^A-N-T-I-D-O-T-E^          
Spreading love and joy through the power of music.  
Streaming live and direct from sunny Brighton.   
^D.a.n.c.e^C.o.n.n.e.c.t^S.p.r.e.a.d L.o.v.e^

MANAGEMENT : 
quentin@purposeprod.com
info@the-magician.be

EUROPE, ASIA BOOKING :
themagician@allaroundagency.fr
Info@the-magician.be

AMERICA BOOKING :
quentin@purposeprod.com
info@the-magician.be

NEWS : https://linktr.ee/themagician

https://linktr.ee/djmissdix

Much love to everyone who has given their time to listen, comment, follow me or has supported at my gigs.

Bookings: 
Please contact  Miss Dix 
djmissdix@yahoo.co.uk 
Mobile: 0044 (0) 7950457291

Regular Club Gigs & Residencies:
Ministry Of Sound 103 room, London
La Divina @ Union Club, Vauxhall, London 
Uncoded Radio: https://techno.uncoded-radio.com/
Terminal, Bournemouth, UK
Deeper Sounds show with Andy Eastough second Sunday of every month from 7pm GMT https://soundcloud.com/its-deeper-sounds

Miss Dix is a regularly featured underground House & Techno DJ in London’s club circuit with appearances at MINISTRY OF SOUND, EGG, UNION and boat parties, carnivals and festivals across the world from Ibiza to the Maldives.

An experienced DJ, Miss Dix has played alongside high profile artists such as Lilly Palmer, Saytek, Roger Sanchez, Groove Armada, D Ramirez, Shadow Child, Markus Schulz, Paul Van Dyk, Sister Bliss, Danny Howard and many more from across the UK, to international hot spots including Brazil, Italy and Antigua. 

Major events  or brand names played for include The Gallery, Defected Records, Notting Hill Carnival, Hed Kandi, Global Gathering Festival UK. 

Expect to hear an emotive selection of sounds from Deep Tech House to peak time Techno. 

 **************************************
  Global club brands played for:

  * The Gallery
  * Defected Records  
  * Hed Kandi
  * Global Gathering

 **************************************
   Major venues played at:

   * Ministry of Sound 103 Room: London
   * Deputamadre Club, Brazil   
   * Egg: London
   * Carlisle Bay, Antigua
   * Pacha: London (main room)
   * Castelo Porto De Mos, (Castle) Portugal
   * Vivaldi, Italy    
    * Mono Bar, Switzerland 
   * Rebel Phonk Festival, Spain 
   * Proud Camden
    * Proud 2 (O2 Arena): London
    * Club Aquarium: London
    * Electric, Brixton
    * Mc Queen: London
    * Gigalum: London
    * SEONE: London
    * Kensington Roof Gardens: London
     * High Road House: London
   * Valmont Club: London
   * Anexo (Turnmills): London
   * The Shoredtich: London 
   * Deviate, New Zealand
   * Frankfurt, Germany
   * V Club, Ibiza

 ************************************

See this link for all my mixes on Soundcloud: http://soundcloud.com/search?q%5Bfulltext%5D=ronando

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Ciara Princess Harris (born October 25, 1985), known professionally as Ciara, is an American singer-songwriter, dancer, actress and fashion model.

DJ Bookings > ali@warmagency.com

Initially established in 2003 at The Eagle in London’s Vauxhall, Horse Meat Disco has evolved into a powerful force in queer and club culture as a whole, while staying local to its original home, each and every Sunday. Co-founded by James Hillard and Jim Stanton, and encompassing residents Severino and Luke Howard, the crew continue to maintain not only the weekly Sunday party, but a number of residencies in cities across the world, alongside a kaleidoscope of club appearances, festival dates and specially curated mixes.

Taking inspiration from a diverse, counter-cultural history of clubs and DJs, as well as from the sprawling, ever-expanding musical collections of it's resident crew, the sound of HMD is impossible to place. Nonetheless their style is undeniable, as is a popper-scented air of sheer authenticity. Rooted in hedonism, rhythm, freedom and emotion, a Horse Meat Disco set reinforces everything invigorating about disco, as comfortable as shattering old-school mirror ball cliches as basking in their light.

A typical HMD set blends classics, italo disco, house, oddities and punk funk, to conjure their initial spirit of “a queer party for everyone”, including, but not limited to, “Homos and Heteros, club kids, bears, fashionistas, naturists, guerilla drag queens and ladies who munch.” They have made appearances on every notable club scene in the modern world, as well as those beyond, and have long been a key fixture at festivals including Glastonbury, Bestival and Festival No.6.

Outside of the club, the Horse Meat Disco train rolls across the airwaves on Rinse FM, where the crew hold down a weekly residency every Sunday afternoon, serving as a pre and post-club Sunday lunch accompaniment, often delving into the more soulful shades of their sublime taste, often encompassing rave groove, gospel and whatever they can’t get away with on the dancefloor (which, as the years have proven, isn’t much). A series of expertly curated and acclaimed compilations for reissue label Strut helped further cement HMD’s formidable but communal reputation as disco masterminds, spreading their sound and many enviable obscurities into front rooms and record bags across the world. Their latest, ‘Meat Me Down the Disco’, was released on Z Records in 2017.

After decades of crate digging, globetrotting and partying, the HMD story continues apace. 2017 also saw the crew record their long-awaited contribution to BBC Radio 1’s ‘Essential Mix’, as well as their first joint foray into production, ‘Waiting For You To Call’, featuring Roy Inc., and released on their own, self-titled imprint. They are currently working on new music to be released with Glitterbox, with the new single ‘Let’s Go Dancing’ released in December 2018.

Nile Rodgers is a Rock & Roll Hall of Fame inductee, Songwriters Hall of Fame inductee and a multiple Grammy Award winning songwriter, composer, producer, arranger, and guitarist.

In 2023 he became the first creator to be awarded a Lifetime Achievement Grammy for his legacy in the same year as being awarded a Grammy for his new work with Beyoncé on the smash hit “Cuff It”.

As the Co-founder of CHIC, Nile pioneered a musical language that generated chart-topping hits like “Le Freak”, the biggest selling single in the history of Atlantic Records and sparked the advent of hip-hop with “Good Times” and “Rapper’s Delight”.

His work in The CHIC Organization, including “We Are Family” for Sister Sledge and “I’m Coming Out” for Diana Ross, and his productions for artists such as David Bowie (“Let’s Dance”), Madonna (“Like A Virgin”) and Duran Duran (“The Reflex”), have sold more than 500 million albums and 100 million singles worldwide, while his innovative, trendsetting collaborations with Daft Punk, Daddy Yankee, LE SSERAFIM and Beyoncé reflect the vanguard of contemporary hits.

Nile is the first, and only Producer In Residence at Apple Music and helms the award-winning Apple Music 1’s “Deep Hidden Meaning” radio show celebrating the work of great songwriters. Nile served as the first-ever Chief Creative Advisor for the incomparable Abbey Road Studios and is the Chairman of the Songwriters Hall of Fame as well as Co-founder of Hipgnosis Songs, the multi-billion-dollar investment fund listed on the London Stock Exchange’s FTSE 250.

In 2001 in the wake of 9/11 Nile co-founded the We Are Family Foundation (WAFF) at first to bring everyone together following the tragedy to start the healing process. It quickly evolved into an organization dedicated to the vision of a global family by creating and supporting programs that promote cultural diversity while nurturing, mentoring, and amplifying the vision, talents and ideas of young people who are positively changing the world.

WAFF is focused on empowering young people globally through its acclaimed youth leadership, storytelling and mentoring program, Three Dot Dash; Youth To The Front Fund, designed to support BIPOC (Black, Indigenous, People of Color), youth at the forefront of fighting systemic racism, inequality and injustice; and Youth To The Table, bringing youth voices to decision making tables that are shaping humanity’s future.

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