Electroacoustic version of Deteriorated by Logic also listed in soundcloud. This version performed by Shyenn Lee on Saxophone, Surat Kemaleelakul on Piano and Wannapa Yannawut as percussionist. The name is a Sanskrit word means "impermanent character". The part of live instruments was fantasized from spectral elements heard in "Deteriorated".



Anijjalak I "Stretch" for Saxophone, Piano, Percussion and Tape

piece for the dance show in Thailand's Supanahong Motion Picture Award ceremony.

Scriptio

First movement in my latest composition for chamber orchestra. This work mixes between serial thought of 2nd Viennese school plus modern aesthetic on sound/spectrum with Classical Thai music framework.

Thao I for Chamber Orchestra: I. Homrong (Prelude)

I've made this fractal oriented track from the sound of Kong Wong Yai (Thai Gong Circle) played only 3 notes then time-stretched, looped, reversed it until it shaped this form.

Deteriorated by Logic No.1

A song for Thai fiddle with orchestra marvelously played by my friend Lerkiat Mahavinichaimontri. I arranged the piece from ancient Thai traditional song of the same name which means "Sweet Word". This song include in my duo LP (with Lerkiat) Alua 1: The Thai Sweet Song.

Kamwan

Electronic short bursted piece represented the unsettled political situation in Myanmar. I used sources from my Burmese friend's album.

Burmese Continuum

A piece for Thai ensemble with electronic. It is the story about love and death between Prince AphaiManee the "Thai magical oboe player" and a giant-lady Phee Sua Samutr. In this piece, Phee Sua Samutr was listening to magical oboe until she die of love in both Prince and his music. Music was played by Korphai Ensemble.

Phee Sua Samutr (Protector of the sea)

a bit crazy Thai composer. He use a lot of materials around in making his music - from Orchestration by Walter Piston to contrapuntal sounds of crickets in Thailand.

Scriptio

boonrut