Akufen - Installation

FRAU CONTRA BASS |The Windmills of your mind | Snippet

composed and performed by GOLT
featuring tommy baldu (drums) and lolla süßmilch (viola)
mix: hannes bieger
mastering: darius van helfteren, amsterdam mastering

crow

Free Download

Write My Wrongs | Bryson Tiller Inappropriately Touched This Beat (FREE DL)

"die unverheiratete" von ewald palmetshofer
regie: jana vetten, staatstheater mainz 2016

lilith (die unverheiratete, staatstheater mainz 2016)

Words Become Useless

Taken from 'Second Yard Botanicals' 
Released  August 3rd http://smarturl.it/secondyardbotanicals

Second Yard Botanicals

Paul Frick - Karamasow

tartuffe, dhaus 2018, regie: robert gerloff

linn (tartuffe, dhaus 2018)

Berlin based composer and producer Ben Lukas Boysen has announced the release of his third album, the progressive and shape-shifting 'Mirage', on 1 May 2020. It follows 2013’s 'Gravity' and the acclaimed 2016 full length 'Spells', a record as much admired by his peers as it was loved by fans that not only yielded remixes from Max Cooper and Tim Hecker, but also opened Jon Hopkins’ Late Night Tales compilation.

Since the release of 'Spells', Ben collaborated with cellist and composer Sebastian Plano on the score for David OReilly’s landmark innovative video game 'Everything'. It was added to the long list for the Best Animated Short at the 90th Academy Awards, making it the first video game to qualify for an Oscar. 

As with 'Gravity' and 'Spells', Ben has an array of musical guests adorning Mirage, including long time collaborator, Berlin based cellist and composer Anne Müller as well as Australian saxophonist and composer Daniel Thorne — for whom Ben wrote parts specifically, having heard his 2019 solo debut 'Lines of Sight'. Lead track 'Medela' features both and takes the listener on a kaleidoscopic journey that slides with ease across sonic terrains.

While on 'Spells' Ben made programmed pieces sound indistinguishable from human playing, with 'Mirage' he set out to do the opposite and make the human touch unrecognisable, creating something of a mystery or a mirage.

“A lot of the elements and instruments you hear on the album are either not what you think they are, or exactly what you think they are but behave differently or they’re elements you definitely know but they are hidden, processed, or morphed into something else. With 'Spells' and 'Gravity' I was trying to hide the machines. On 'Mirage', I’m trying to hide the human” — Ben Lukas Boysen

lilith (die unverheiratete, staatstheater mainz 2016)

borgolte