I'm inspired by places where nature pushed back on humans. These are mostly modest spots, where weeds, ivy and moss encroach on the strange objects we insist on putting in the wild.

A bottle in a stream

More on the 680th weekly Disquiet Junto project, Reverse Resolution — The Assignment: Finish something (musical) you started last year — at https://disquiet.com/0680/

SONG 62 (disquiet0680)

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

SONG 67 - DisquietJunto0682 - Unring a Bell

More on the 688th weekly Disquiet Junto project, Sign Up — The Assignment: Interpret a routine public sign as a musical instruction — at https://disquiet.com/0688/

SONG 77 - DisquietJunto0688 - Sign Up

SONG 81

The past, immutable -
an icicle stabs
directly downward

by: Saitō Sanki

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page.

SONG 84 - Naviarhaiku588

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre. For information on how to make a submission, visit the Naviar Haiku Music Challenge page. https://www.naviarrecords.com/haiku-music-challenge/

SONG 89 - Naviarhaiku590

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

SONG 93 - DisquietJunto0697 - First Third

Building on a track by @Krakenkraft. See:
https://soundcloud.com/winterer/disquiet0697-crux-fmin70-6-4

More on the 698th weekly Disquiet Junto project, Second Third — The Assignment: Record the second third of a trio — at https://disquiet.com/0698/

SONG 95 - DisquietJunto0698 - Second Third (with krakenkraft)

More on the 700th weekly Disquiet Junto project, View Frame — The Assignment: Share the view and some sounds inspired by the view — at https://disquiet.com/0700/

SONG 98 - Disquiet0700 - View Frame

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page.

https://www.naviarrecords.com/haiku-music-challenge/

SONG 101 - NaviarHaiku597

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

For information on how to make a submission, visit the Naviar Haiku Music Challenge page.
https://www.naviarrecords.com/haiku-music-challenge/


SONG 103 - NaviarHaiku598

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page. https://www.naviarrecords.com/haiku-music-challenge/



SONG 108.1 - NaviarHaiku600 - Thinking of Us

SONG 111

insect tremolo
soberingly cools the heat
of farmland roads

by: Kogetsu Eguchi

603
Kogetsu Eguchi (1825-1867) was a Japanese poet active in the late Edo period. Together with Kazan Watanabe, he authored the haiku book Tōke shunchō.

Haiku by Kogetsu Eguchi

Picture by Luca Ercolani

Join The Naviar Haiku Music Challenge
This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre. For information on how to make a submission, visit the Naviar Haiku Music Challenge page. https://www.naviarrecords.com/haiku-music-challenge/



SONG 112 - NaviarHaiku603 - Insect Tremelo

Each Thursday in the Disquiet Junto music community, a new compositional challenge is set before the group’s members, who then have five days to record and upload a track in response to the project instructions.

The Assignment: Do something with layers of the sound of your voice.
Step 1: Create simple chords by layering the sound of your voice.
Step 2: Do something with those chords.

More on the 708th weekly Disquiet Junto project, Vocal Chords — The Assignment: Do something with layers of the sound of your voice. — at https://disquiet.com/0708/

SONG 113 - Disquiet0708 - Vocal Chords

In spring sunlight
the rows of tea bushes
ripple like waves

by: Tōge Morita

Tōge Morita (1924-2013) was a Japanese teacher and poet from Osaka. In the early 50s, he started publishing his poems in the Katsuragi 葛城 magazine, later becoming its editor-in-chief and, in 1990, its editor.

Haiku by Tōge Morita

Picture by Kyle Bushnell

Join The Naviar Haiku Music Challenge
This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page. https://www.naviarrecords.com/naviarhaiku604-in-spring-sunlight/

SONG 114 - NaviarHaiku604 - In Spring Sunlight

naviarhaiku606 – slightly faint
August 13, 2025
'slightly faint
yet clear
the milky way'

by: Toshio Kiyosaki

Toshio Kiyosaki (1922-1999) was a Japanese haiku poet and scholar of Japanese literature. He published a biography of Kyoshi Takahama in 1966 and co-authored Kyoshi Monogatari, another study on the renowned haiku poet, in 1979.

The Milky Way (amanogawa, or "Heavenly River" in Japanese) is a kigo for Autumn, mainly because that's when the galaxy is most visible in Japan.

Haiku by Toshio Kiyosaki

Picture by Yong Chuan Tan

Join The Naviar Haiku Music Challenge
This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page. https://www.naviarrecords.com/haiku-music-challenge/

SONG 116 - NaviarHaiku606 - Slightly Faint

naviarhaiku607 – Winter waterfall
August 20, 2025

Winter waterfall
a rock untouched
by sunrise or sunset

by: Setsuko Nozawa

Setsuko Nozawa (1920–1995) was a poet from Yokohama. Inspired by the works of Bashō and Rinka Ōno, she started writing haiku in the 1930s, joined the magazine Shakunage in 1939, and later moved to Hama in 1946. Later in life, she dedicated herself fully to poetry and ikebana, and in 1971 she founded the haiku magazine Ran, later directed by Kōzaburō Wada.
Haiku by Setsuko Nozawa
Picture by Go Stephen Walker

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page.
https://www.naviarrecords.com/haiku-music-challenge/

SONG 117 - NaviarHaiku607 - Winter Waterfall

young grasses -
not yet bent
in any direction

Kaga no Chiyo-jo (1703–1775) was a haiku poet discovered by Kagami Shiko at a very young age. She became a Buddhist nun at 52 and wrote around 1,900 haiku in her lifetime. A highlight of her poetry career was presenting haiku to a Korean delegation in 1763, one of the first cultural exchanges of this kind.

Haiku by Kaga no Chiyo

Picture by Kateryna Viderska

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

SONG 118 - NaviarHaiku608 - Young Grasses

revealing in the dark
the sadness of things
a fisherman's torch

by: Tagami Kikusha

609
Tagami Kikusha (1753-1826) was a Japanese multi-disciplinary artist and Buddhist nun, mostly known as a poet, painter, calligrapher, and tea practitioner.

Haiku by Tagami Kikusha

Picture by Michael Shannon

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

For information on how to make a submission, visit the Naviar Haiku Music Challenge page.
https://www.naviarrecords.com/haiku-music-challenge/

SONG 119 - NaviarHaiku609 - Revealing in the Dark

naviarhaiku611 – half-asleep eyes
September 17, 2025

"half-asleep eyes
open to a dreamlike world
of blossoms"

by: Natsume Seibi

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page. https://www.naviarrecords.com/haiku-music-challenge/

SONG 120 - NaviarHaiku611 - Half Asleep Eyes

The coming of autumn
determined
by a red dragonfly

by: Kaya Shirao

614
Kaya Shirao was born in 1738 in Fukagawa, Edo, now part of Tokyo.

He ran a school in Edo during Spring and Autumn, but in Summer and Winter, he would move to the countryside to teach thousands of aspiring poets from throughout the Shinano province (now Nagano Prefecture). He's considered one of the first established haikai writers to help spread cultural forms from national to regional urban centers.

Picture by Aaron Burden

The Naviar haiku music challenge invites artists to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre. To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

SONG 121 - NaviarHaiku614 - The Coming of Autumn

reminding me not to forget
a toad goes out
to the verdant world

Fusae Fubasami (1914–2014) was a Japanese poet from Tokyo. In 1944, she became associated with Dakotsu Īda and the haiku journal Unmo (雲母), later joining Yatsuka Ishihara’s group Aki (“Autumn”) in 1961.

Haiku by Fusae Fubasami
Picture by Johannes Plenio

The Naviar haiku music challenge invites artists to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre. To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

SONG 123 - NaviarHaiku615 - Reminding Me Not to Forget

whenever we meet
it’s raining
green walnuts

Tanaka Hiroaki (1959–2004) was a Japanese poet from Osaka. A student of Hatano Sōha, he published many of his works in the journal Ao 青 (“Blue”), of which he became editor in 1979. In 2000, he founded his own journal, Yū ゆう.

Haiku by Tanaka Hiroaki (Italian)

Picture by Kevin Wang

The Naviar haiku music challenge invites artists to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre. To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

SONG 124 - NaviarHaiku616 - Green Walnuts

SONG 126 - Dark Hampshire

the harp player
moves under cover
market day

kjmunro cultivates poetry on the traditional territories of the Kwanlin Dün First Nation & the Ta'an Kwäch'än Council in Whitehorse, Yukon Territory, Canada. She founded & facilitates ‘solstice haiku', a monthly haiku discussion group in Whitehorse, & manages a weekly blog feature for The Haiku Foundation called Haiku Dialogue. She is the recipient of the 2023 Borealis Prize – The Commissioner of Yukon Award for Literary Contribution, her work has been nominated for the Pushcart Prize, & her debut poetry collection is contractions (Red Moon Press, 2019).

haiku by kjmunro

Picture by Indira Tjokorda

The Naviar haiku music challenge invites artists to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre. To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

SONG 125 - NaviarHaiku618 - The Harp Player

SONG 127

some starlight
spared from being scooped up
four-handed net

I came across this poem in the book "An Anthology of Haiku, Ancient and Modern" by Asataro Miyamori. The poet’s surname and the publication date are unknown; only the name Kinsha remains.

Haiku by Kinsha

Picture by Alvis Taurēns

The Naviar haiku music challenge invites artists to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre. To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

SONG 128 - NaviarHaiku620 - Four-Handed Net

Deutzia in full white -
deep in the night,
the Milky Way.

Ikenishi Gonsui (1650–1722) was a haiku poet from Nara who settled permanently in Kyoto in 1684. A collection of his works, entitled Ikenishi Gonsui no kenkyū, was published in 2003.

Haiku by Ikenishi Gonsui

Picture by Christina Deravedisian

The Naviar haiku music challenge invites artists to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre. To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

SONG 129 - NaviarHaiku621 - Deutzia in Full White

SONG 130

“Don’t pick it!”
then picks and gives to me
a garden plum

Tan Taigi was a haiku poet of the Edo period. He was a wanderer for most of his life and admired by Yosa Buson for his ability to transcend his eclectic and unconventional lifestyle with sublime poetry.

haiku by Tan Taigi  (translation by Richard Tice)

Picture by Markus Spiske

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page.
https://www.naviarrecords.com/haiku-music-challenge/

SONG 131 - NaviarHaiku623 - A Garden Plum

Exploring music theory and ambient electronics.

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