Bone Trigger Experience, dedication, and well-written music form the backbone of this extraordinary five-piece rock band from Toronto, Ontario, Canada. Their sound is a synergistic explosion of intelligently layered heavy grooves and emotionally charged vocals complimented by melodic leads and subtle overtones. Bone Trigger’s harnessed passions and high energy find release in dynamic performances that leave audiences suspended on an endless wave of musical invention. Carlos Demelo, Bone Trigger's front man and songwriter, wrote and performed as lead guitarist for Toronto’s Hellz Kitchen Show. During this time, Carlos developed his strong stage presence and opened for acts such as Marilyn Manson, Dope, Not By Choice, Danko Jones, Robin Black and the IRS, LA Guns, and Nash the Slash. Carlos fine-tuned his writing and studio skills working with industry respected producers such as Rick Anderson (Rush), and Sean Gregory (Emerald Rain). In the year 2007, Carlos formed Bone Trigger, with Pete Walsh on lead guitar, Darren Lazary on rhythm guitar, James Dowell on Bass and Rene Martineau on drums. Bone Trigger released a demo CD in 2008 consists of 4 original tracks that received attention on Garageband.com, Myspace.com, and RadioUgly.com, and have charted in the top ten on Reverbnation.com and indiecharts.com. They have won both the local and international battle of the bands contest for, www.gbob.com. (The Worlds Biggest Challenge). This allowed them to share the stage live with Alexisonfire, Julian Marley and Bad Religion. In addition, Bone Trigger won the www.mini-indy.com (Battle of the Bands) competition, and, placed 2nd for the radio Y108 breakout challenge contest for the Hamilton, Ontario “Rogers Spring Festival”. Even though Bone Trigger placed 2nd, they captured the attention of the promoters and was asked to participate in the festival regardless of placing 2nd. Bone Trigger wrote and compiled nine original tracks with a supporting video {The Bone Show) for the Erotic thriller Film, “Twisted Tables” (www.twistedtables.com), released in Canada and the U.S. by Osk Productions. As well, for the T.V show; “The art of building bodies” (www.buildingbodiestv.com), aired on; “E-entertainment and The Man Channel”. Bone Trigger released there CD titled “Who’s On Top!” In 2009 coupled with an array of merchandise, and a supporting music video for the track, “S.E.X”. For 2010, Bone Trigger will be playing an array of shows throughout the year and will be releasing a 3 track CD; containing two original tracks and one club re-mix of the title track “FANCY FEAST”; along with a supporting video. Thereafter, they will be releasing the anticipated follow-up CD “NOW” in the latter of the year.

Sina is a multi-talented music producer and instrumentalist proficient in both classical Persian and Western music. He masterfully plays a diverse range of instruments, including Setar, Tanbour, Divan, Guitar, Bass, Flute, and Piano.

His musical journey commenced at the age of eight through innovative Carl Orff method music classes in Iran. Following that, he dedicated four years to classical piano lessons, further enhancing his musical prowess. As an artist, Sina explored various musical avenues independently while occasionally collaborating with bands and projects.

In addition to his practical experience, Sina holds a Master's degree in Audio Technology from the University of West London. His expertise has been actively contributing to both studio and live sound settings since 2007.

mike andrechuk and myself (michael dent) have started a new project just by accident -its going to be/is an ambient music project -no vocals just music to just drift to

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Various sound constructions varying in diversity from found sound sampling and orchestrated ambient sound textures to obscure vocal samples taken from film clips of antiquity. Various tonalities of vocals are also utilized to bring the bring the music to life creating a visual that in many respects reminds one of the old films of the forties & fifties with the news shorts appearing prior to the actual film. Almost a Twilight Zone affair mixing the past and present ideologies together to create a anthology of the ages via music. Who knows if that’s the intention of the artist but the imagery presented may be clear to you.

The music gives you the impression that you’re listening in on someone else’s conversation. The tenor of these conversations ranges from the mystic (“They Do A Lot Of Worshipping Around Here”) to the truly disturbing (“Uncle Went Tending and Never Returned”). Part of this sense of “audio voyeurism” stems from the fact that PressureWorks draws the sonic material from intercepted short wave radio broadcasts. Folks who get into radio-inspired electro-acoustic music (think Dan Lander, for example) may be entranced by this stuff. You may be impressed with it for several reasons, not the least of which is the superb audio quality of the recording . On a more artistic level, you are truly drawn in by the rich sense of storytelling. Each of the pieces carries you along effortlessly through a sort of abstract narration. Enthusiasts of inventive experimental music are encouraged to check these recordings out.

Assembling pieces from various recordings and turning the whole into new work. The approach is mostly ambient, favoring vocal samples as focus but remaining decidedly ephemeral. Just enough here to peak further interest.

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