Tushen Raï & Mangabey - The Hand Of God (Omri Smadar Remix)

Next up on Paradise Palms Records, two remixes of Ukrainian artist ID_UA’s “Dyakui”.
https://www.theransomnote.com/music/premiere-id_ua-dyakui-fausto-remix-paradise-palms/

ID_UA and Dyakui, in a wild parade, Fausto’s Remix, where dreams cascade, On Paradise Palms, the music’s crusade, A nonsensical groove, our senses persuade.

Dancing through the night, in a cosmic trance, ID_UA’s beats make our bodies dance, Fausto’s remix takes a chance, With electronic rhythms, we all enhance.

In this surreal world, we’ll forever dwell, In a realm of sound where time can’t quell, ID_UA and Fausto, the stories they tell, On Paradise Palms, our spirits swell.
 

Next up on Paradise Palms Records, two remixes of Ukrainian artist ID_UA’s  “Dyakui”. We’re premiering Los Mochis’s Fausto who’s had releases on Turbo Recording and Tom Tom Disco.

Swirling, distorted synth lines give way to innocent melodies bringing it out into the light.

Out Nov 10. Listen below and pre-order here:https://www.theransomnote.com/music/premiere-id_ua-dyakui-fausto-remix-paradise-palms/

PREMIERE: ID_UA - Dyakui (Fausto Remix) [Paradise Palms]

Vacanze di Natale! Four party jams by Alberto Melloni, Luca Bacchetti and Modula feat. Carmen Lubrano from Italy and Red Woodchuck, the Dutch cherry on top. Each record comes with a different sticker sleeve.

In stores December 4.

Vinyl: https://bordelloaparigi.com/shop/vinyl/various-artists-buone-vacanze-vol-3-ep/

Modula feat. Carmen Lubrano - Luna d’Argento

The first outing of the new label Way to France records, born in Leipzig and raised in Cologne (including an extra long puberty), comes from none other than Robert Johnson legend Lauer.
The title track Law High heads straight for peak time in classic Lauer style between synth-pop, wave and house. Extraordinary DJ Charlie from Berlin transforms Law High into an analog-sounding EBM-Italo stomper with her first remix ever.
On B1 Lauer shows his other side with Enso: Techno Soul in the melody-man manner. Enso got the remix treatment from Leipzig's highly talented Janthe, who (another remix premiere) pulls off a modern, froggy, timeless version that's playable on any occasion. WTF Records headquarter is more than proud (and happy) to have so much talent on their catalog number 001.
Get the balance right.

BUY on BANDCAMP

PREMIERE : Lauer - Law High

Voodoos and Taboos, emerged back in 2019 and with their Reversible Dreams EP on Bordello they showcase the "chameleon-like versatility" they've cultivated.

We're premiering the title track kicks off with playful pianos, morphing into squirming acid beams.

Listen below: https://www.theransomnote.com/music/premiere-voodoos-taboos-reversible-dream-bordello-a-parigi/

@bordelloaparigi

PREMIERE: Voodoos & Taboos - Reversible Dream [Bordello A Parigi]

Since his debut on Mister T. Records, Sim Fossil has emerged as a driving force within the label.
After his impressive first EP with MTT, he has actively engaged in deejaying alongside the crew and contributed a track to the label's compilation project. Breaking new ground with this 10th EP, Sim Fossil presents the label's first 4-track mini-album, providing a deeper dive into his diverse range of influences beyond disco, newbeat and ambient. The release features a fusion of styles, but states a true definition of Sim Fossil's sound between saturated samples and percussive melodies.

On the first tracks "Marimba Desert" and "Course d’Amour," Sim Fossil continues to build upon the foundation laid by his previous "Body Contact" EP.
Infusing a funkier touch, he ventures beyond the confines of the newbeat realm, showcasing a dynamic exploration of sound. The mini-album takes a detour into ambient vibes with "Montezuma," allowing Sim Fossil to delve into a more...  more
credits
releases December 7, 2023

Composer : Sim Fossil
Mastering : LeonxLeon
Artwork : Sim Fossil
license

Course D'Amour EP

Bandcamp

Sim Fossil - Course D'amour

Voodoos and Taboos first appeared in 2019. A mysterious outfit, their melting pot sound immediately caught the ears of the faithful; acid cut with house, electro beats shot through with a punk D.I.Y. attitude. Their escapades didn’t miss us here at Bordello. Reversible Dreams collects four examples of this chameleon club style that Voodoos and Taboos have cultivated, the EP opening with the title piece. Cascading chords and whispered samples give way to rich bass strings as a playful piano melody transforms into squirming acid beams. Claps and neat notes introduce “Unconditional Love”, vocoder lyrics mingling with spoken word and juddering space TB303 squawk. The flip adopts a darker hue. Off-kilter bars and stern beats introduce “Animae”, alien electro melodies descend as a fizzing late night energy takes hold. BPMs drop for “Destino Lontano.” Warm basslines and Eastern scented synth-play weave their way through the piece, delicate strings and dawn sunshine leading to a close.

Vinyl: https://bordelloaparigi.com/shop/vinyl/voodoos-taboos-reversible-dream-ep/
Digital: https://voodoosandtaboos.bandcamp.com/album/reversible-dream

Voodoos & Taboos - Destino Lontano

DISCOTECA NEGRA presents a series of edits named “CORTE OCULTO” highlighting unique takes bringing a fresh perspective to the original sounds with the weight in a dark touch.

We are honored to showcase Franz Scala's @franz-scala latest single edit, an iconic tribute and testament to his musical prowess, out of "Scala - Perfume Of Love" (1987, ZYX Records).

Mastering: Stefan Eichinger.
Artwork: Dali La Gasse.

DN001CO

© DISCOTECA NEGRA

Perfume Of Love (Franz Scala Edit)

Free Download

CORTE OCULTO: Scala - Perfume Of Love (Franz Scala Edit)

Real Velour's debut EP on Blaq Numbers comes to us from an unknown source in the early eighties. Its playful melodies and disco drum machines could be from mainland Europe, it's strange synth textures could be Japanese whilst its sardonic vocals could be from a post-industrial town in Thatcher's Britain; we just don't know.

What we do know is that in spite of its retro sound pallete, each track sounds fresh on any 21st century dancefloor. There is something indefinably new about these tracks; similar perhaps to the indefinable "Britishness" of 10cc in spite of their American accents and West Coast influences or the way Billy Childish somehow managed to make rock n roll sound alive again without changing it in any observable way.

Simply put: these are yesterday's sounds, tomorrow.

And who better to hold Real Velour's hand as he tries to navigate this strange retro-future than his two favourite sexy disco daddies, Donald Dust and Panthera Krause? Donald Dust's remagining of the title track on Spaceship In Tokyo puts us in New York territory, rendering it less angular, less Teutonic. There are shades of LCD Soundsystem, the Peech Boys and other artists from the Mutant Disco/No Wave scene whilst Panthera Krause's wild reinterpretation of the single, People Make Me Wanna Scream, is a fruity cocktail of freaky contradictions. Metallic and industrial rhythms blend perfectly with haunting synth pop textures. Panthera Krause finds the ghost in the machine and makes it dance!

The whole EP throbs with uninhibited glee. There is no coyness to be found here toward those genres that sometimes find themselves locked outside the fortress of "serious" dance music. While some techno bros gingerly dabble with Italo, Hi-NRG or J-Pop textures in some restrained, tasteful way as if to say "I like it... but I'm straight!", Real Velour jumps in with both feet.

This music is elegant without being aloof, playful without being ephemeral and it never abandons its primary objective - to make you dance!

PREMIERE : Real Velour - Spaceship In Tokyo (Donald Dust Remix)

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* Read more: https://boltingbits.com/heinrich-dressel-eden-olympia/
* Watch on YouTube: https://youtu.be/mWtRukutV_Q
* Pre-order: https://bordelloaparigi.com/shop/vinyl/heinrich-dressel-the-obscure-cities-ep/

Few artists have done as much as Heinrich Dressel to rekindle the genre of soundtracks. Even fewer are as capable as the Italian at writing such silver screen scores. Yet, Valerio Lombardozzi is much more than just one style. He has shown this time and time again, doing so once more with The Obscure Cities. Works of fiction, rather than film, are the fount of inspiration with tracks drawing on the likes of J.G. Ballard, Francois Schuiten, Benoit Peeters and Valerio Mattioli. The listener is transported to worlds of Dressel’s own making, landscapes of melody, textures of bass punctuated by drums. “Galatograd” opens. From understated beginnings, the track expands into a symphony of strings as columns of warmth descend. Tempos rise for “Eden Olympia”. A different tone is set. Juddering arpeggios and clean snares are elevated by bright and hopeful keys that sparkle with an enthusiasm and innocence. Deep unctuous bass gives way to gliding notes for “Remoria”. A piece where melodies and memories melt in the morning dawn. “Mylos” is the last visit of the EP. Delicate, almost fragile, notes are buttressed by drum patterns in this hazy dreamlike finale.

PREMIERE: Heinrich Dressel - Eden Olympia

For the April 2024 /r/synthwaveproducers track challenge on Reddit where the challenge is to use only DAW stock sounds and instruments:

https://www.reddit.com/r/synthwaveproducers/comments/1bw5t52/april_track_challenge_back_to_basics/

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Voodoos & Taboos - Destino Lontano

Bordello A Parigi

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