Summer_2020

Leafcutter John

golden olds

On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come.

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

Leafcutter John - Yes! Come Parade With Us

Damabiah - The Sleeping Tree - Les Nymphes du Couchant

Official release date : April 24 2023



The Sleeping Tree

Eta Carinae | Oxfam

Hello again, Happy New Year to everyone out there.

After another hectic year, another big project for me personally awaited as 2015 began. Somethng I know many of you anticipate every single year - the Global DJ Broadcast Classics Showcase. 

I can't believe that this would be the tenth edition.

When I was growing up and getting lost in music on the radio, some of my fondest memories involved listening to all the classic songs that would be played, particularly on New Year's Day. So the idea of doing a classics showcase once a year on GDJB was born out of those feelings.

It's always one of the most mentally challenging and emotionally demanding sets to put together, because somehow you want to create a journey that will be magical for everyone to listen to - regardless of how long you have been listening to all things electronica. For many of you, there will be a whole host of iconic tracks you will be hearing for the first time, and maybe even unearthed gems for the more seasoned folk.

So hopefully there is a nice spread of years represented throughout, and this is something that will resonate with you for some time to come. As a new year dawns, we can take a moment to celebrate the tunes and moments that define our era.

Hope you have a wonderful 2015, and hope even more that we can create some magical memories together.

WIth love,
Markus x

Tracklist:
01. Bedrock - Heaven Scent
02. Mike Foyle presents Statica - Space Guitar
03. Elevation - Biscayne
04. Way Out West - Fear
05. Sasha - Xpander
06. Deadmau5 - Faxing Berlin
07. Trisco - Musak (Steve Lawler Remix)
08. Tekknova - Last Trip to Paradise
09. Paul van Dyk - For an Angel (PvD E-Werk Club Mix)
10. Mesh - Purple Haze
11. Salt Tank - Eugina (Michael Woods Remix)
12. Super8 & Tab - Helsinki Scorchin'
13. Tiesto - Suburban Train
14. Above & Beyond - No One on Earth (Gabriel & Dresden Remix / Markus Schulz Big Room Reconstruction)
15. Chicane - Lost You Somewhere
16. Sean Walsh presents Jagermaestro - Quarter Century
17. Telepopmusik - Breathe (Markus Schulz Remix)
18. Tillmann Uhrmacher - On the Run (Ocean to Shore Club Mix)
19. BT vs. Sasha - Remember Magnetic North
20. DJ Observer & Daniel Heatcliff featuring Madeleine Rison - Vision (Lentos Dub)
21. Luminary - Amsterdam (Super8 & Tab Remix)
22. BT - Flaming June (BT & Paul van Dyk Mix)
23. Hammer & Bennett - Language (Elevation Remix)
24. Holden & Thompson - Nothing (93 Returning Mix)
25. Airwave - When Things Go Wrong
26. Reverse - Absolute Reality (Arty Remix / Markus Schulz Big Room Reconstruction)
27. Push - Strange World (2000 Remake)
28. Jam & Spoon - Odyssey to Anyoona
29. Moby - Go (Woodtick Mix)
30. Lange & Gareth Emery vs. Signalrunners - Another Aria, Another Epica (Markus Schulz Mashup)
31. System F - Insolation (Ferry Corsten Remix)
32. Armin van Buuren - Communication (Vincent de Moor Remix)
33. Solarstone - Seven Cities (Solarstone's Atlantis Mix)

Markus Schulz - Global DJ Broadcast Classics Showcase 2015

Tracklist: 

1. Gabriel & Dresden - Portobello 
2. Lindstrom - There's a Drink in My Room and I Need a Hot Lady - Prins Thomas edit 
3. Robbie Rivera - Float Away - (Gabriel & Dresden re-edit) 
4. Gabriel & Dresden feat Molly -Ttracking Treasure Down 
5. Armin van Buuren feat Gabriel & Dresden - Zocalo 
6. Bloc Party - 2 More Years - Gabriel & Dresden re-edit of Junior Sanchez Remix 
7. Mode Hookers - Breathe - Sander van Doorn remix 
8. Luke Dzierzek - Echo 
9. Duncan Sheik - on a high - Gabriel & Dresden Love From Humboldt Dub

*CLASSIC EPISODE* Organized Nature Episode 3

Tracklist: http://www.1001tracklists.com/tracklist/76287_gabriel-dresden-at-avalon-hollywood-los-angeles-united-states-2008-01-01.html

Getting you warmed up for our Classics Only tour, we present to you a 5 hour and 23 minute set recorded on New Years Eve 2007-2008 at Avalon in Hollywood, where we're going to perform a 6.5 hour Open-to-Close Classics Only set on May 30th 2015!

Tickets for the Avalon Hollywood event can be purchased here: http://bit.ly/avalonotc

The entire tour itinerary. 
Sat. May 16 Portland, OR Whiskey Bar 4hr set
Sat. May 30 Los Angeles, CA Avalon 6.5hr set
Sat.June 6 Phoenix, AZ Monarch Theatre 6hr set
Sat. June 13 Beta Nightclub Denver, CO 5.5 hr set
Fri. June 26, Ten Nightclub, Newport Beach, CA 4.5hr set
Sat., June 27 Austin, TX Kingdom 6.5hr set
Thurs., July 2 Calgary, AB Bespoke 4.5hr set
Fri., July 3 Toronto, ON The Mod Club 6hr set
Sat., July 4 Chicago, IL The Mid 7hr set
Fri., July 10 San Francisco, CA Ruby Skye 7+hr set
Sat., July 11 Seattle, WA Foundation 5hr set
Fri., July 24 New York, NY Cielo 6hr set
Sat., July 25 Houston, TX Stereo Live 5hr set
Fri., July 31 Atlanta, GA Opera 5hr set
Sat., Aug 1 Dallas, TX LeVu 5hr set 

Ticket links can be found here: http://bit.ly/otcclassicsonly


Gabriel & Dresden Live At Avalon, LA 01 - 01 - 08

Leafcutter John Quad Time remix

Tracklist: http://www.1001tracklists.com/tracklist/82905_gabriel-dresden-at-classics-only-opera-nightclub-atlanta-united-states-2015-07-31.html

Gabriel & Dresden Present Classics Only Live From Opera Nightclub, Atlanta 07 - 31 - 15

5) Stepper Motor:
"Guest starring a Black-Headed Gull from Overstrand. Also features rain on the roof of a shepherds hut we stayed in at Overstrand. I recorded this using some contact microphones I made specially for the trip."

--------------

On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize-nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come.

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

Yes! Come Parade With Us

Leafcutter John - Stepper Motor

4) Elephant Bones:
"This is one of my favourite sounds on the record. Recorded in Blakeney boat yard, the sound of rows of masts in the wind. I play Cretan lyra on this track too, which is an ancestor of European bowed instruments and is traditionally used for its strong plaintive and emotionally stark character."

--------------------

On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize-nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come.

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

Leafcutter John - Elephant Bones

3) Pillar:
"Another morning recording, this time in Wells-next-the-Sea harbour. There is a whole world of detail in this recording, the slack water, the distant sound of moored fishing boats, and lots of different birds including a tern which if you listen very carefully you can hear catching its breakfast."

---------------

On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize-nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come.

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

Leafcutter John - Pillar

1) Doing The Beeston Bump:
"The record opens with my partner and I walking on the pebble beach at Cley-Next-The-Sea. The sound get softer as we get onto the dunes so characteristic of Norfolk coast. Tom Skinner (Hello Skinny, Sons of Kemet) plays the drums."

Watch John's video for 'Doing The Beeston Bump' here (filmed on location in Norfolk): https://www.youtube.com/watch?v=Eah0zZQPR5U

-------------------

On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come.

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

Leafcutter John - Doing the Beeston Bump

2) Yes! Come Parade With Us
"I remember leaning right off the slipway in Sheringham to record the waves that I used in this track. I had to get really close to the surface of the water to be able to hear the pebbles moving around. It was early in the morning and the sound was so alive that It made me want to make some very positive and uplifting music."

Watch John's hand-animated video here>> https://www.youtube.com/watch?v=XaCOvylhxks&

-----------------------

On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often-organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize-nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come. 

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

London-based record label. Occasional home to: Leafcutter John / James Holden / Luke Abbott / RocketNumberNine / Wesley Matsell / Nathan Fake / Kate Wax / Fairmont / Margot / Avus / The MFA / Ricardo Tobar / Misstress Barbara / Petter / Lazy Fat People / Extrawelt / Dextro.

Worldwide distribution by [PIAS] UK.

Holden & Zimpel press & radio by @9pr