Name: Clara! Y Maoupa - Baja Y Suda (ZAAX Aiyi-Lectro Remix) by Beaurees • Haag Tribunal
Duration: 6 min
Description: sorry @maoupa-mazzocchetti and @clara-uno

🦗 𝘾𝙞𝙘𝙖𝙙𝙖 [𝙈𝙖𝙭 4 𝙇𝙞𝙫𝙚 𝙙𝙚𝙫𝙞𝙘𝙚] 𝙞𝙣𝙛𝙤 𝙗𝙚𝙡𝙤𝙬 🦗

ᴛʀᴀᴄᴋ @tu_music 
ᴍᴀꜱᴛᴇʀɪɴɢ @wimdehaen
 ᴀʀᴛᴡᴏʀᴋ Ver  [IG: _nismo95]

Confined Space stems from the idea of repurposing audio material from YouTube, in an artistic process that values quantity over quality. Random videos are selected using different key words and their audio is chopped and compressed into the DAW to be used as compositional elements. Often scrolling down to get the uploads with the least views, this process is both a reflection on the enormous quantity of material that can be found online and an invitation to use and repurpose digital content in new artistic ways. What is inside the database is not important, its size already makes for an infinite output of ideas.

Luca Favaro is an Italian musician and composer. Starting as a classical percussionist, he approaches electronic music composition finding his roots in sound design, club music and field recording. With the moniker T.U. he has published with False Industries (Berlin), Hide Productions (Milan, Udine) and World Canvas (Helsinki) as well as scoring music for installations, theatre and ballet. He currently hosts Desktop Music, a monthly show on radio Raheem where he explores sound design and generative music through original compositions. With the dance-focused project Capiuz, Favaro investigates a more rhythmic approach to his compositions, exploring the more experimental and hypnotic sides of dance music. As a programmer, he has created various Max for Live devices published by Hide Productions in an ongoing series.

FREE BONUS CONTENT FOR ABLETON USERS: Cicada [Max 4 Live device]

Cicada is a time manipulation effect that warps and smears audio in real time. The device is divided into two independent sections: SCRMBL creates a cloud like texture by running the incoming sound through a cascade of modulating delays, with the possibility of adding extra pitch shifted layers. WARP imitates the warp feature on Ableton’s clips, with a grain/speed control and the possibility of having it synced and retriggered according to live’s tempo.

DOWNLOAD [EP&M4L]

CAPIUZ - HELP ME

IM095 - Infinite Machine 10 Years Compilation
Label: Infinite Machine
Release Date: December 3rd, 2021
Format: Digital

Celebrating 10 years of solidly cerebral club music releases, Infinite Machine is celebrating its first decade with an 19 -track compilation full of heat from label mainstays, new signees and some of the friends who helped them along the way. Infinite Machine was born out of a desire to run an dance imprint with the same DIY ethos as the hardcore/screamo labels that xWOLFx, IM's owner, was previously involved with. Over its decade-long lifespan, the label has rapidly evolved into a central figure within the hybrid dance music scene that’s formed on the internet; a place where dembow drum patterns can easily sit next to Sinogrime samples and dubstep sensibilities. In the last few years, as the label and it’s artists have matured, Infinite Machine’s output has taken a slightly cyberpunk turn, moving away from pure dance-floor slammers and towards more conceptual works which deal with our ultra-accelerated culture or soundtrack imagined off-planet worlds.

Some highlights from the release include Galtier’s ‘My Mess is a Face’, a real head-spinner full of granular synthesis and warped sample work. Later on in the comp, Bungalovv delivers a sensory delight with ‘Alacran’, a track so dense with layers of sound design it feels like you can sink your teeth into it. All Centre signee Duswunder pops up mid-way through the release with the frenetic and furious ‘Black Bile’ which is absolutely not a track to be missed. IDM upstart Daniel Ruane’s contribution ‘ZZZZZ’ is hypnotic perfection - one of those compositions that really has to be heard to be believed. Towards the end of the release, long-time Infinite Machine signee Yilan appears with ‘Cortisol’, another slow mind-bender of a track full of siren-like synths and rolling stutters of percussion. And rounding out proceedings is W3C’s ‘Templar’, a great example of the sort of forward-thinking music Infinite Machine loves to release. It’s a track rooted in club culture but, at the same time, transposed away from that context to some other-worldly space.

In an era of dance music consumption where genre trends or in-vogue labels can rapidly switch from flavour of the month to faint memories, this 10-year milestone is a testament to the independent label's unwavering enthusiasm for unearthing fresh talent and pushing our releases at a relentless pace, much like the hardcore labels xWOLFx previously ran. Three cheers for another decade of jaw dropping releases and Infinite Machine's commitment to the church of DIY.

Artwork by Benfika

Xiao Quan - The Vengeful Spirit Of Iron Fist

Rilla - Yugeki / 遊撃 EP
Label: SVBKVLT
Release date: 21st January 2022
Artwork by Tianyi
Mixed & Mastered by Raphael Valensi
https://svbkvlt.bandcamp.com/album/yugeki-ep

Yugeki / 遊撃 EP

Premiere: Rilla - Seven Stars

SLIKBACK X MRIGASHEERA - KAZE

@entrañas presenta “Pisos Térmicos" una nueva exploración sonora que nace inspirado en el clima, y el paisaje de Quito y sus alrededores. Esta propuesta musical amalgama diferentes grabaciones de campo realizadas en Abril del 2022 en Quito y sus alrededores, las cuales fueron manipuladas con síntesis granular en ableton live, desarrollando 6 masajes cerebrales que buscan retratar de manera abstracta lo bello, y heterogéneo de nuestro ambiente y paisaje, el cual por diversas circunstancias tal vez damos por sentado y no lo contemplamos.

Entrañas - Gélido

Taken from SBKT054: Gorgonn - Six Paths
Release date: 31st January

Artwork and layout by Akihide Monna
Mastered by Raphael Valensi

In Japanese Buddhism, it's believed that when someone dies they are ushered down one of six paths depending on the karma accumulated during their previous lives. A being might end up in the world of humans, animals, demigods, or celestials, but it's also possible to end up reborn as a pitiable hungry ghost, doomed to an existence of insatiable desire, or even worse - be sent to hell, or jigoku. Ruled over by the Japanese lord of death Emma-ō, this hell isn't quite like the Christian hell, it's closer to purgatory, and cleansing the karma can take hundreds of millions of years of excruciating torture in extreme cold or immense fire. Japanese bass alchemist Gorgonn takes these themes as the basis of his debut album "Six Paths", assembling a spiritually weighty set of futurist dubs that consider the possibility that our mortal domain might be closer to hell than we realize.

Gorgonn describes himself as a Japalien exile. He left the country of his birth almost two decades ago, and since then has been working tirelessly to formulate Jamaican dub, noise, techno, and no-wave into a sound he calls "sci-fi steppas". If you've not come across his name before, there's a good chance you've heard his reverberations. An established sound tech who's worked with The Bug, Hype Williams, Seefeel and others, he's part of G36 with Kevin Martin, Dokkebi Q with Kiki Hitomi, and a former member of Devilman with DJ Scotch Egg and Bo Ningen's Taigen Kawabe. Just last year he released the acclaimed "Disentegration Dubs" full-length alongside JK Flesh, the veteran producer who's best known for masterminding Godflesh. All this experience blesses Gorgonn's productions with remarkable sonic force, and "Six Paths" is his most crushing display yet, smelting cannonball bass and osmium beats into sharp-edged soundsystem weapons.

Look no further than opener 'Abyss' for evidence of this: psychedelic synths draw the mind away from the mortal realm, while tangled, distorted beats push us back down to earth, our faces crushed into the grit and gravel. Using tweaked sub bass and unsettling drones, Gorgonn lays out a cinematic backdrop for the album, drawing us into a world that's terrifying, viscous, and nauseatingly familiar. There's a militaristic roll to 'Without Beginning and End', a track that juxtaposes spacey halfstep thrusts with death metal distortion, footwork polyrhythms, and unearthly pads that addresses the crushing endlessness of jigoku. On 'Invisible' meanwhile, Gorgonn torches the skeletal remains of D&B, abstracting familiar rhythmic patterns into fuzzy, ritualistic cycles that sound both ancient and humming with prospective technology. But on the closing track 'Life as a Beast', it sounds as if Gorgonn has come to a conclusion, and in a flurry of acid squelches and doomy foghorn bass blasts, he seems to have accepted that being reincarnated as an animal might be the best anyone can hope for. Who knows, you might end up as a cat.

Six Paths

Gorgonn - When Can I Come Back?

@SieteCatorce remixes and creates a special 12 minute soundscape from a combination of Lara Sarkissian's two tracks 'Gnum Գնում (Going) ft.  @Margenrot' and 'the Wave's recountal' off her EP 'DISRUPTION'. Available for download on Bandcamp.

Gnum + the Wave's recountal (Siete Catorce Hybrid Remix)

DOWNLOAD

Lara Sarkissian - Gnum + the Wave's recountal (Siete Catorce Hybrid Remix)

An unorthodox bass, techno splicer from @alecpace incoming on @nous-disques. 

More: weareinsert.com/audio/alec-pace-translucent-nous-disques/

Article

Premiere: Alec Pace - Translucent [Nous Disques]

Oppressed, submerged, but packed with tremendous energy — that is how Out of Fashion Boys feels about Beijing as a city, as well as the way it defines itself as a label. As the political and cultural center of China, Beijing radiates such a unique charm that one simply cannot find another Chinese city similar to it. Though Beijing is not the most economically developed city in China, all the cultures that it cultivates will never be completely consumed by market economy. It is able to protect or even hinder a culture from commercialization until its next big explosion. Take the Beijing rock’n’roll scene as an example — it is hard to believe that there is almost a 3-decade gap between its two major explosions. Out of Fashion Boys managed to gather a diverse group of musicians into one record, with assistance of the unique energy of Beijing City. 12 groups of artists the label has previously invited to perform live have come together this time to work on the compilation Out of Fashion Boys Vol.1.
压抑、下沉却又蕴藏了巨大的能量。这是Out of Fashion Boys对北京这座城市的感受，也是他们对厂牌自己的描述。北京作为中国的政治、文化中心拥有着独一无二的魅力，你不可能找到一座和北京相似的城市。虽然北京不是中国经济最发达的城市，但它所产出的所有文化都不会被经济市场所完全消解，它会一直保留或者埋藏文化不被商业化直到下一次的爆发，就像北京的摇滚乐你很难相信它的两次爆发竟然间隔了将近30年的时间。Out of Fashion Boys用北京这座城市的能量把一群音乐人聚集到一张合集中：12组他们曾经邀请的音乐人以北京的印象共同创作这张合集《Out of Fashion Boys Vol.1》。

In this compilation, you will hear the creation by producer Zean, who is currently based in Shanghai. As a Chinese himself, he contributed to this compilation the most clever sonic take on the atmosphere of the Chinese capital. 
You will hear Berlin producer Goro, who sampled China Airlines’ public announcement in his track.
Paris-based producer King doudou set fire to the compilation with lush club beats that are spiced up with oriental flavors. 
Wrack from Tokyo titled his own track as Hot Pot.
合集中有现居上海的制作人Zean，身为中国人的他在情绪上最为巧妙的表达了北京的氛围；
你还能听到采样了中国航空播音的柏林制作人Goro；
来自巴黎的制作人King doudou创作了极具东方色彩的俱乐部音乐；
东京的Wrack用火锅命名了他的作品。

@zefgirlclub 
@zeanmusic 
@airmax97 
@falsewitness 
@kingdoudou 
@merca-bae
@jaymiesilk 
@mojogoro 
@lao 
@dehousy 
@wrack90 
@asemanual 

Mastered by LAO
Art works by Heimer

OUT OF FASHION BOYS VOL.1

RA Premiere: Air Max'97 - Resurface

sorry @maoupa-mazzocchetti and @clara-uno

Clara! Y Maoupa - Baja Y Suda (ZAAX Aiyi-Lectro Remix)

Visual >>What becomes Legends most? by Curtly Thomas aka smallboydanger
Audio >> Cosmic Power by Nkisi

Cosmic Power - Nkisi

✝︎▫︎⑈␥✦⑆⑉⏚‣⑇⎑⍽⌇⑉✦⌁⎃⍳▫︎⍤⏧⎌⍾‣⑇⏧⑈␥♆⑆⌰⑉º✢⑇⌁⍤⏧⍽▫︎⑈␥✦⑆⑃⑉‣⑇⑈º␥⑆
⑇⑈º␥⌰✢⑆⏧⎌⑆⑉⍾✦⌁⑃▫︎⍤‣✝︎⑇⏧♆⑇⎑⏚⍽⌁⍤▫︎⑈␥☦︎✦⑄⍳⑆⑉⏧⎃‣⑇⑈º␥⑆☄︎␥⌇✢⑆⏧✝︎⑆⏚⑉⍳✦⑉‣⎑☦︎⎌⑇⍽⑆⑉⌰⎃✝︎✦⑄⌇⌁⑇⌁⍤⑃␥✦⑆☦︎⑉‣▫︎⑈⍾␥⏧✦⑆⑉‣⑇⌇⑈º␥⑆♆⑆⑉⎃⍾✢⑇⌁⌁⍤⑆⑉⏧⏚✦⌁▫︎⍤‣⑃⏧⑄⑇⑈␥⑆⑉º✢⎌⍳⑇⍽⏚⌁⌁⍤▫︎⏧✝︎⑈␥⑃⎑✦⑆⑉♆‣⑇⑈⑇⑈º␥⑆
⑇☦︎␥✢⑄⑆⏚⑆⑉♆✦▫︎⑃⑈␥✝︎⌰⍽✦⑆⑉⍾‣⑇⍳⎑⑈‣⏚⏧⑇⑈␥⎃⑆⑉º⎌✢⌁⍤✝︎▫︎⑈␥✦⏧⑆⑉‣⑇⑈⑇⑈º␥⑆
⑇⌇⌰⏧⑈⑄⍾✝︎º␥⎌⌁⍽⍤⏧▫︎⑈␥⑄✦⑆⑉☦︎‣⑇⑈⏚▫︎♆⑈⎑⑃✝︎␥✦⑄⑆⑉⎃⍳⍽‣⑇⑈º␥⑆⏧☦︎♰

Clara! Y Maoupa - Baja Y Suda (ZAAX Aiyi-Lectro Remix)

Beaurees • Haag Tribunal

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