📀🌿🌈Alien Spacetubs & Other Wonders Of The World

In 1997, I wrote the soundtrack for a movie being produced by members of the Jewish Anti-Defamation League, about Dachau.  For those that don't know, Dachau was the longest operation concentration camp run by the Nazis from 1933 to 1945.  Somewhere in the neighborhood of 30,000 people were systematically tortured and murdered in the camp.  This was to be the main title theme song, but alas, they dropped the project due to lack of money.  I've seen the first 20 minutes or so, and it's a real shame it wasn't finished.

I visited this camp, and I can tell you that it is one of the most unnerving experiences you'll ever have.  You can feel. touch and smell evil there, and the voices of its victims are still heard in and around the camp.   After I visited it, I sat on the curb in the parking lot and cried for a full 2 hours.

Elegy In Shadows

Il bell’Antonio (Handsome Antonio), the 1960 classic directed by Mauro Bolognini, is a cornerstone of Italian cinema. Starring Marcello Mastroianni, the film follows a man whose legendary charm conceals a deeply humiliating secret: his inability to consummate his marriage. Adapted from Vitaliano Brancati’s acclaimed novel, it’s a story that dives into desire, honor, and the suffocating weight of social hypocrisy. Piero Piccioni’s elegant score enriches every scene with its refined touch, making this soundtrack an essential listen for lovers of vintage Italian drama.

#smoothjazz #lofi #pieropiccioni #jazz #vintage #chill #soundtrack #ost #film

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Tema con Arpe

Aborted!

Apollo

An Ending (Ascent) (Remastered 2005)

"Weir" from Pale Ravine, one of the tracks that will for first time appear on vinyl through the 2016, 2xLP edition of the now classic debut album by Deaf Center, originally released on Type records in 2005. Coming this october on Miasmah

‘Pale Ravine’ is the debut full-length realization of Erik K Skodvin and Otto A Totland under the Deaf Center moniker. More recently known for solo recordings under their own names on the Sonic Pieces label. The album, back then made in their mid 20ies, is an other-wordly sound collagé to Norwegian nature, theatricality and old silent films. The two musicians have looked deep into their own family histories to piece together a dusty and nostalgic epic, blending elements of classical and electronic music with an array of field recordings and a lot of fog.

Maximum Black

Bohren & Der Club of Gore

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