Em uma de nossas interações com a natureza, uma canção fluiu como o ar, de forma espontânea numa performance ao vivo e de puro improviso com instrumentos acústicos e orgânicos.

Beto Yamani - Bongô e flauta
Endell Magalhães - Violão aço e slide
Rafael Gallernie - Violão Nylon
Guilherme Tófano - Djembê

Veja o clipe no Youtube: 
https://youtu.be/Zu-7uTuXo2w

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Madre Terra 2022
Todos os direitos reservados

Jam Session(ao vivo)freestyle #shamanic

O Xamã Gideon dos Lakotas canaliza os hinos através do oitavo chacra.
A mensagem chega em lócus, são sentimentos.
Então o Padrinho decodifica o espiritual para as palavras, utilizando-se das somatória de todo seu aprendizado de diversas encarnações, da sua conexão permanente com o Astral Superior e os Ascensionados, mas também do conhecimento adquirido pelos livros que leu, histórias que ouviu e de suas experiências vividas nesta vida.
Usando de toda a bagagem espiritual de um espírito que já alcançou a iluminação, e por vezes sitando parte de mensagens que leu em livros e das histórias que ouviu, ele deixa um legado de sabedoria e humildade, amor e compaixão, brandura e serenidade, muita decisão e coragem testificados através de sua capacidade de ação.

Pedra Filosofal

The opening track from our set at Festival De Percussion de Longueuil in 2013 (our debut set), this is a track by Yakaruna (Ex Hamsa Lila members: Vir McCoy and Evan Fraser; www.yakaruna.com). It sets the mood perfectly for the warm up part of our set, giving space to breathe and for the musicians to play on it. Flute is courtesy of Michel Dubeau, and the Didge is courtesy of Rodolphe Gagnon (Apadoorai).

Steppes (by Yakaruna)- Boreal Groove  Remix

Iluminária do Ser  X

by Surya Prakasha and Traditional Yoruba/Santeria Prayer
Dedicated to Jai Prakasha and Milton Cardona
Verses are from a Cuban Santeria prayer to Xangô, known as the Orixa of thunder and lightning. 
Translation from Yoruba, a West African language and religion that survived the middle passage of the slave trade:  
“We call on the god of the earth, asking for connection. We pay respect to Oshun, goddess of the sweet waters.  We ask permission from Elegua, keeper of the crossroads.  May it be so!  The king (Xangô) is not dead!” 

Surya Prakasha (drum set, lead vocals, harmonium), Evan Fraser (kalimba, vocals), Eliyahu Sills (upright bass, vocals)


Xangô



Alan Sugaya

1847 followers
15017 Tracks

Overdub instrument at Home Recording - 12/28/2025
Performed on Yamaha DTXtreme III Drum Kit with a Yamaha M12 Percussion Drum Pad


Così vero con te  -  Vocal n Drums.wav

10 Instrumental 10 Mangalam - Wai Zumala

Café Duplo - Nova Estação

“Minha Deusa e Eu” é um documentário performático sobre o encontro com a Deusa interior na mulher da contemporaneidade.

Trilha sonora do Documentário feita pela Eu SÖM.

Produção/Mix/Master - João Pedro Gonçalves 
Poesia - Rebecca Durães

Minha Deusa e Eu 

Bear Drum Evocation

    "The world music group celebrates the Divine by using an arsenal of musical instruments from various parts of the world, developing exquisite pieces that blend world music with jazz rhythms and stylings."
    -World Music Central

    BOLO is a dynamic ensemble with Surya Prakasha (Lavay Smith) on drumset, vocals and harmonium, Eliyahu Sills (The Qadim Ensemble) on ney & bansuri flutes, oud, and upright bass, and Evan Fraser (Dirtwire) on West African kamale ngoni (harp), kalimba, and percussion.

    With a fresh improvisational approach, the group creates music that will move, uplift and transport. Featuring African sourced grooves with sacred folk songs, African and Indian melodies, BOLO speaks to the heart in a musical language that bridges continents and unites us all.

Instruments:
Bansuri: bamboo flute from India. From Sanskrit words ‘Bans’ = bamboo & ‘sur’ = musical note.
Nai (Ney in Turkish): Middle-Eastern flute made from the reed. Nai is a Farsi word, meaning ‘reed.’ It’s believed to be the oldest melodic instrument on earth.
Kalimba: African thumb piano, found throughout sub-saharan Africa.
Kamale Ngoni: African harp with 10 strings. A cousin of the Kora, from Mali and Burkina Faso.
Bass Kamale Ngoni: lower register African harp, with 10 strings.
Bendir: North African frame drum with gut snares and goat skin.
Drum set: invented by Ludwig & Co. with the introduction of foot pedals, made famous by jazz drummer Warren 'Baby' Dodds.
Harmonium: portable hand-pumped reed organ, brought to India by European missionaries.
Khol: two-sided clay drum from northeastern India, traditionally used in devotional music.  
Oud: Middle-Eastern, pear-shaped, fretless instrument with 11 strings.  It’s name comes from the Arabic word ‘oud’ that means ‘wood.’
Upright Bass: from the European Viol family. The bass became part of the rhythm section in Jazz and other music of the Americas by being played with fingers instead of a bow.
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Engineered & Mixed by John Schimpf
Photography by Ahri Golden
Graphic Design by Mirissa Neff
Mastering by eO
Recorded at 25th Street Recording, Oakland, CA

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We are very grateful to our families, teachers, friends, music lovers, dancers, and benefactors who made this album possible.  We give thanks to the Creator and to the Earth for providing everything we need: water, air, food, and the organic elements from which musical instruments are made. We honor and offer gratitude to the cultural curators of the world who cultivate traditional arts and pass them from generation to generation.  


Xangô

BOLO

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