Promos: tracksforkennydope@gmail.com
Website: http://kaydeerecords.com

🎚Owner at Instagram https://www.instagram.com/housemusictools

YouTube http://www.youtube.com/c/HouseMusicTools

🔨 Soundcloud https://soundcloud.com/tjvysan

⚙️ Mixcloud https://www.mixcloud.com/thettools

⚙️ OLDSCHOOL NEVER DIES

🔧 DJ & Vinyl Record Collector 

📎 discogs.com/user/tjvysan

The Home Of Grammy Nominated  DJ/Producer/Remixer Terry Hunter (T's Box & T's Crates Records & Mirrorball Recordings)

We are currently not taking demos for Gobsmacked Records
BIO:

Irish-born and Berlin-based, Millhouse has been at the forefront of the techno scene for over two decades, beginning his DJing career at the tender age of 17. Known for his electrifying performances, Millhouse delivers sets rich with machine-based techno, featuring deep bass beats and compelling basslines. His dynamic approach and energetic flair have made him a favorite across Europe’s most prestigious venues.

Millhouse's musical journey took a decisive turn in 2002 after being profoundly influenced by techno legend Dave Clarke. This experience redirected his passion towards techno, leading him to avidly collect records and immerse himself in the scene. His initial forays into music production began with casual sessions on Reason software, which soon turned into a serious endeavor, particularly after forming meaningful connections with artists like Diarmaid O’ Meara and Luke Creed.

In 2013, seeking deeper integration with the techno community, Millhouse moved to Berlin and soon took the reins at Gobsmacked Records. As the label manager, he has been instrumental in shaping its direction, curating releases and events that highlight the core of techno culture.

Over the years, Millhouse has released tracks on major labels such as Hydraulix, RIOT, UKR, and Khazad, showcasing his versatility and commitment to quality techno. His discography also includes a well-received remix for techno legend Funk D’Void, further cementing his status in the techno world. His track ‘Harsh Times’ featured on RIOT Radio Records’ charity V/A album has garnered extensive acclaim, with support from heavyweights like Dave Clarke.

His collaborations, notably with close friend Patrick DSP, have pushed his creative boundaries, enhancing his studio work to stratospheric levels. Millhouse continues to innovate and inspire, proving time and again that he is a central figure in the evolution of energetic techno.

For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
Continue reading... www.facebook.com/pg/rogersanchezfanpage/about

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Outdoors and with extended hours, devoid of ostentatious luxuries or "VIP" areas, we currently inhabit the ruins of an abandoned motel engulfed by nature. The entrance path crosses a tunnel beneath a national highway, giving birth to our name, as our main stage resides

Our club, specializing in electronic music, has been the driving force behind the local scene's growth in the past 5 years. We have hosted over 15 Pereira-based collectives, along with the participation of more than 250 national artists and over 200 international artists from various countries, such as Japan, Germany, Italy, among others.

If you want to know more check:
https://www.gofundme.com/f/savetunnel

Terrence Parker is a Music Producer/DJ from Detroit. Booking Inquiries: adrien@clubkids.agency

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