On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come.

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

Leafcutter John - Yes! Come Parade With Us

Shimmering Moods @ Resonance Extra #14

1. 555 - Rainbow Death (White Paddy Mountain)
2. Juliana Barwick, Rafael Anton Irisarri - THESIS 10 - A1 (THESIS)
3. Loscil - Monument Destroyers  (Forthcoming Bandcamp)
4. Arkadelphia - Untitled 1 (Shimmering Moods)
5. Hotel Neon - 3:04 AM (Warmth Remix) (Bandcamp)
6. Ross Alexander - Wood Of The Lusamba (Discrepant)
7. Ot to, not to - This (ACR)
8. SITRA - Enter The Moss Garden (Colour8)
9. Giuseppe Falivene - Horizon Pt 1 (Nova Fund Recordings)
10. Olli Aarni - Pohjoistuuli (Cotton Goods)
11. Rime Trails - Sanctum 1 (Forthcoming Shimmering Moods)
12. Omrr - Quicksands (Dronarivm)
13. Leyland Kirby -  Dig deep march on (Bandcamp)
14. Kj - Safe (Lost Tribe Sound)
15. Stefano Guzzetti - Recurrent Dreams (IRM)
16. Paddy Mulcahy - Waltz Sketch (Bandcamp / 1631 Recordings)
17. JABU - Fool If (Blackest Ever Black)
18. Porya Hatami - Autumn (Audiobulb)
19. VICIM - Thirty One (ACR)
20. Benoît Pioulard - Same time next year (Beacon Sound)
21. øjeRum - J'ai une âme solitaire, Elegy for Harold Smith (IRM)

Shimmering Moods @ Resonance Extra #14

All hardware live PA set recorded at MoMA PS1 Warm-Up in Long Island City NY  Sept 1 2018

Live @ MoMA PS1 Warm-Up

Space: Native Home, House Of Plants.
Sound: GREETINGS ( @greetingstoyouu )

Space & Sound - GREETINGS (Boots & Legs)

6) This Way Out:
"This track came out of a conversation I accidently recorded in the Kings Arms in Blakeney on a particularly bleak and wet day.
‘Is anyone likely to change their minds?’
‘No’
‘It’s on its way…’
‘Ignorance is bliss, that’s what I say.’"

--------------

On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize-nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come.

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

Yes! Come Parade With Us

Leafcutter John - This Way Out

5) Stepper Motor:
"Guest starring a Black-Headed Gull from Overstrand. Also features rain on the roof of a shepherds hut we stayed in at Overstrand. I recorded this using some contact microphones I made specially for the trip."

--------------

On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize-nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come.

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

Leafcutter John - Stepper Motor

4) Elephant Bones:
"This is one of my favourite sounds on the record. Recorded in Blakeney boat yard, the sound of rows of masts in the wind. I play Cretan lyra on this track too, which is an ancestor of European bowed instruments and is traditionally used for its strong plaintive and emotionally stark character."

--------------------

On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize-nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come.

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

Leafcutter John - Elephant Bones

3) Pillar:
"Another morning recording, this time in Wells-next-the-Sea harbour. There is a whole world of detail in this recording, the slack water, the distant sound of moored fishing boats, and lots of different birds including a tern which if you listen very carefully you can hear catching its breakfast."

---------------

On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize-nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come.

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

Leafcutter John - Pillar

1) Doing The Beeston Bump:
"The record opens with my partner and I walking on the pebble beach at Cley-Next-The-Sea. The sound get softer as we get onto the dunes so characteristic of Norfolk coast. Tom Skinner (Hello Skinny, Sons of Kemet) plays the drums."

Watch John's video for 'Doing The Beeston Bump' here (filmed on location in Norfolk): https://www.youtube.com/watch?v=Eah0zZQPR5U

-------------------

On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come.

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

Leafcutter John - Doing the Beeston Bump

2) Yes! Come Parade With Us
"I remember leaning right off the slipway in Sheringham to record the waves that I used in this track. I had to get really close to the surface of the water to be able to hear the pebbles moving around. It was early in the morning and the sound was so alive that It made me want to make some very positive and uplifting music."

Watch John's hand-animated video here>> https://www.youtube.com/watch?v=XaCOvylhxks&

-----------------------

On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often-organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize-nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come. 

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

New single from @Gigi-Masin, out now on Apollo Records
https://smarturl.it/Masin-Anemone

Gigi Masin - Anemone

08) River Flow - Luke Abbott

10) Luna - Luke Abbott

Jordan Reyes from American Dreams Records brings a mix of noise, punk, hip hop & more for the Wharf Cat Records radio show

TRACKLIST:
Boldy James & The Alchemist ft. Benny the Butcher - Scrape The Bowl
Amani x King Vision Ultra (ft. ELUCID) - Scrape
猫 シ Corp. - FORUMヘルシンキ 
Aztec Mystic - Mi Raza
Ganser - Told You So
Cloud Nothings - The Sound Of Everyone
Leak Bros - Got Wet
Noname ft. Phoelix - Window
KeiyaA - Nu World Burdens
Christian Scott aTunde Adjuah - X. Adjuah [I Own The Night]
Liturgy - HAJJ
Shirley Collins - Tell Me True
Matthew J. Rolin - Red Brick
Cannibal Ox - Scream Phoenix
Janelle Monae - Wondaland
Andrée Burelli - De Sidera
Ossemaan - Reverie
Jaimie Branch - Prayer For Amerikkka pt 1 & 2
Gil Scott-Heron x Makaya McCraven - I’ll Take Care Of You
Killarmy - Dressed To Kill
Che Noir & Apollo Brown ft. Black Thought - Hustle Don’t Give
Sarah Davachi - Play The Ghost
Coil - Going Up
Philadelphia Orchestra - Claire De Lune

www.thelotradio.com 
www.instagram.com/thelotradio 
www.facebook.com/thelotradio 
www.twitter.com/thelotradio 
@thelotradio

Wharf Cat Records with Jordan Reyes (American Dreams) @ The Lot Radio 09 - 03 - 2020

Langit

Another 2 hour journey through various experimental landscapes and the second lockdown show of November.

FatCat - 1BTN 24 November 2020

Dunaewsky69 - Last Year's Snow Was Falling (G.Gladkov Theme) - free download

London-based record label. Occasional home to: Leafcutter John / James Holden / Luke Abbott / RocketNumberNine / Wesley Matsell / Nathan Fake / Kate Wax / Fairmont / Margot / Avus / The MFA / Ricardo Tobar / Misstress Barbara / Petter / Lazy Fat People / Extrawelt / Dextro.

Worldwide distribution by [PIAS] UK.

Holden & Zimpel press & radio by @9pr

Leafcutter John - This Way Out

Border Community

Related tracks