http://youtu.be/oTeSlwhwQS0

Video by Pfadfinderei.

Snippet of the upcoming release "Modeselektor presents Modeselektion Vol. 03" on Monkeytown Records, out June 27, 2014.

www.monkeytownrecords.com
https://www.facebook.com/pages/Born-In-Flamez/299359743519922?fref=ts
www.modeselektor.com
www.pfadfinderei.com

Follow BIF here:
https://soundcloud.com/born-in-flamez

Modeselektion Vol. 03 - 10 Born In Flamez "Time Hurtz" (MTR045) Out June 27, 2014

Plaid - Sincetta

'ALSO' album out now

iTunes - hyperurl.co/Also
R&S  - bit.ly/1GZerKV
Bleep - bit.ly/1CLU2Wr
Boomkat - bit.ly/19Z6Xdg


Second Storey & Appleblim present ALSO - 'Ashford Swaithes' (Shackleton Remix)

Mastered by Brendan Zacharias at Cirrus Audio

Balaban - Religious Service

NO WEAPON IS ABSOLUTE is I'm a Cliche's radio show on NTS 1.
You can check it live on www.nts.live and a few days after on I'm a Cliché's Soundcloud

DJ Sundae played the 1 hour on this one.

Playlist:

Wendy & Carl - The Silent Ocean
Deadline Paranoia - Shri 
Drew McDowall - Convulse
F.U.S.E. - A New Day
Jaures - TRI
New Buildings - Historias Para Largos Recorridos
Svitlana Nianio - Episode 6
Black Tape For A Blue Girl - I Ran To You
Dino J.A. Deane - Liquid Time 
Pram - Water Toy
Pierre Jean Croset - Danse Des Couleurs
Research library - Insomnia

No Weapon Is Absolute:
www.facebook.com/noweaponisabsolute

I’m a Cliche:
www.imacliche.com
www.facebook.com/imacliche
@imaClicheLabel

Cosmo Vitelli:
www.facebook.com/cosmovitelli
@ilcosmovitelli

Dj Sundae:
www.facebook.com/djsundae
@djsundae

NO WEAPON IS ABSOLUTE - DJ Sundae - 07-05-2018 - NTS 1

1) Doing The Beeston Bump:
"The record opens with my partner and I walking on the pebble beach at Cley-Next-The-Sea. The sound get softer as we get onto the dunes so characteristic of Norfolk coast. Tom Skinner (Hello Skinny, Sons of Kemet) plays the drums."

Watch John's video for 'Doing The Beeston Bump' here (filmed on location in Norfolk): https://www.youtube.com/watch?v=Eah0zZQPR5U

-------------------

On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come.

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

Yes! Come Parade With Us

Leafcutter John - Doing the Beeston Bump

From the EP ‘Inland Versions'
Release date: September 27

Easy music for the hard to please, InFiné is an international & eclectic record label based in Paris and Berlin. Created by Alexandre Cazac and Yannick Matray in 2006, to pulse with love & passion projects from all over the world.

Artist: @
https://vanessawagner.net/
https://www.facebook.com/vanessawagnerpianiste/

Label: @infine-music
http://www.infine-music.com/
https://www.facebook.com/infinefanpage

Premiere : Vanessa Wagner - The Heart Asks Pleasure First (Vladislav Delay Remake)[InFiné]

Olivier Alary and Johannes Malfatti join forces on their collaborative album ‘u,i ’, a brilliant exploration of mediated modern communication and a timely release that strikes a powerful resonance with our recently heightened experiences of connection and isolation under pandemic conditions. ‘u, i ’ was recorded over VOIP (voice over internet protocol), using the technology as both creative tool and conceptual frame.

Recorded in Berlin and Montreal and the strange virtual space in between, ‘u,i’ was pieced together between 2017-2019, though its genesis dates back fifteen years, to when Olivier and Johannes began dreaming of a network-based studio that could bridge the 6,000 km geographical distance between them. When early public forms of VOIP such as Skype appeared in the early ‘00s, the pair quickly took to the platform to talk and exchange ideas. Whilst it enabled the building of both a friendship and musical collaboration, they quickly noticed its limitations. Poking fun at its often distorted and unintelligible transmission quality, they began accumulating recordings of its strange sonic by-products. As the pair increasingly used VOIP through the years, the musical potential of these recordings and the concept behind ‘u,I’ began to emerge. Spending more time together online than in the same physical space, they noticed their personal experience was widely shared. With contemporary lives increasingly atomised, social interaction is becoming more and more mediated. Meanwhile, an explosion of personal video feeds has given us access to millions of intimate lives online, a raw and fragile glimpse on human existence. This new paradigm gave Olivier and Johannes the idea that it might be possible to build the narrative of a whole life via disconnected fragments posted online.

A reflection on human existence glimpsed through the prism of VOIP, 'u,i' encapsulates our vaporized social existence via a multitude of disconnected ghostly fragments and offers a bittersweet celebration of our interconnection – simultaneously close and detached. Ultimately, the album itself is a dichotomy – it mourns this gap whilst at the same time recognising it as the sole reason for its existence.

pre-order

Olivier Alary & Johannes Malfatti - I Can´t Even See Myself

SBTMP012 - Phonosynthesis Remixed

Following Axel Toben’s debut EP late last year, which gained international attention, Phonosynthesis Remixed enlists friends of the label to re-render the iconic and experimental pieces. Fitting somewhere between techno, breaks, and downtempo, with an experimental and lo-fi touch among them, each of them adds a unique flavor to the unique world of Toben.⁠

Follow / Support @axel-toben, @thomasragsdalemusic, @liu_erd, @nupoke, @brooksi-1, @maker56, @rocshabda

Phonosynthesis Remixed

Buy / Stream

SBTMP012 - Phonosynthesis Remixed [Previews]

Stream/Download: lnk.to/BBPt2

This is the second in a trilogy and it chronicles my reconnection with the piano after some time away.

www.instagram.com/neilcowleymusic/

ElectronicClassicalElectronica

Buy/Stream

Neil Cowley - Don’t Walk Alone

London-based record label. Occasional home to: Leafcutter John / James Holden / Luke Abbott / RocketNumberNine / Wesley Matsell / Nathan Fake / Kate Wax / Fairmont / Margot / Avus / The MFA / Ricardo Tobar / Misstress Barbara / Petter / Lazy Fat People / Extrawelt / Dextro.

Worldwide distribution by [PIAS] UK.

Holden & Zimpel press & radio by @9pr

Leafcutter John - Doing the Beeston Bump

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