Name: Clara! Y Maoupa - Baja Y Suda (ZAAX Aiyi-Lectro Remix) by Beaurees / HT / PS
Duration: 6 min
Description: sorry @maoupa-mazzocchetti and @clara-uno

David Kaplowitz's aka DKAPZ first solo release is filled with grainy headstrong electronica and twisted minimal house beats.

More: https://ins-rt.net/audio/dkapz-echolocation-strictly-prohibited-in-this-area

Concerning Bats

Article

Premiere: DKAPZ - Echolocation Strictly Prohibited in this Area

IM095 - Infinite Machine 10 Years Compilation
Label: Infinite Machine
Release Date: December 3rd, 2021
Format: Digital

Celebrating 10 years of solidly cerebral club music releases, Infinite Machine is celebrating its first decade with an 19 -track compilation full of heat from label mainstays, new signees and some of the friends who helped them along the way. Infinite Machine was born out of a desire to run an dance imprint with the same DIY ethos as the hardcore/screamo labels that xWOLFx, IM's owner, was previously involved with. Over its decade-long lifespan, the label has rapidly evolved into a central figure within the hybrid dance music scene that’s formed on the internet; a place where dembow drum patterns can easily sit next to Sinogrime samples and dubstep sensibilities. In the last few years, as the label and it’s artists have matured, Infinite Machine’s output has taken a slightly cyberpunk turn, moving away from pure dance-floor slammers and towards more conceptual works which deal with our ultra-accelerated culture or soundtrack imagined off-planet worlds.

Some highlights from the release include Galtier’s ‘My Mess is a Face’, a real head-spinner full of granular synthesis and warped sample work. Later on in the comp, Bungalovv delivers a sensory delight with ‘Alacran’, a track so dense with layers of sound design it feels like you can sink your teeth into it. All Centre signee Duswunder pops up mid-way through the release with the frenetic and furious ‘Black Bile’ which is absolutely not a track to be missed. IDM upstart Daniel Ruane’s contribution ‘ZZZZZ’ is hypnotic perfection - one of those compositions that really has to be heard to be believed. Towards the end of the release, long-time Infinite Machine signee Yilan appears with ‘Cortisol’, another slow mind-bender of a track full of siren-like synths and rolling stutters of percussion. And rounding out proceedings is W3C’s ‘Templar’, a great example of the sort of forward-thinking music Infinite Machine loves to release. It’s a track rooted in club culture but, at the same time, transposed away from that context to some other-worldly space.

In an era of dance music consumption where genre trends or in-vogue labels can rapidly switch from flavour of the month to faint memories, this 10-year milestone is a testament to the independent label's unwavering enthusiasm for unearthing fresh talent and pushing our releases at a relentless pace, much like the hardcore labels xWOLFx previously ran. Three cheers for another decade of jaw dropping releases and Infinite Machine's commitment to the church of DIY.

Artwork by Benfika

Bungalovv - Alacran

Conceived as an ecotonal space where the multiple sonic reinterpretations of the composition can converge, we are pleased to present the first compilation of EKŌ, a platform inspired by the essence of the spatial and acoustic propagation of rhythmic and experimental phenomena. Which seeks to share through this selection different ideas and creative sensibilities around experimental dancefloor. Where it is sought that, through the value of sharing in equitable and diverse ways, it is motivated to generate changing, thinking and sensitive spaces from, to and with what happens in the world and on the dance floor.

EKŌ baste together and puts in dialogue the personal universes of each creator in this compilation, also as a presentation of what EKŌ is and intends to generate, allowing us to access those meeting points that occur beyond the physical.

Enjoy, dance, share love and music.

Lyo XS & KOI - Crisantemo

Taken from UnknownSoul (@unknownsoul_playakroy) new EP 4 Formas, out January 18, 2022, via Nodo (@nodolabel)

Read: https://bit.ly/3JZNYlD
Pre-order: https://bit.ly/3zNVyuV

Based in Buenos Aires, UnknownSoul is a 19-year-old producer who delves into experimental music, blending different genres with a personal and somber style, going from Jungle to Trap, House, and beyond.

This release is made up of four mysterious and esoteric tracks that seek to create a dark and danceable atmosphere in order to evade our real environment.

Artwork by 09990s23 & Unknwnboy2002

Mastered by Ivan Nevares

Released by Nodo

Premiere: UnknownSoul - Mental Training [Nodo]

my debut single “Rage” is available everywhere now: https://msdistro.lnk.to/Rage 
 
Socials:
https://linktr.ee/monstermachine

Credits:  
Co-Written, Co-produced by Penny Yang & Thomson Phan
Mixing by Monster Machine & Arky Waters
Mastering by APR Studios
Visuals by Monster Machine

Rage

STREAM

art by @gs_franc

ive got another dump on Nina

back to the remix

Metropolistic violence

sorry @maoupa-mazzocchetti and @clara-uno

Clara! Y Maoupa - Baja Y Suda (ZAAX Aiyi-Lectro Remix)

On ACEN 017 London producer hmurd joins the All Centre ranks following releases on TT & Cherche Encore.

Title track ‘Low Grade Plastics’ continues with the sparse landscapes and dizzying atmospheres explored in hmurds productions so far. Opening with spartan drum choices, heavy kicks and cantering hi-hats sit at the tracks core whilst heavily processed percussion and FX make fleeting appearances. With eight on beat snare drum repetitions the track descends into it’s main theme. An austere four note melody, with frenetic kicks firing off around it as a loosely anchored snare provides a woozy half time rhythm. As the track progresses further FX heighten the sense of tension building around the tracks core, with a single oscillating bass note providing a nod to the tracks dubstep influences.

B side ‘Beighton Champ’ takes a different slant to its counterpart. Rapid hi-hats and percussion signal the tracks beginning and create a rhythmic sense of security, before being dispelled as the track collapses into a series of erratic de-quantised percussion breaks. Suddenly the confusion is broken, melting away into familiar percussion patterns accompanied by an angular melody courtesy of hmurd collaborator Emile Frankel. The melody is suddenly broken by a rising granular sound which signals an abrupt switch to a straighter beat, with kicks, claps and breath sounds carrying the groove.

‘Low Grade Plastics’ is available across all platforms from the 5th of June.

Low Grade Plastics

hmurd - Beighton Champ

Read more about Sprælle' single on CxC: https://couvrexchefs.com/en/tangible-spraelle/

[PREMIERE] Sprælle - Tangible [self-released]

Consequences

Air Max '97 - Triple Pendulum

beaurees / haag tribunal / prins regduls
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Clara! Y Maoupa - Baja Y Suda (ZAAX Aiyi-Lectro Remix)

Beaurees / HT / PS

Recent comments

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