Dope track bro! It could really grow fast. (nextscpro . com) could be the next step for your track.

Kleines Gitarrentrio – für Kinder und Jugendliche, 2016

Uraufführung: Birkenwerder, Evangelische Kirche; gespielt von Lehrern der Musikschule Hohenneuendorf 2016

Kleines Gitarrentrio – für Kinder und Jugendliche

Studio Composing in the  21st Century

ARCTIC   BIRDS    3    -   2025

For me, fog conjures up periods of quiet, interrupted by mysterious creaks, drones and transient melodies that appear and the drift away. I used the Instruo Pocket Scion (using my skin and not plants) to trigger midi instruments in Logic. At the forefront is the piano, which I imagined myself plunking away on as the fog obscured the keyboard and my hands. Hence it comes across as hesitant and unsure. 

disquiet0716

THE  MICROTONAL  PIANO    4

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " Nature Sucks Vol 4"
credit :

date : 23-09-2025

PLEASE VISIT OUR MAIN PAGE :

trampelfad.bandcamp.com
and
maxelzholz.bandcamp.com

Live 2024 :
https://www.youtube.com/watch?v=Y52VDBHP-cc
Robots 2015 :
https://www.youtube.com/watch?v=8DKtzLNZfvo

Field In The Morning

a project created in december 2020 found from the archive

Procedure:
A MIDI sequence was created with Elektron Octatrack,
which drives a piano track in Ableton.
The sequence was then broken down into four melodic lines.
The first line were transposed by +7 semintones
the second by +11 semitones
the third -13 semitones
the fourth line remains in the same pitch
then the harmony was extracted from each melodic line.
For each track, the ghost plays its part and sings as it pleases.
Next, for the sake of musicality, each ghost decides which notes to play and which to omit from its part.
During the performance the Time increase and the ensemble takes place
second take with the "singing ghost" track add

work in progress

cover art is a waterpaint made by me in 1999

ghost II *take two

JimmyJoe - GoNoGoNo

2025-09-29

a moment of happiness

The Report

The coming of autumn
determined
by a red dragonfly

by: Kaya Shirao

614
Kaya Shirao was born in 1738 in Fukagawa, Edo, now part of Tokyo.

He ran a school in Edo during Spring and Autumn, but in Summer and Winter, he would move to the countryside to teach thousands of aspiring poets from throughout the Shinano province (now Nagano Prefecture). He's considered one of the first established haikai writers to help spread cultural forms from national to regional urban centers.

Picture by Aaron Burden

The Naviar haiku music challenge invites artists to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre. To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

SONG 121 - NaviarHaiku614 - The Coming of Autumn

Exploring music theory and ambient electronics.

SONG 121 - NaviarHaiku614 - The Coming of Autumn

Boundary Objects

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