ambient - electronica - ETC

Recorded live in the tent beginning of June '24 by Candy Pollard
@candypollard

Candy Pollard — KuH 2024

T / L 
01-ELIJAH KNUTSEN - KABUSHIMA SHRINE SOUND 
02-DEEP SLEEP - LONG AGO AND FAR AWAY 
03-KAGAMI SMILE. - ALL YOUR MEMORIES ARE PAPER SCRAPS FLOWN INTO THE WIND 
04-LE CODE - ALONE 
05-LR FRIBERG - SEPTEMBER PEACE 
06-HEAVENCHORD AND INFINITY DOTS - STELLAR 
07-HOPLER ROUTE - AUDIENCE II 
08-FALLING TOGETHER - WHAT DO THEY SAY 
09-POST APOCALYPTIC - HIGHER VIBRATION 
10-ELIAS EPP - VIDE FIG 

ph / reflective impression

Poisonoise - Means Of Escape #29 (Ambient/Drone/Textures)

here and there 
upon scorched fields 
wild violets 

Haiku: Arii Shokyu-Ni
Music : Nukumori Eugene / Nx a-tale-of.bandcamp.com/
IG: www.instagram.com/jinsei_books

here and there - 彼方 [naviarhaiku582]

An electronic composition, sounds created using Pure Data and Audacity.

Fog Dissolves (naviarhaiku586)

I filled my gap with Alain Badiou ... for a change ... Excerpts from the brilliant European Graduate School video of Badiou lecturing in English on the Subject of Change: https://www.youtube.com/watch?v=eBxf_hncrN8

More on the 701st weekly Disquiet Junto project, Gap Ear — The Assignment: Break apart a piece of music and fill the resulting spaces — at https://disquiet.com/0701/

more halF unusuaL

halF voiD [disquiet0701]

YOU  CAN'T  GO  HOME   AGAIN   2

2025-06-20

in the summer rain

Antares

SONG 111

Working on a new project where I think the music should be heard only via earbuds/headphones.   Experimental, drone, noise, unclassifiable.
Not ambient.   Not industrial.   But 100% me.

music for headphones (as yet untitled)

distance

Drooooone w/ Ana & Clarry - Radio Buena Vida 21.08.25

naviarhaiku607 – Winter waterfall
August 20, 2025

Winter waterfall
a rock untouched
by sunrise or sunset

by: Setsuko Nozawa

Setsuko Nozawa (1920–1995) was a poet from Yokohama. Inspired by the works of Bashō and Rinka Ōno, she started writing haiku in the 1930s, joined the magazine Shakunage in 1939, and later moved to Hama in 1946. Later in life, she dedicated herself fully to poetry and ikebana, and in 1971 she founded the haiku magazine Ran, later directed by Kōzaburō Wada.
Haiku by Setsuko Nozawa
Picture by Go Stephen Walker

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page.
https://www.naviarrecords.com/haiku-music-challenge/

SONG 117 - NaviarHaiku607 - Winter Waterfall

An interpretation of:

young grasses -
not yet bent
in any direction

Naviar haiku challenge 608, details here: https://www.naviarrecords.com/haiku-music-challenge

I had an idea of the structure and development of this track quite quickly. Young grass tempted to deviate by sequences entering from either side, temptation resisted, unbent growth represented by a final melody. Decided to use VCV Rack for this one. As I was going to be assembling the elements in a live mix I knew I wouldn't be able to play the final melody and manipulate everything else, hence VCV I was able to assemble the melody as multiple sequenced blocks that are played randomly, leaving my hands free for other things.  There is a lot of subtle modulation in each of the elements some of which had to automated; even using PatchMaster from MindMeld to set up performance macros where one knob controls multiple things I quickly ran out of physical controls; so like the melody I made a few practical compromises in what I manipulated live.  

I set everything up to record live to multiple tracks giving me the freedom to tweak the mix during the mastering stage. Other than EQ, saturation and gentle compression on both individual tracks and the master; the only extra effect I added is a very light touch of K7D - Tape Delay from imaginando on both sequences, the subtle ping-pong echoes integrated them intp the whole.   

Young Grass - (naviarhaiku - 608)

New Linear Music
Code SACEM : 111554640967

EPHEMERAL TIMES

time has long legs and running shoes - romain deschamps - septembre 2025

Live Set @ Vooleme EP Release Party 11/17/19

Exploring music theory and ambient electronics.

about / bio:
''...Created by Quebec City producer Maxime Tanguay in 2005, Pertin-nce 
has been one of those nearly hidden netlabel treasures that has consistantly churned out a unique spectrum of offbeat electronica for the sheer pleasure of creation - patiently and steadfastly holding to an ethic of playful experimentation and open collaboration amidst an ever expanding and evolving digital music...''

SONG 111

Boundary Objects

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