LABELS:
Nocturnal Groove / Re-Vox / Rise Italy / Hermosa Recordings / Recline Music / Original Fake

BIOGRAPHY:
Luca Phenix and Paul B. are StereoSoulSystem. Based in Milan, StereoSoulSystem started in 2008 when Paul and Luca decided to combine their talent and diverse different musical tastes to coin a new and qualitative sound, a crossover of house music, soul and modern synths.
Their first release was a remix for Hermosa Recordings -Justin Michael's U.S. imprint. Their mix of 'Jazz It Up' (Dutchian Soul) was released alongside further mixes from Nikola Gala and Jask. After their first release on Hermosa, the duo began a collaboration with Nocturnal Groove - the London based label owned by the The Shapeshifters. The 'Lost EP' was their first release on Nocturnal Groove and received support from the likes Aaron Ross and The Shapeshifters.
StereoSoulSystem have sincesigned a second EP ('Gonna Get EP') to Nocturnal Groove which was released in early 2010. 'Gonna Get' was included on the digital compilation 'Nocturnal Grooves - Vol.2 : Mixed By the Shapeshifters' and supported by the likes of Groove Armada, Mark Knight, Tedd Patterson, Robert Owens, Mr. V, Juan Kidd, Danism and Gramam Sahara. The 'Gonna Get EP' got good specialist radio play and was also charted by Traxsource who featured the track in their 'House Essentials' Chart.
Most recently StereoSoulSystem have releases two killer remixes.First up is their take on 'Pacific State' (Doman &amp; Gooding) for Nocturnal Groove. Their mix was released on the same package as mixes by Gramophonedzie and Filthy Rich. The second one is a mix for The Cube Guys - one of the most important Italian duos on the scene. Featuring the vocals of Lisa Pure, StereoSoulSystem's re-work of 'When I Fall In Love' (The Cube Guys) was released on Rise (Italy).

Independent Record Label founded by Sam Divine

Heaters Only!

Good music + Good people = Good times
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Management:
neil@tripletreatmgmt.com


For DJ bookings worldwide please contact:
Radius Artists
ben@radiusartists.com

BOOKINGS
World (except N&S/America): daniel@jackmode.com
N America: p@slaytoncreative.com
S America: polina@jackmode.com

MANAGEMENT
nl@285.group

With a decorated past and an extensive list of achievements, Tim Green has maintained a high level of accomplishments since the mid-2000s. An artist who is deeply dedicated to expressing his truest sound, Tim’s depth of experience, innate musicality, and hard work lie at the heart of his formidable
success. In recent years, his affiliation with the All Day I Dream family, including close ally Sébastien Léger, and embracing the melodic sound, has triggered an unparalleled period of creativity and self-satisfaction. The success he has experienced throughout his career hasn’t been without its ups and downs, but, like any journey worth taking, the path to glory and inner happiness was meant to be that way. Through his high work ethic and natural-born talent, Tim Green has reached new levels of creative maturity and freedom… with so much more to come.
Tim’s musical ability is inherent, it’s in his DNA. His father is a keyboard player and he started taking guitar lessons at the age of eight, so it’s always been there. Growing up in a musical household, surrounded by a variety of sounds and influences, imbued Tim’s mind with a broad range of inspiration. His love affair with electronic music began with Daft Punk’s classic Discovery LP, which sparked a shift from live music in bands to DJing and studio production. Since his first release in 2006, Tim has utilised his skills to cultivate a diverse discography, from techno with labels like Cocoon, where he was a mainstay, to dancefloor-ready house for Dirtybird. Along the way, he’s
released an album Her Future Ghost (Cocoon), produced an impressive and diverse set of remixes for the likes of Underworld, Paul McCartney, Ben Bohmer, Friendly Fires, Eelke Kleijn, Perry Farrel, Sébastien Léger, Cassius, Seth Troxler and Lee Burridge, and written alternative pop material under
his alias Invisible Minds.
Amid all the success, Tim has been working towards uncovering his true sound. Occasional feelings of discontent sparked a desire to experiment. In 2016 came a key release on Get Weird, entitled ‘For A Memory’. The track, 11 minutes of deep, exquisitely produced melodic house, helped lay the
groundwork for what has become Tim’s signature sound - with depth, emotion, and musicality at the heart of his creativity. Along with his 2018 album Her Future Ghost, ‘For A Memory’ was pivotal to his progression into the Tim Green of today. These releases were part of his continual push to find a sound that he was comfortable with, and the catalyst behind his gradual shift into the melodic domain.
Through exploring this emotive sound, finding his groove, and entering a place of comfort with his creativity, Tim has found the freedom that so many artists yearn for.
A longstanding friendship with Lee Burridge (who supported Tim’s music in his sets, right from his first-ever release in 2006), also played a part in Tim’s development. His musicality has always been there, from his genetic makeup to playing in bands, to his diverse back catalogue. Building upon the
foundations laid down by ‘For A Memory’, in 2018 Tim found himself in the studio creating brand new tracks that simply gave him a good feeling, no agenda, just free flowing uplifting jams. He sent them to Lee, who instantly approved, and so began his connection with All Day I Dream. In March 2020 he dropped his first release on ADID, the seminal Vacation To Life. This was followed by the Moho EP with Sébastien Léger, which helped to further establish Tim’s prowess.
Since 2020, he has released another two EPs with All Day I Dream - The Moss and The Night Is Blue, plus an album, Eastbound Silhouette. His global touring schedule continues to be packed, taking him from the US to South America, across Asia and Europe, and back again. At every stop off he
encounters crowds who are open to his sound, driven by love, connection, and living life to the fullest.
When he’s at home being a family man, or spending time in the studio, that good energy continues to emanate cultivating a sense of comfort and inner contentment.
Almost 20 years since he first made a name for himself, Tim Green is busier than ever, touring the world and entering the most creatively enriching and fertile period of his career. He’s brimming with positivity, from the tunes he makes, to what he plays, and the response from the people on the dance
floor. The emotive, uplifting nature of his tracks has a deep resonance with those who experience it, leading to a constant flow of positive feedback. A dream for Tim, who’s fully enjoying the ride, and it shows in the music and his demeanour when he is performing. It’s become a positive feedback loop, where the energy he receives feeds into the music he produces, evoking more positivity on the dancefloor, which radiates back to him, and on it goes.
Maintaining a full-time music career is complicated, there’s no blueprint for success and inner peace.
Fortunately, Tim Green put the work in, kept striving, and discovered his authentic truth. Now driven by the powerful impact of his positive feedback loop, he is relishing the chance to express his musicality for himself, and melodic house lovers all over the world. All the while, he remains humble and full of gratitude for the gift of music…

PLEASE do not message me here.... I welcome all mail direct to me via my website www.djandyward.net

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Strictly Rhythm Records is house music.  Since 1989 the legendary New York label not only put out records by almost every name in the game, but it also defined house music throughout the 1990s with Erick Morillo, Todd Terry, Louie Vega, Kenny Dope, Armand Van Helden, DJ Pierre, Roger Sanchez, Josh Wink, Ultra Naté and Barbara Tucker.  As well as keeping the underground stoked with a steady supply of club grooves, the label also delivered a stream of crossover hits with Reel 2 Real’s “I Like To Move It”, Ultra Naté’s “Free”, Wamdue Project’s “King Of My Castle” and Wink’s “Higher State Of Consciousness”.  

Relaunched in 2007 after a five year break following a short-lived venture with Warner Music, Strictly Rhythm did what no dance label had ever done: successfully re-launch itself.  The label made many of its classic releases available on digital download for the first time and signed new productions from the likes of Quentin Harris, Osunlade, Bingo Players Vs Chocolate Puma, Dennis Ferrer, Michel Cleis, Dirty South and Bob Sinclar.  
Always an innovator, the label that invented the 12” white label and put out the first ever commercially released DJ Mix CD in 1993 (The Tony Humphries Strictly Rhythm Mix) is still at the cutting edge, finding and promoting the best in house music.

Resident: @fabric 
Founder: @TheBricksTheBricks 
Bookings: booking@interwave.live

Dave Manna, a Sydney sider with a passport for the world, brings exclusive sounds from monstrous electronic rockets to alternative finds. With his progressive and tech house notions, he is also an avid sound engineer refining 4 instruments via the rock, soulful and pop taints drawing in massive influence for his electronic records. Gaining support from the Tiesto, Chris Lake and Laidback Luke, Dave Manna is undoubtedly on high regard.

Dave has secured an infectious contribution to dance music on his own or collaboratively. ‘I Love America’ with Marco Demark Vs. Full Intention drove the tech house chart on Beatport at #14 and #10 on the ARIA club chart. On remix duties his edit Denzal Park on ‘Ascension’ hit #1 on ARIA’s club chart. His music has erupted compilations with his enthusiastic sway of musical energy from Ministry of Sound Annual’s to renowned club brand Pacha.

Behind the decks it’s Australia and the world’s iconic dance music spots that have cemented the Dave Manna name. Platinum Gold Coast, Ivy and Goldfish Sydney to the shores of Miami at High Bar and the viceroy Hotel for Miami Music Week agendas Dave Manna has truly established his profile well. 


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