2020

'Follow The Earworm' serves as our introduction to Berlin-based quartet Aver & Move 78.

FOLLOW THE EARWORM : HECTIC AS FUCK [mp3]

Aver & Move 78 - Follow The Earworm (TS Premiere)

ZFEX Vol.II

Mas O Menos

TRUCD223 Wildcookie - Serious Drug, Cookie Dough

Wildcookie - Serious Drug

Bad With Names

Slope

Joe Armon-Jones & Maxwell Owin are forces to be
reckoned with. Both integral parts of the burgeoning South
London jazz scene, these young musicians contribute to numerous
outfits including Ata Kak, Jamie Isaac, MC Pinty, Moses
Boyd Exodus and Ezra Collective, as well as pushing their
own solo projects.

This is their first combined effort.

'Idiom' is the result of multiple collaborations under the
direction of Joe and Maxwell. Featuring Nubya Garcia, Oscar
Jerome and Jake Long, it is heavily influenced by the hardcore
continuum and covers everything from 2-step, broken-beat and
house to jazz and dub.

Having been compared to artists like 4hero, Floating
Points, Harvey Sutherland and Moodymann all in the
same breath, Joe & Maxwell are already garnering support
from Radio 6 Music's Gilles Peterson, Musica Maconda's
Tim Garcia and Jazz FM's Chris Philips. This is an
accomplished body of work by some of the most exciting
young talent in London right now.

B2 - Joe Armon - Jones & Maxwell Owin - Easy Now

A3 - Joe Armon - Jones & Maxwell Owin - Mind's Eye

Production @Nu Guinea
Mixed by @jan-b-300086776 
Mastered by @BenjaminTierney
Photo by @LeaGotfredsen
Artwork by @Krashkid

Lyrics:  https://genius.com/Wayne-snow-nothing-wrong-lyrics

Little brother don't you worry
Things will be fine
There's nothing wrong
In our struggle we feel weary stranded alone
There's nothing wrong

We've come so far
From bread to ashes
Thoses days are over
 Nothing wrong

We can be free
I know from within
It will be real
Nothing wrong

Nothing Wrong

Who U Think U Are, Pt. 2

* Read more: https://boltingbits.com/ruby-rushton-yardley-suite-22a/
* Watch on YouTube: https://youtu.be/E5bMVF9Tov8
* Pre-order: https://rubyrushton.bandcamp.com/album/overture-1

Tenderlonious led jazz quartet, Ruby Rushton, return with a brand new limited 7” single, a swift response to their highly acclaimed “Ironside” album released back in April of this year. These two new tracks continue to push the bands sound into newterritory.

'Overture 1' is a brand new composition from Ruby Rushton keyboard player Aidan Shepherd. Taking inspiration from bands like Weather Report and Soft Machine, its explosive introduction leads you to a dub-like breakdown, creating an open space for Shepherd to let loose his synthesizer for some deep space, Headhunters’esque exploration. 

'Yardley Suite' is a song first conceived by band leader Ed ‘Tenderlonious’ Cawthorne back in 2012. Having lied dormant for several years it felt like an appropriate time to pull it back out the bag. It’s a composition inspired by Cawthorne’s solo work as an electronic producer, under his alias Tenderlonious. Always wanting to merge his various approaches, 'Yardley Suite' is the perfect mix of Jazz and House. With a steady four tothe floor beat and snappy horn lines its sure to work its magic on dancefloors around the globe. 

Having focused on improvisation and more “open” compositions in the past, the bands new direction is geared towards tighter, more groove-orientated arrangements. This exciting new material is yet further evidence that this is a highly prolific band at the top of their game, continually evolving, stretching out their own unique sound across the full jazz spectrum. 

This is a, one off run, limited edition 7" single. 300 copies only with bespoke painted artwork from Lorna Robertson. No repress!

PREMIERE: Ruby Rushton - Yardley Suite

 Taken from Gilles Peterson 6 Music show. 

Nominated for Best Track of 2012 - World Wide Awards.

http://www.gillespetersonworldwide.com/worldwide-awards-2013-new-acts-announced-public-vote/


Produced & Arranged by Theo Parrish and Andrew Ashong
Drums - Andrew Ashong
Percussion - Andrew Ashong
Acoustic Guitar - Andrew Ashong
Fender Rhodes - Andrew Ashong
Arp Synth Bass - Theo Parrish
Slap Bass - Andrew Ashong

Flowers- Andrew Ashong & Theo Parrish

Wishing all of you a wonderful start to 2020.

Jazz is absolutely on fire all around the world right now. So many Choices so many brand new projects from London to Chicago or even Paris and Tokyo! I feel happy and lucky to start this new decade with these covers, samples and of course new original productions with a deep and dancefloor feeling.

MY FAVORITE THINGS - Show #19 (Hosted by Psycut)

Crackazat has been one of my favorite producers for awhile now, so I thought he would be a perfect fit to remix one of the top release from us in 2019 – Night And Day. Honestly, the remix has exceeded all expectations. Crackazat takes this already powerful, positive tune to new heights with his frenetic piano workout and classic pads and percussion. This is a tremendous way to start 2020, our 27th year. Play it Loud!

–Jeff Craven | 2020

Curated by Jeff Craven for Large Music LLC
27 year of House Music History.
For licensing: info@largemusic.com

Night & Day (Crackazat Remix)

Buy Now

Night And Day (Crackazat Remix)

Roots

Jorja

No Distraction

No Distraction (Khruangbin Remix)

I know you

I Know you ep

Black Loops & Ruff Stuff - Is Electro Still A Thing - SNF044

Beyond their highly sought after 1978 album Festa Para Um Novo Rei - home to the mystical jazz-funk classic ‘Vidigal’ and released on Philips’ iconic Musica Popular Brasileira Contemporanea series (MPBC) - little is known about Marcos Resende & Index, even to aficionados of rare Brazilian music. Far Out Recordings is immensely proud to present their previously unreleased self-titled debut album from 1976, contributing a crucial missing work from the glory days of progressive Brazilian instrumental music.

A prodigious child, Marcos Resende learned to play the accordion at the age of two, and taught himself the piano at six. In spite of his immense potential to become a musician he travelled to Lisbon in the 60s to study medicine, though he continued to explore his musical passion on the side, forming a trio which ended up opening for Dexter Gordon at the Cascais Jazz Festival in 1971. From here he formed the electronic oriented prog-jazz group Status, who opened shows for the likes of Elton John, Phil Woods, Stan Getz, Art Blakey & The Jazz Messengers, but in spite of their relative live success they have no known recordings.

Now established as a highly regarded keyboardist, composer, and innovative electronic musician, Resende returned home to Brazil following Portugal’s Revolução dos Cravos in 1974.  Inspired and invigorated by US jazz and British progressive rock he’d experienced while residing in Europe, Resende went all out acquiring a keyboard arsenal to be reckoned with, which included the Prophet 5, Yamaha CP-708 and Mini Moog. Determined to integrate his newfound inspirations with Brazilian rhythms and jazz traditions, he formed a new quartet with Rubão Sabino (bass), Claudio Caribé (drums) and the late great Oberdan Magalhães, of Banda Black Rio and Cry Babies fame. Marcos Resende & Index recorded their self-titled debut at Sonoviso Studios with the legendary sound engineer Toninho Barbosa, known as the ‘Brazilian Rudy Van Gelder’ whose impressive resumé includes the era defining classics Light As A Feather by Azymuth, Previsão Do Tempo by Marcos Valle, and Quem É Quem by João Donato. Marcos Resende & Index fits perfectly amongst these masterpieces, sharing both the timeless ethereal qualities as well as the progressive and futuristic ideals of Light As A Feather in particular.

Though he wasn’t short of offers to release the album, Resende felt record companies were de-valuing the time and effort he spent absorbing his influences while establishing a career in Europe, and perfecting his sound with his Brazilian bandmates, as well as the magnitude of the recording they achieved. As time passed, Resende become one of the most revered session keyboardists in Brazil, and played on records by Gilberto Gil, Chico Buarque, Edu Lobo, Carlos Dafé and Gal Costa, among many others; as a result his career as a bandleader took a backseat, and this remarkable recording has stayed below the surface til now.

Thankfully Marcos kept the tapes from the Sonoviso sessions safe and presented them to Far Out’s Joe Davis at his home in Lisbon in 2018. Now the time is finally right for the album to see the light of day. Marcos Resende & Index will be available on vinyl, CD and digital formats from 29th January 2021.

Marcos Resende & Index - Nergal

\ https://boltingbits.com / 

* Subscribe on YouTube: http://bit.ly/2igyosu
* Founder: @numeadaze
* Shop now on Bandcamp: https://boltingbits.bandcamp.com/merch

* Booking requests, Promos & Premieres Submissions > contact@boltingbits.com

PREMIERE: Ruby Rushton - Yardley Suite

Bolting Bits

Recent comments

Ananthu fucked up bad

ʀᴇɢᴇɴᴇʀᴀᴛᴏʀʏ 🔱

Related tracks