maybe this song won’t leave you
maybe this song believes you
and maybe i have fun too
and maybe i could sing too

sing too,
sing too,
sing too,
sing
sing too,
sing too,
sing too,
sing
sing too,
sing too,
sing too,
sing, sing, sing, sing

Artwork by DOSS©
Photography by Alex Lee
Mixed & Mastered by Gabriel Schuman

www.doss.world

It’s the music ♫

Strawberry

@Malibu @MssingNo
Rip from @nts-latest United in Flames w/ Mssingno & Malibu 14.07.21

Malibu - Tilting On Windmills (Mssingno Edit)

and don't forget poor

if nobody dances to your ambient album then make stupid DJ music

a mashup of

Your Local Cyborg
x
OTASH
x
NIVEK FFORHS
x
VØJ, Narvent
x
Antwoine

perfect girls (autistic, anxious, disassociated, depressed, psychotic)

omg bruh

greedo's liary

james worthy flip

V/A - mono no aware もののあわれ

Format: 2xLP / Digital
Label: PAN
Cat.No: PAN 77
Release Date: 17 March 2017

http://p-a-n.org/

purchase:
site: http://bit.ly/2mQN5AO
bandcamp: http://bit.ly/2n9ToSm

mono no aware (もののあわれ) is the first compilation to be released on PAN, collating unreleased ambient tracks from both new and existing PAN artists.

Featuring Jeff Witscher, Helm, TCF, Yves Tumor, M.E.S.H., Pan Daijing, HVAD, Kareem Lotfy, ADR, Mya Gomez, Sky H1, James K, Oli XL, Bill Kouligas, Flora Yin-Wong, Malibu, and AYYA, the compilation moves through more traditional notions of what is called ’ambient’, to incorporating wider variations that fall under the term.

“Mono no aware”, ‘the pathos of things’, also translates as “an empathy toward things", or "a sensitivity to ephemera”. A term for the awareness of impermanence, or the transience of things. A meditation on mortality and life's transience, ephemerality heightens the appreciation of beauty and sensitivity to their passing. In investigating the passing of time, the boundaries between memory and hallucination become blurred; between fiction and reality. The movement of time transforms into an eternal present.

The album is mastered and cut by Rashad Becker at D&M, featuring photography by Molly Matalon and design by Bill Kouligas. A limited version of 100 copies will be released as a special art edition in collaboration with Mount Analog for the LA Art Book Fair 2017, before going on general release.

mono no aware

2. Malibu - Held (PAN 77)

Roses are red
I don't believe in fate
When the clock turns 8
You listen to this tape

eight o'clock

https://soundcloud.com/ang3l-139505149
Mastering: Alexis Chan

FREE DOWNLOAD:
www.heartbrokensoundtrack.com

Visuals: Daniel Sansavini
3d Website: Camille Nicolle Goffart

SECRET SONGS FOR YOU </3

dj lostboi - Fuck Me I'm Famous (extended)

DJ Lostboi & Torus - The Flash

sitequeeste.bandcamp.com/album/the-flash
Available 24 January 2020 on LP and digital platforms.

Following 2019’s hibernation, Queeste reappears with the mnestic soundscapes of DJ Lostboi and Torus’ split album The Flash. Across eight gossamer evocations—four from each artist—the duo reflect on individual journeys from airport to sea during the blissful embers of fading summer. Their gaze expands and contracts naturally with passing locations but lingers on the titular flash, what the two artists describe as “the rare sight of the sun giving off a bright green lightburst into the horizon.”

Made up of sounds sourced and appropriated from these commutes—pop music heard on the radio, jumbled street recordings, and everyday technological objects—The Flash evokes the melancholic pull of such recollections without ever succumbing to nostalgia. The moments eked from these samples stretch into quiet eternity—still and suspended—while retaining their quotidian, terrestrial qualities.

DJ Lostboi successfully refines the warped atmospherics heard on his previous edits of pop, rap, and emo. First track ‘Open World’ welcomes listeners with lapping waves and plaintive wavering tones—like a glittering video game environment—until real life interrupts on ‘Ordinary People’ as an automated answer phone message: an unknown voice lets out a weary sigh. Its foggy pianos and soft vocals offer melody and buoyancy where ‘LB 100’ circles on moody, dream-like pads. We follow the artist’s oceanic voyage to its culminating trance-like shimmers which dissolve into cool water: reflective, endless, yet ultimately hopeful.

Netherlands-based Torus foregoes the dancefloor dynamics of 2016’s Engine Malfunction for a series of calmer, cloudless drifts. On ‘Enter The Sun’—a sparse, yearning composition—washes of noise and clipped auto-tuned vocals pulse over a haunting refrain until ‘Pier’ arrives with whirring engines, sweet birdsong, and decaying synths. The album’s lightest piece comes with the skipping ‘Radiate 540’—euphoric dance minus the kick—which rises from a muffled human interaction until slow motion cinematics signal the trip’s end: ‘Arrival’ collapses into the sea elegantly mirroring DJ Lostboi’s final track.

Despite its hushed ambience, The Flash is an album committed to forward momentum. Each composition reveals a discrete chapter of DJ Lostboi and Torus’ journey building to a moment of bittersweet ascension. The results of such heartfelt wandering recall the spatial dynamics of The KLF’s zoned post-rave landscapes but these works flicker with thoroughly modern paraphernalia and emotions.

eight o'clock

Borut Eberl

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