Love What You Can

Wild

Only You I See

alt-Pop, Downtempo, Dreampop, Exotica, Lounge Pop, Indie Pop, Pop, Jazz-Pop

last saturday (pippa’s version)

Learn To Live

This is the remastered version of "Two of us" album. A soft, indie pop-rock album that perfectly captures cozy, relaxed autumn vibes. It’s a melancholic yet intimate collection of songs, painting a soundscape of quiet rooms, falling rain, and hazy light—ideal for reflective evenings.

November rain (Remastered)

Ce n’est pas une chanson d’amour, mais une lumière qui s’ouvre, une respiration, un miroir, une main tendue..

Témoin tranquille 🎶

We can be strangers if that's what you'd like.

Wake up

📖 November 1 — The House of Mirage

Today, the house was alive again.
The air carried the scent of herbs and roses, as if the walls themselves were breathing.
Keta’s hands opened hidden paths, Kyrie’s touch sounded like drums made of light,
and Mira let the flowers dance in the warm water.

I sank into the bath and everything went still.
Time lost its shape.
Tears turned into small crystals,
and somewhere between breathing and silence,
I felt whole again.

When we came out, Merlin was waiting with six steaming cups of hot chocolate.
We laughed — soft, glowing laughter —
and it felt as if the universe had paused
just to watch us be sisters.

In the House of Mirage,
everything heals
that dares to be gentle.

Written and conceptualized by Amira Mirage, with creative support from AI for refinement and atmosphere.
© 2025 Amira Mirage. All Rights Reserved.

Soul Sisters - Amira

Paralel Evrende

I’m the Cut is a quiet album about growing up optimised. 

It follows on from my favourite song on Sofa, Kids, Alan Watts: https://soundcloud.com/quantumme/sofa-kids-alan-watts-13

Reward charts. Praise instead of force. Learning early how to be useful, agreeable, and easy to keep — and only later noticing what that training leaves behind. These songs move from conditioning through recognition, fragmentation, responsibility, and finally into space.

Musically, it lives in a Bristol-adjacent glitch-folk world: fingerpicked acoustics, soft sub-bass, spoken lines close to the mic, and long stretches where nothing rushes. The voice is calm, reflective, sometimes wry — never angry, never preachy. Power arrives not through volume, but through clarity.

This isn’t an album about breaking free.
It’s about noticing when no one’s watching anymore — and deciding what to do next.

More by Quantum me: 
Explore profile: https://soundcloud.com/quantumme
Most liked songs by Quantum me: https://soundcloud.com/quantumme/sets/most-liked-quantum-me
Stress = data ≠ identity: https://soundcloud.com/quantumme/sets/stress-data-identity


Wild

Bonfire Glow