Created for OSC #186 = Any Two Synths using Odin2 and Vital.
Genre: Synth orchestral / trailer music / cinematic

Our brave heroes wait behind the castle walls as the enemy approaches. First the horns sound in the distance, and then slowly approach. Some notes ring familiar, while others are strangely alien. Three final eerie blasts as the ram begins its foul work upon the gate. When the enemy finally breaks through, not only men but twisted creatures with robotic voices join in the battle. As the fighting gets more and more chaotic, our protectors make a final stand. Can they prevail?

Enemy At The Gates - OSC 186 Odin2 and Vital

For OSC 186 NA2S- Using 50+ instances of Vital and Socal Labs Wavetable synthesizers to produce all sounds in Ableton Live. Processed with Limiter 6, Valhalla Super Massive, Saturation, Cabinet, Amp, Pedal, Autofilter, Hybrid Reverb, Compressor,  EQ8, Channel EQ, and Delay.

Pumpkin Spice (OSC 186 NA2S- Vital and Wavetable)

My entry for the KVR Audio One Synth Challenge #186. Made in Bitwig with Geonkick, SurgeXT, and Kilohearts Essentials Gain & EQ plugins.

robelanator - Dust Off [OSC186]

An entry for One Synth Challenge 186 at KVR Audio

DAW: Reaper
Synths: U-he Tyrell N6 (24) &  Zebralette 2 (2). Seventeen ( voice-split ) patches, from scratch as always , including six percs and four FX.  Assisted by TDR Nova ( general nip-and-tuck channelstrip duties ) , ReaDelay, HY-Delay , Bittersweet ( softening a delay, )  Kazrog KClip ( drumbus ) , and BlueArp

Reverb buses: MuVerb, Oril River, and Protoverb. Pre-emphasised, de-emphasised, shaped, compressed, softened and panned  by TDR Nova, Flux Bittersweet and HOFA SYS Pan. 

Shaped, sharpened, spatialized and louderized ( to -12 LUFS ) at the master level by TDR Nova, Flux Bittersweet, Protoverb, HOFA TiltEQ and  Limiter No6

Finders, Keepers

KVR OSC#186 Any 2 Synths
Featuring "Elvis The Drone Master"

4 instances Synful Orchestra (didn't use it much in the end)
29 instances SurgeXT (mostly wavetables)
All sounds designed from scratch

Dead Duck: Compressor, Delay
ValhallaSupermassive
ReaEQ, ReaXComp
Limiter No6
SPAN, YouLean Loudness Meter
OrilRiver Reverb
JS Channel Time Delay
kHs Gain

You were built to withstand so much worse... now go

Realizing There's Nothing More I Can Do (OSC186 Vital+Deelay)

Here's My OSC for August made in Bitwig using Charlatan3 and dBlue Glitch v1.3

with 13 instances of Charlatan3 and 2 dBlue Glitch

VST: 
Air2
BusterSe
ClipStar
Free Clip2
KHS Trance Gate
Limiter No6
LoudMax
NightShine
SuperCharger
TDR Kotelnikov
TDR Molotok
TDR Nova
TDR VOS SlickEQ
Valhalla Supermassive

Bitwig:
Convolution
Delay-2
Drum Machine
Filter+
Focus EQ
Key Filter
Note FX
Sculpt EQ
Tilt
Tool

Coconuts in the rain

it is made for OSC #186 (KVR)

14 x TripleCheese (U-He)  https://u-he.com/products/triplecheese/
12 x Free Alpha.    (LinPlug)  https://plugins4free.com/plugin/2290/

DAW: StudioOne 6

Host-plug-in: ProEQ, Compressor, Gate, DualPan, Limiter, MultibandEQ, OpenAir, BeatDelay
3rd party plug-in: Tal Filter (for panning)
                            MTremolo (for gating reverb)

HeadPhone Mix

Like Grey

Phantom Nightfall

An electronic cyberpunk soundscape that blends dark ambient textures, futuristic rhythms, and emotional tension. Imagine standing inside a massive spaceship, gazing at a neon-drenched city glowing beneath the rain. This track captures the essence of mystery, nightfall, and the silent pulse of a high-tech world.

Phantom Nightfall

Sergey Kunakov - Return to the Sea ( Saxophone Ver.2 ) [Iparallels Records]

10-12-25-test0 2025-10-12 0839

Sydney, Australia based music producer/composer. Mix of styles, with influences from rock, rap, electronic, classical, cinematic and funk.

Realizing There's Nothing More I Can Do (OSC186 Vital+Deelay)

abot81