Name: Nineties Girl - Feat. Rachel Maxann by B of Briz
Duration: 3 min 49 s
Description: The latest bassy groover from Bristol's weirdest woman rapper B of Briz, featuring a stunning sung vocal by Rachel Maxann, 'Nineties Girl' is about the amazing and kick-ass women making music in the nineties, and what it meant to a teenage girl with a big horizon in a small town.

Another great song there B of Briz. Love the Portishead reference in the lyrics.

love all the references in this. came across you on fresh on the net, following now  :)

The latest bassy groover from Bristol's weirdest woman rapper B of Briz, featuring a stunning sung vocal by Rachel Maxann, 'Nineties Girl' is about the amazing and kick-ass women making music in the nineties, and what it meant to a teenage girl with a big horizon in a small town.

Nineties Girl - Feat. Rachel Maxann

Matador (Feat. Gabriele Pribetti, Harry Pope, James Beckwith & Eoin Walsh)

Off the back of their third release ‘CherrySevenUp’ along with a couple of popular remixes, the Liverpool collective have their fourth single lined up called ‘SHAKE!’ 

Moving a bit away from the broody, fat beats and riffs of their last singles; ‘SHAKE!’ Is a pogo jumping blast with bursts of percussion and cheeky lyrics sure to keep you bopping. 

Be sure to keep an eye on this one!

SHAKE! (Radio Edit)

JERRY BUNDLER, the second single from Finn Collinson's new album THE THRESHOLD, released 7th October 2022.

ORDER THE THRESHOLD: http://finncollinson.bandcamp.com

This song is inspired by a short story of the same name by W W Jacobs (1863-1943).

Filmed & edited by Rowan Collinson

Finn Collinson • vocals, guitar, tenor recorder
Emma Beach • oboe, vocals
Archie Churchill-Moss • diatonic button accordion
Evan Carson • bodhran, drums, percussion

Composed & produced by Finn Collinson
Mixed by Josh Clark
Mastered by Nick Cooke
Additional production by Simon Chorley

The Threshold

Jerry Bundler

<a title="Request license for this Track." href="https://www.tracksandfields.com/track/request_license?track_name=Familiar+Strangers&amp;user_name=James+Miles&amp;from_sc=1">Request license for this Track.</a>

Familiar Strangers

Floaty verses contrast with an impassioned chorus, featuring Doug Wimbish on bass and Josh Magill on drums.

Let Down

Monday Morning Revelations (Radio Edit)

Witnessing the fascinating conjunction of Venus and Jupiter from my hostel window prompted me to revisit one of my early attempts at writing music for solo MIDI electronics. 

"Celestial Dance", composed in May 2019, is in three parts, each following the other attacca, without pause. The harmonic structure of the work is derived from the clash (conjunction!) of two diminished seventh chords, with their root notes a semitone apart. Pierre Boulez had used such a chord in Sur Incises (and Incises)  which piqued my interest in its sonority. The instrumentation albeit MIDI oriented (which allowed me to push the instrumental performance to superhuman virtuosity) is made up of the instruments Boulez used in Sur Incises - with the addition of an electronic piano and solo strings. 

Celestial Dance, for electronics (2019)

Let me dive into the whirlpool
Covered in shimmery red dust
Just before the explosions 
Light my eyes
Collapsing with the clouds
Burning, bursting as celestial fireworks


The stellar wind is blowing me 
Where is too dark to tell
Where your fingers end 
And the void begins 


Flashpoint, electric swarm
We go through the storm
We go through the storm


Lost in space, time cannot cheat us
We'll sense the meaning of it all
Holy radiation will lead us to revelation  

Stellar wind is blowing me away 

Flashpoint, electric swarm
We go through the storm
We go through the storm

Flashpoint, electric swarm
We go through the storm
We go through the storm


Credits:

All music and lyrics by Lunar Bird

Recorded by Stefano Manca at Sudestudio
Mixed by Steffan Pringle
Mastered by Charlie Francis

Guest artist: Andrea Rizzo (drums)

Supported by Help Musicians 'Do It Differently Fund'

Firestorm

This track was recorded during lockdown with my mum recording voicenotes, it's recorded in Twi, and speaks of the importance of drums in African culture, especially with the arrival of dignitaries and kings. It speaks of my heritage as my father is of a royal household in Ghana, she refers to me using my Asante name, Kofi, the first line translates as "Kofi, you are of a royal household."

Journey Of The Drum

Treat Yourself

Silent Forum - Treat Yourself

Rapper and producer from Bristol. Delivering philosophically-inclined rap to you from the future, for all of womankind and our allies to enjoy with your ears and minds and bodies.

Nineties Girl - Feat. Rachel Maxann

B of Briz

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