Bokeh 2019

Taken from BKV024 Sikka Rymes - Love Di People EP
Hear more + buy here: bit.ly/2NKPVWd

“Incarcerated deejay touts Sikka Rymes as next big thing in dancehall” say the Jamaica Star headlines; referencing Vybz Kartel and Sikka’s cousin Shawn Storm, all of Portmore’s Gaza Nation dancehall royalty………..

So then we have Love Di People EP: Sikka’s first solid gold release after strings of strictly Vevo hits (‘Life of the Party’, ‘Nuh Change’) lie between his previous hook up with producer Genesis Hull (on Duppy’s 2016 Fresh Clipp’d). Genesis’ prods are pure widescreeen sub-tension and speed - now of Mexico City, he carries Sikka’s flow into gleaming new future chrome jobs of the dancehall chassie, the madness of 00s dancehall returns for global review. In This Time Of Many Dancehall Think-pieces: Live Long And Grow Strong.

The weight of two year’s of Drive demos caused Miro Tape to spontaneously burst into the world on Bokeh last year, we told you it was just a mixtape - Love Di People is the first wax seal on the Bokeh x Duppy Gun relationship, and not the last one of 2019. Founded by Sun Araw and M. Geddes Gengras, Duppy Gun pairs under-cover West Coast producers with Jamaican vocalists like G Sudden, Early One & others from their island HQs in Portmore & Spanish Town.

Vox by Sikka Rymes 
Prods by Genesis Hull 
Guest Vox by John D 
Art by Duppy Gun 
Released by Bokeh Versions 2019

Hear More // Buy Now

Sikka Rymes - Shake Ya Body (Fission Riddim)

"HOT" - SIKKA RYMES, prod. GENESIS HULL

Buy LP and Digi on Bandcamp: bit.ly/2J5HvJG
Follow @tronic-sea-urchin

Tahtib is food for your mystical post-exotica musical landscape - hand drums played by computers fall with a squelch into the swamp, horses neigh at dub bassists, there’s water everywhere full of urchins and tarot cards and just when you think you need to breathe this record breathes for you. Tahtib’s future ambient glyphs are matched with the rapid-fire staccato "taks” of imaginary tahtib sticks (tahtib is an Upper Egyptian martial art which was enjoyed and practiced by Leila's grandfather Baba Aly). Leila Hassan sings seamlessly between Arabic and Italian (and possibly more) breathing pure soundart alchemy across Francesco Cavaliere’s library of sound effects and textures. 

You remember Sea Urchin? They added their signature aquatics to Osaka-native 7FO’s 7” for Bokeh back in 2017. The duo of Leila Hassan and Francesco Cavaliere debuted a totally unique expression of ‘library music as future music’ on a series of small run cassettes before their proper debut LP Yaqaza was released on legendary Belgian imprint Kraak (Pan American, Limpe Fuchs, Typhonian Highlife). This caught the ear of Bokeh designer svengali Patrick Savile, who adds his vision to the LP cover. Francesco has also released solo explorations on Hundebiss (Kelman Duran, Lil Ugly Mane) and Edições Cn (Dolphins Into The Future).

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Sea Urchin - 'aynen BtetHadda 'fiba 'D

12" and digital available here: bit.ly/35cAGOh

And we used to be such a nice record label .... BKV 026 swells up from the Bristol swamp in the forms of post-human industrial duo Bad Tracking. Here they have assembled variously, one spacious black metal intro (with original screams), an industrial-pop earworm not unlike Depeche Mode imploding in a feedback tunnel, two itch-tek dancefloor riddims namecheking local venue bans and I just don’t know what to call ‘Wellspring’ really, the end of days? Well you had it coming anyway…..

Known in town for upsetting local MPs and lisencees with their live performances as ‘naked technology sex slaves’ [think cassette-induced self harm, total nudity, blood from ears], Bad Tracking are the most visceral thing we’ve seen in this new wave of Avon experimental - a breath of life into the longstanding tradition of industrial performance art (and an antidote to idle BR club culture). Lyrically touching on censorship and tech // sonically they use feedback as a punishing instrument of anguish and expression. Widower EP is truly chewed nail sonics, more human than all your noise records, genuinely more scary than your edgelord power electronics nonsense, more forward than all yer government funded experimental think-records.

You may remember Bad Tracking from their remix of 90s soundsystem legends Bush Chemists on Bokeh last year. It sounded like they played the original through 1,000 knackered tape decks and added one kick drum. It was total sacrilege and we loved it. Bad Tracking is Gordon Apps aka reputed jungle/drumfunk producer Relapse (who also moonlights as Avon Terror Corp’s Olivia Mutant John, buy his shit) and poet / VHS video artist Max Kelan (who has lent his visuals to MVs from Hodge, The Pop Group, OM Unit, Young Echo to name only 4). They’ve released on tRewdindForward family labels like Mechanical Reproductions and champions of bad taste and good music - Fuckpunk.

“Tell the widower, of the nanny state, to go and fuck himself…..”

Video single for 'Widower' - youtube.com/watch?v=Ao5dj1FNbr0  
credits
releases October 18, 2019

Bad Tracking are Gordon Apps and Max Kelan go buy their shit
rwdfwd.com?s=bad+tracking
burdenimprint.bandcamp.com

Artwork by Bad Tracking and BKV Industrial
Video directed and edited by Max Kelan
Artwork assembled @ Bokeh HQ
Live photo of BT by Simon Holliday
Made in Avon

Buy Now / Hear More

Bad Tracking - Wellspring

Outopia Thru Sound // BKV Industrial + BKV Cadavre + Bokeh Thought Programme // Avon Terror Corps // I serve Duppy Gun // Pheasantry Life ⚔