booking: mia@lb-agency.net
ziurinhell@gmail.com ∞

Indofijian girl here to save the world through music.
I’m known as DJ Satya Yuga in the East 🌏 Utopia in the West 🌎🌍or Utopia 5D (or Nova Utopia) on streaming.  U can call me Utopia cuz that’s what I’m manifesting. Speak it into existence

Korea Town Acid
Recording Artist | Live PA | DJ | Curator | Educator
koreatownacid@gmail.com
Korea Town Acid is a multidisciplinary electronic artist from South Korea, based in Toronto. Her fearless, genre-fluid sound blends experimental club, hip-hop, breakbeat, jungle, and cinematic textures — always pushing boundaries and reshaping expectations.
She was nominated for Underground Dance Single of the Year at the 2022 JUNO Awards, and contributed production to the Polaris Music Prize-winning album Parallel World by Cadence Weapon.
Her dynamic live sets and eclectic DJ performances have taken her around the globe, with appearances in Seoul, London, Berlin, New York, Athens, Bilbao, Riyadh, Lyon, and across Canada. She has performed at major festivals and institutions including Nuits Sonores, MUTEK Montreal, Pop Montreal, Boiler Room, and TIFF.
An alumna of the 2018 Red Bull Music Academy, Korea Town Acid has been featured on BBC Radio 1’s Benji B and Frank Ocean’s Homer Radio. In 2023, she performed at Louis Vuitton’s first Women’s Pre-Fall show in Seoul, and in 2025, she debuted her new concept album Glow Up with a Live PA showcase at Nuits Sonores (Lyon).
She is also the founder of Groovy Lab Records, an independent label dedicated to weird, wired, and wavy sounds — a home for boundary-pushing, future-facing electronic music.

We moved all our operations to @VisionRecordings

Store: http://store.visionrecordings.nl

Demos: http://visionrecordings.nl/demos

Artist @ Anomaly Records. Connoisseur of the written word.

“…a ferocious, belly-deep sound, but somehow tender with it.” - The Guardian

“…recklessly fuzzy garage” - The Independent

"Music needs a new dark lord..." Phil Taggart, BBC Radio 1

“a beautiful noise that at once grips and beguiles, as befits a natural-born storyteller.”- the Quietus

“Loud, lascivious and raw” - Classic Rock’s The Blues Magazine

“A fuzzy, howly 'new blues' fest, with a touch of woozy psych for good measure.”- Classic Rock

"…a searing, soulful touch, an oasis of calm amid the torrent of noise" - The Times

“…packed with dirt and a palpable sense of menace” - CLASH

"If Bukowski was to join a band of our time I think it’d be this one. The vocals remind you of Tom Waits or Johnny Cash, while the guitars have the same drive, as Jack White’s or the Black Keys do, only much dirtier. The heavy distortion together with Presley’s husky voice, give the music a more mournful feel. Plus there is a very strong folk element to it, which makes it just that much more intriguing and a bit poetic, whilst never losing its energy. The kind of music you imagine Jack White would cream his pants over." MusicNTing Blog

CONTACT
Press: lewis.fromberg@dawbell.com
European PR: marine@la-mission.com
MGMT: hello@johnjpresley.com
Radio: caroline@out-london.co.uk

To join the mailing list please visit: http://eepurl.com/dw_w21


www.johnjpresley.com

bossFYTE is a Toronto based electronic A/V performance duo consisting of Beatill Blocher and ZeroDay Proxy. Their process involves the generation of source materials, combining analog synthesizers, modified electronics and finely detailed automation of DSP software. It is then deconstructed into new sonic fragments, and continuously refined into their carefully crafted unique brand of melodic Audio/Visual hyperstimulation.

Rather than hindering their momentum, bossFYTE’s genre defiant sound has offered them the liberty of sharing the stage with a wide range of world class artists including Venetian Snares, Otto Von Schirach,  The Flashbulb, Ceephax Acid Crew, Green Jellÿ and Anklepants. They’ve performed at TIFF Lightbox for Scotiabank's Nuit Blanche, headlined Toronto's annual Videodrome event at MOCCA, have been remixed by Richard Devine, and have recently joined the roster at Detroit Undeground.

John Kameel Farah is a composer and pianist based between Berlin and Toronto. He studied composition and piano performance at the University of Toronto, where he received the Glenn Gould Composition Award twice during his studies. In 1999 he had private lessons with Terry Riley in California, and later at the Arabic Music Retreat in Hartford. In 1998, he performed the complete solo piano works of Arnold Schoenberg in Toronto. Toronto’s NOW Magazine named his as Best Pianist 2006. John received the 2011 K.M. Hunter Artist Award for Music from the Ontario Arts Council.

Farah now focuses primarily on his own creative hybrid of improvisation, composition and electronic music. Simultaneously using piano, synthesizer, computer, and at times harpsichord, his solo performances exist somewhere between the concert hall and an experimental DJ set, mixing forays into free improvisation, jazz, electro–acoustics, middle-eastern modes, and ambient minimalism and distilling them into cohesive, surrealistic structures. 

Farah performs regularly in Berlin and Toronto, and has toured internationally across the U.K., Europe, USA, Canada, the Middle–East, Brazil, South Korea and Mexico. In 1999 and 2002, he visited the Edward Said National Conservatory in the West Bank, giving performances and masterclasses in Ramallah, East Jerusalem and Bethlehem. 
His newest solo album is called Time Sketches, released on the Neue Meister label. He collaborates with Peggy Baker Dance Projects, and in 2016 won a Dora Mavor Moore Award for his work with choreographer Peggy Baker. He has also been a member of the Canadian Electronic Ensemble since 2009.

bossFYTE is following