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Next up on Fina is the Sleet EP from Dampé - the solo project of Joe Munday, a producer and DJ from South London. Joe’s foundation in dance music stems from becoming a regular on the floor at parties like FWD>>, Deviation and You’re A Melody. His music brings together those undeniably UK sounds with a bit of worldwide influence and some production flair to create something quite distinct. The four track Sleet EP is no exception and is probably his most immediate, deep and dance floor focused project yet.With a string of releases on Dirt Crew, Darker Than Wax, XVI, WotNot and Faith In Industry as well as a monthly residency on Rinse, Dampé has carved out a space for his sonic brand of introspective, deep UK dance music. 

Pash sets pace for the record with a charging 909 pattern, choppy breaks and weighty sub. The ravey but floaty chords that emerge from the breakdown propel things forward, spilling over the beat. You can almost feel the heat from a summer day party on your face.Stave Hill is a chugging rhodes groove where flashes of machine funk, raw disco energy and a garage vocal sample dance around each other. The River employs the keyboard skills of Narotam Horn shredding over a lush latin, bruk inspired rhythm. Sleet closes the record with some rolling house pieced together from tape samples, acid baselines and a growling Vermona DDR.

PREMIERE: Dampe -  Pash

Following releases with YAM, Tiff’s Joints, Dr Banana and Touching Bass, artist Romaal Kultan (Ollie Malin) now inaugurates his own record label, Personal Discs.

No Time Like The Future showcases Romaal Kultan’s finest productions, charting a distinct personal trajectory between hiphop, house and broken beat. Opener One Moment Please is a sassy boom bap affair, with an unexpected nod towards jungle. Music Room, made in collaboration with producer Cypriano, is a patient, moody chugger — a tapestry of piano, organic percussion and crackly vinyl samples laced with acid.

On the B-side, Personal Effects delivers a unique, hypnotic broken beat groove, where swelling synths and a twinkling Rhodes meditate together in careful arrangement. Finally, the intimate title track No Time Like the Future stomps off into the sunrise, carried along by a rolling, yearning dreaminess.

Each one of these tracks represents a special, all-too-rare moment of ecstasy in the studio. I hope that this feeling lives on in the music.

So far the record has received support from Alexander Nut, Mr Scruff, Lefto, Kai Alcé, Bradley Zero, Mary Anne Hobbes, K15, Dr Banana, Alex Attias, EVM128, Zakia, Shy One, Tereza, Alia, Earl Jeffers, Footshooter, K-Lone, Poison Zcora, Dean Chew, Marcia Carr, Leanne Wright, Dead Man’s Chest and more.

https://romaalkultan.bandcamp.com/album/no-time-like-the-future
https://soundcloud.com/romaalkultan

PREMIERE: Romaal Kultan - No Time Like The Future

Tim Enso Sunglasses At Night

Proyecto Remix de Babasónicos - Carismático (LZ3 Edit)
Descarga gratuita en Bandcamp.
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Babasónicos - Carismático (LZ3 Edit) FREE DOWNLOAD

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It's no secret we're big fans of Heart to Heart (being one of Canada's only vinyl-focused labels is a quick way to get in our good books), and today we get to double down on the feels as H2H011 comes to us with an entirely Canadian lineup. "Tales From Plush Palace" is a nostalgia-soaked vinyl debut by Vancouverite regularfantasy that comes with three originals and a speedy remix from the never only so-so Zozi (aka the always a-plus D Tiffany).

After a brief intro of crunchy drums, a classic chord progression offers a trip down memory lane and goes onto become a reliable foundation for the rest of the track. Lush synth hits, warm pads, and the "not quite a trumpet but definitely a trumpet" you'll surely recognize from decades of house past, make up the family of vintage sounds that work together to build the track. A loose arrangement keeps things exciting while giving the vibe that the production was the result of intuitive jamming versus formulaic sequencing — a welcome feeling given how so many music making tools lend themselves so readily to the latter. And while it can be risky to dip so deeply into the past, everything here is fresh enough for guilt-free enjoyment.

On the remix, fellow Vancouver house-head DJ ZOZI speeds things up and flips the track from a casual afternoon in the sun to a night so late it has to be almost sunrise. Aptly named the late night mix, the quicker arrangement and added sounds make for a robust DJ tool that would sit comfortably in the "I don't want to know what time it is" section of your crate.

The B-side keeps things chill with "It's Softer Than It Looks Scotty Jam" and "House Interlude 2 (Island Mix)". Both tracks serve as a soothing come down to the raucous mood of the A-side and give the EP a subtle depth beyond the dancefloor. Tales From Plush Palace is out May 17th on vinyl.

PREMIERE : Regularfantasy -  Baby's First Track (Zozi's Late Night Mixdown)

Allergy Season owner Physical Therapy aka Kirk The Flirt drops a full package of dope ass balearic break infused club stompers ! Limited copies! NO REPRESS - 180g

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Also available at SpaceHall Berlin!

Early support from : Project Pablo, Fabio Monesi, The Black Madonna, Seb Wildblood, Marcel Vogel, Ciel, Red Rack'Em, Eclair Fifi & Moxie.

Cease & Desist Ep

Bandcamp

[AXTX007] Kirk The Flirt - Cease & Desist Ep

TSC 1 is Too Smooth Christ’s first release on AVA. Records. Five fine dance tracks straight from Paris, great for every occasion.

Artist: Too Smooth Christ / @toosmoothchrist
Title: TSC 1 
Format: 12" vinyl + digital
Released: December 4, 2018

Tracklist:

01 Shape Of Your Heart 
02 Base 
03 Forget 
04 The Head 
05 Nonance

TSC 1 *Snippet*

TSC 1

Buy “TSC 1”

AVA.016 Too Smooth Christ - "TSC 1"

ct kidobo & gnork_ Lost Preset

Haŵs Party Vol. 2 is a record of soulful, introspective tracks, as though you’ve suddenly become alone on the dance-floor and you turn inwards to explore. Whilst Haŵs Party Vol. 1 took an interstellar road-trip into space, the sophomore release takes a more drawn-out, lengthy cruise into the internalised, cerebral soundscapes of dance music. Wading through the borders between electro, breaks, acid and house, the second instalment from the Cardiff-based label and event promoters travels through uncharted regions of the sprawling atlas of music via another catalogue of exceptional names.
Jad & The’s honey-eyed electro opener ‘Digital Daintree’ is as groove-inducing as it is impassioned – a compact knit of synths, pads and rainforest samples that has no problem in stirring the creative hemisphere of the mind. The glossy interweave is torn apart swiftly, however, by the subsequent track; Dan Only’s ‘Pointless Melody’ is far from purposeless, but impishly bolts between weighty breaks and a greedy acidity that is tempered down by the dainty melody peering through the crevices. The final track on the A-side, ‘Hometurf’, comes from Aleksandir, who projects his lightheaded, wistful sound into warm breakbeats and a soaring repository of arpeggios that’ll have you ceaselessly yearning for some forgotten memory that you assumed had been lost forever.
Harry Griffiths’ ‘Llyn’ ushers away the breaks and replaces them with sun-dappled arrangements of chords and incandescent melodies that flutter like the hypnagogic visions that occur just before you dream. Carlo’s ‘White Lies’ takes the groove deeper than the fissures of the brain. Deliciously raw, balmy and with a frisky bassline, it’s a deep house track that gets back to the pure state of jamming through a wash of live samples from his collaborator, Nikoss. Does the past or future exist, or are we in the perpetual now? The existential rumination is carried gently back to reality with Sandboards rounding up proceedings. A placid coaxing out of the six-track reverie, ‘Japan Pt. 2’ scoops you up in nostalgic bells, pacifying drums and purring basslines until you’re ready to wake up.
It’s an internal excursion for all. Close your eyes, let the motions of your mind plunge deep into your soul, and have your body do the talking.

LISTEN ON YOUTUBE

PREMIERE : Dan Only - Pointless Melody

The initial track "Souvlaki Sensation" is a sleazy and drippin' balearic dub track filled with cumbrous snare drums, woozy echo chords, a surreptitious phone-like top melody and an echoing bass line.

From Mythos (Μύθος) [BLÅSTUD001], released July 11, 2020
Produced by Ari Bald at Blåklint Studios.

https://blaklintstudios.bandcamp.com/album/mythos-bl-stud001

Souvlaki Sensation [Μύθος]

This Is Our Time welcomes Aspetuck from the US to their label family with 'The Time Capsule Experiment' EP. His three original tracks are ranging from house, breakbeat to electro but all of them come with a nice twist. The EP comes with two remixes. Jeigo's rethinking of the title track is a meetup of two worlds: an aerial stomper for closing your set in the early morning hours. 

@this-is-our-time
@aspetuck
@jeigomusic

The Time Capsule Experiment (TIOT-DIGI2)

PREMIÈRE: Aspetuck - The Time Capsule Experiment (Jeigo Remix)

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PREMIERE : Regularfantasy - Baby's First Track (Zozi's Late Night Mixdown)

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