clocked the blacker the berry outro sample

Deep-tech-house-minimal vol3

Running Out Of Steam have quickly established themselves as one of the pacesetters in the world of emotionally driven club music, so it’s truly a match made in heaven as NYC No_4mat joins the roster. 

When he isn’t promoting Black and Asian solidarity through his visual effects work with Nike, Mikhael Villegas is crafting his own characteristic take on the techno format; brimming with exploration atmospherics, emotional familiarity and cry-in-the-club energy.

‘Nuthin Left To Say’ begins our journey in a sombre mood; synth stabs bleep and bloop as the bassline wobbles and subtle vocal samples act as a guide through our mutually felt sadness; a tale of emotional distance and the void that inevitably widens when words begin to fail.

Deepness is the order of the day on Mantis Hands collaboration ‘Riddm’; a swirling vortex of rhythmic noise that provides the perfect jumping off point from warm-up to heads down. ‘High Rider’ has a more progressive approach - across six minutes angelic sound patterns and early Bicep-esque house energy inspire movement and deep self-reflection.

The two toughest tracks on the record see us out as ‘Rockergirl’ blasts off into space in a kaleidoscope of colour and imagination; a real feeling of expressiveness and incredible discovery pushing the listeners emotional palette to breaking point, before the pounding triple-kicks and staple No_4mat sensitivity see us out amongst cries of ‘one more tune’.

>>@no_4mat

Eddie's EP

BUY RELEASE

ROOS005 // No_4mat - Eddie's EP

BUY: https://moving-still.bandcamp.com/album/kalam-hub
Moving Still - Kalam Hub EP
CWPT005, 18 November 22

Dublin-based producer Moving Still further blends both his Saudi Arabian and Irish heritage on 'Kalam Hub', a triumphant new EP that marks the fifth release on CWPT/Cooking With Palms Trax. Following a series of 12” edits and original productions that have put his sounds in the record bags of DJs including Hunee, Nabihah Iqbal and Esa Williams, 'Kalam Hub' presents an ambitious expansion of the Moving Still sound, delving into his identity and background to open up imaginative, universal new corners for club culture.

This potent musicality is immediately evident from the first notes of 'Kunafa King'. Taking its title from a traditional Arabic dessert, analogue midi sounds deliver a skewed take on the traditional Saudi rhythms of the artist's youth, before expanding into a wistful diversion for any self-respecting dance floor. It's a trick Moving Still pulls off again on the pulsing 'Hayati 89', which transforms from a traditional aesthetic into a blistering, neon-tinted Italo banger, the kind of track designed to compliment an accelerated spin in the car gracing the eye-catching cover of ‘Kalam Hub’, a collaboration with the artist alongside Manchester-based graphic design studio, Dr. Me.

Concluding the record's A-side, the rhythms take a trippier turn for the duration of 'La Titasil Feeya'. Translating to “don't call me!” and making sonic reference to teenage years immersed in rock, metal and general angst, it unfolds as something akin to Middle East-tinted techno with a formidable kick drum, before exploding in colourful, organic breakbeats. Immediately on the flip, the sense of wonder returns in a sonic mirage for 'My Bosa Is For You', weightless rhythms blending with an electric organ and charming, lightly psychedelic breakdowns.

Further sonic tricks fall from Moving Still's delicately-tailored sleeves on 'Haram Odyssey', where an almost impossibly tight bass line provides the function for contrasting synthesis and unpredictable percussion, drawing parallels between the sometimes confusing aspects of the artist's dual-cultural life as a child, through to the music he makes as an adult. Fittingly, the record concludes with ‘Kalam Hub', a triumph of minimalist percussion and traditional instrumentation that pays tender tribute to the Moving Still's grandmother, translating simply to “Love Talk”.

Tracklist:
A1. Kunafa King
A2. Hayati 89
A3. La Titasil Feeya
B1. My Bosa Is For You
B2. Haram Odyssey
B3. Kalam Hub

https://soundcloud.com/movingstill
https://moving-still.bandcamp.com/
https://instagram.com/moving0still
https://facebook.com/Moving0Still
https://discogs.com/artist/5881778-Moving-Still

https://cwpt.club
https://cwpt.bandcamp.com
https://soundcloud.com/cwpt
https://instagram.com/cwpt.club

Kalam Hub EP

Moving Still - Kunafa King [Kalam Hub EP]

__PROMO PURPOSE. Posted on www.delicieuse-musique.com

__ SC :  https://soundcloud.com/scissorandthread
__VINYL : http://www.juno.co.uk/artists/Francis+Harris/

Francis Harris - You Can Always Leave

Belgian DJ and producer Gratts returns in superb Balearic fashion here with a new song he penned for his two young sons, Leo and Ziggy. 'Sun Circles' also makes the first release from new South Australia-based label Be Strong Be Free. It is dreamy house with gently breaking synth waves and majestic twinkling chords as well as some brilliantly sultry sax lines and vocals. The tune was recorded over the last year and a half in various studios with musicians such as New Zealand-born Nathan Haines, London's Mr Beale, Belgians Jasper Hautekiet, Levi Wynants and Frederik Kuhn. Berlin-based Alex Kassian remixes on the flip.

BUY on PHONICA

PREMIERE : Gratts - Sun Circles

Fantasy

Dub Fantasy

Blessings

Unconditional

One of several exclusive DJ Koze edits from his DJ-Kicks mix (the 50th entry in the DJ-Kicks series), out June 15th on !K7 Records.

iTunes: http://geni.us/DJKicksKoze
Amazon: http://geni.us/KozeDJKicksAMZN
!K7 Store: http://bit.ly/KozeDJKicks_K7


Portable Feat. Lcio - Surrender (Kosi Edit) [from DJ Koze - DJ-Kicks]

just a jam with sh101, 303 and mpc live. made on Voodoo Ray by the great AGCG, is just Noodle Brain dedicated to those who go to disco and stay all night watching the dj like if they were at boiler room. there is better way to enjoy club culture

BANDCAMP

Deep88 - Noodle Brain - DON'T WATCH THE DJ

D Bob

* Read More: http://boltingbits.com/subjoi-glowworm/
* Watch on YouTube: https://youtu.be/t_9327mOZwY
* Pre-order: http://bit.ly/2yXe2fd

Melbourne-based @HousesinMotion are back with their fourth solo artist EP after taking a short break following their first ever various artists compilation release earlier this year. Sticking to their ethos of releasing music from local artists, this time they're looking to welcome a fellow Aussie in Adelaide-based @Subjoi, who has been making waves of his own lately. Coming off of his most recent and extremely well-received release on Canadian label Heart to Heart entitled Love Shy, he presents an equally strong showing with Flashing Lights EP for Houses in Motion.

Usually known for tougher, upbeat drums and catchy vocal samples, he doesn't stray far from his formula for success thus far on this release. Our premiere, however, and the B1 on the record, 'Glowworm' takes a bit of a different direction. The drums, although still rugged-sounding with Subjoi's usual lightly tinged lo-fi flare, seem a bit more subdued here. The galloping rhythm and warm chords make the track feel slower than it actually is as the tempo is still very much in club territory. The tasteful use of understated breath samples paired with delicate keys and bewitching electric guitar help make this production just as good for an afternoon of easy listening as it would be in an opening set, or perhaps at the end of one. Glowworm is the clear standout here for us and this is a direction we hope to see Subjoi pursue more in the future.

PREMIERE : Subjoi - Glowworm

One of Detroit Swindle's highlights of last year was Nebraska’s ‘Soften the wireless’ EP, with disco stomper Khan’s Bargain, and an amazing Tom Noble remix. Since then, they have seen him take on quite a few live shows again, playing at Claire during ADE, and Concrete for their label showcases. He’s also managed to ﬁnd a bit of time to focus on his fresh (new and cool) edit label ‘Friends and Relations’. Luckily, since they’ve been nagging him to do a new EP for Heist just enough for him to still like them, and more than enough for him to want to get it over with, they’ve gotten their hands on another set of amazing tunes. So they are happy to present his amazing music, nicely packaged in one handy record for your listening pleasure : the ‘Metaphor to the ﬂoor’ EP. 
You’ll feel a hint of that Nebraska classic ‘This is the way’ on the lead track ‘Afﬁrmation’, with its subtle build up and release of energy, looping vocals, and dramatic chords. Aglio e Olio is not only a simple yet tasty Italian dish with of just 5 ingredients, it’s also quite the track on this EP, equalling the dish in terms of simplicity and strength. Snares on the 1, Clavi style hits and a loose arrangement give this track a great funk – house crossover appeal. 
On the ﬂip, we’ve got fellow Londoner Laurence Guy, who just released an amazing album on the equally cool ‘Church’. His version of Aglio e Olio is a dreamier excursion with ﬁltered pads, acidey licks and more than enough balls in the low end to get you movin’ in your dim-lit club of choice.  The ep’s ﬁnal track sees Nebraska turning the energy up a notch or 2 (or 3), with ‘Big plate chicken’. It’s the sort of track you would imagine Omar S. producing if he would be just a bit whiter, and a bit more British. Whatever that means.

Metaphor To The Floor EP

LISTEN ON YOUTUBE

PREMIERE : Nebraska - Aglio E Olio (Laurence Guy Remix)

Full stream of @twfgray & @liam-ebbs-1's shimmering house cut "Ladies Well," from their new EP on @analogueattic.

More info: https://www.xlr8r.com/news/premiere-hear-a-shimmering-deep-house-cut-from-thomas-gray-liam-ebbs

3 Days, 2 Nights [AAR014]

More info

Premiere: Thomas Gray & Liam Ebbs - Ladies Well

Cable Toy special remix for SBP4 on limited-edition STRELKA X vinyl compilation.

music & production - cable toy
vocals & lyrics - sbp4

SBP4 - Self (Cable Toy Remix) (Strelka X) snip

OUT NOW: http://lnk.to/c-y-m-ph93

C.Y.M. is the collaboration between British producer and DJ Mike Greene (otherwise known as Fort Romeau) and LA-based American musician Chris Baio, who releases music as Baio in addition to playing bass in the acclaimed band Vampire Weekend. Their debut, self-titled EP arrives on Phantasy as an elegant pean to the infinite possibilities of kosmische music, driven by a motorik strain of psychedelia. The foundations of a wider project, C.Y.M. speaks not for analogue nostalgia, but a subtle and modern update on imagined futures that are still open to interpretation.

‘Capra’ immediately establishes the duo’s masterful if unsurprising grip on rhythm, a man-machine stomp that persists as the track takes myriad turns, from post-punk guitar licks and processed vocals, through bubbling modular synthesis and culminating in a soaring, cathartic melody.

On ‘Far Gone’ C.Y.M. turn their studio inward for a more brooding and intimate interpretation of their sound, a balearic amalgam of intriguing vocals, feedback soaked riffs and no-wave inspired movement.

The bliss beneath the waves of noise that crash across C.Y.M’s music emerges fully on the driving conclusion, ‘Super-Cannes’. A hypnotic tempo and blistering drums intertwine with whirling organs, and shimmering keys, providing a wistful and warm finale.

Follow C.Y.M.:
https://www.instagram.com/c.y.m.official/
https://www.facebook.com/cymband/
https://www.cymofficial.bandcamp.com/
https://www.soundcloud.com/cymofficial/

C.Y.M.

Super-Cannes

Moomin - I Whisper A Prayer

\ https://boltingbits.com / 

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PREMIERE : Subjoi - Glowworm

Bolting Bits

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