TRACK PREMIERE : r beny - fernwood

No. 4

christina vantzou 'some limited and waning memory'

Physical: geographic-north.com/cassette/coyotes/
Digital: geographicnorth.bandcamp.com/album/coyotes
Catalog #: GN49
Cassette, limited to 100

Félicia Atkinson is a composer, sculptor, painter, poet, and publisher from Rennes, France. Atkinson has led a fruitfully fantastic run of eerily blissful, serenely euphoric sounds. Whether under her own name or via her defunct recording pseudonym Je Suis Le Petit Chevalier, Atkinson has released work on Umor Rex, Digitalis Limited, Aguirre, and Shelter Press, an imprint co-run with Bartolomé Sanson.

‘Coyotes’ is an EP inspired by Atkinson’s last voyage to New Mexico in February 2017, when she visited and took in the geographic landscapes from Taos to Ghost Ranch. The same vistas also inspired much of Agnes Martin’s and Georgia O’Keefe’s painting, as well as Jerome Rothenberg’s poetry and translation’s works.

Atkinson describes a ‘Coyotes’ as a “Carnet de Voyage,” a tape you could directly play in your car while traveling somewhere, a kind of imaginary map to a sentimental journey. A spontaneous gesture, close to the notion of gift or offering. Or, simply, a postcard to a friend.” But it’s also a praise to the conservation of national and state parks and its human and non-human souls, menaced as we know now by drilling and violent economic speculations.

Here, coyotes act as a kind of metaphor of ambiguity and doubt, a state of mind that Atkinson find interesting to transcribe musically; the ambiguity furthered by Atkinson as a literal “foreigner” in New Mexico. She conveys a sense of visiting these native sacred lands and wondering what you are doing there.

Musically, ‘Coyotes’ is composed of two long tracks, “Abiqiu” and “Lighter Than Aluminium.” Each track features an effervescent froth of piano, midi sounds evokes marimbas, Fender Rhodes, bells, sub-basses, and spoken word poetry written by the musician to display a melancholic landscape made of transparent but deep layers of pale colors and blurry lines.

Félicia Atkinson - "Lighter Than Aluminium"

this will be a VERY limited edition ep: lathe cut 8" and made to order! the pre pre order is open: please email jonathan@hibernate-recs.uk for more information.

notes from the rural colours newsletter about this release:

These will be made available to order for 7 days only and they will never be released on this format again. There will only be as many copies as there are pre-ordered plus a few additional copies for the artist. Each release will come in a hand printed sleeve on recycled card with original artwork by Katie English who has been doing all the recent Rural Colours sleeves. The cost for each EP is £20 including shipping.

offthesky / Coma communion [excerpts from side A and B]

Disquiet0426 - Cellular Chorus

Music Artist and Visual Artist vie à Paris (France)
BOCREW or THEDEEPR is an artist and the founder of BOCREW CCmixter in 2005. Make music since 1991. The major part of BOCREW music is Hiphop but also can be Electro, Ambient or Deep house.
Wordpress :
https://bocrewsound.wordpress.com
Instagram :
https://www.instagram.com/thedeeprbocrew/?hl=fr
Bocrew Bandcamp :
https://bocrewsoundmusic.bandcamp.com
youtube :
https://www.youtube.com/channel/UCYY--roR3_yH4YS0F0omiOw

THE CALM OF THE WATERMELON CITY (ANALOG RECORDING)

BOCREW THEDEEPR (OFFICIAL)

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