Soul/Retro-pop outfit “Youngtones” was born in 2017 at a recording session at the South by Southwest Music Festival in Austin, TX.  Producer Matt Young and Luke wrote their first song in the throwback genre in about an hour.  The result was something different from Matt's typical pop centric productions and Luke's more singer/songwriter influenced releases. Pulling inspiration from their favorite Soul and R&B records of the 60’s and 70’s and the sights and sounds of their east and west coast cities, they’ve created something distinctively different.

gvdb999@gmail.com

https://store.yellowdayss.com

Apple Pie out now: https://yellowdays.ffm.to/applepie

Listen to Slow Dance & Romance: https://yellowdays.ffm.to/slowdanceromanceep

Red Moon is out now!
https://tommisch.ffm.to/redmoon

Management  > Duncan Murray - mgmt@tommisch.com

Bookings

Worldwide excl. North America
tom.schroeder@teamwass.com / natasha@motherartists.com

North America
ehancock@teamwass.com 

U.S Press > dana@biz3.net

Technological fatigue. Narcissism anxiety. A galaxy of isolation. These are the new norms keeping Weyes Blood (aka Natalie Mering) up at night and the themes at the heart of her latest release, And in the Darkness, Hearts Aglow (Sub Pop Records). 

The album is her follow-up to the acclaimed Titanic Rising. (Pitchfork, NPR, The Guardian admiringly named it one of 2019’s best.)  Where Titanic was an observation of doom to come, And in the Darkness, Hearts Aglow is about being in the thick of it: a search for an escape hatch to liberate us from algorithms and ideological chaos. “We’re in a fully functional shit show,” Mering says. “My heart is a glow stick that’s been cracked, lighting up my chest in an explosion of earnestness.”

And in the Darkness, Hearts Aglow opens with the wistful, winsome “It's Not Just Me, It's Everybody” — about the interconnectivity of all beings, but also the fraying of society around us. “I was asking a lot of questions while writing these songs. Hyper isolation kept coming up,” Mering says. “Our culture relies less and less on people. Something is off, and even though the feeling appears differently for each individual, it is universal.”

Other tracks follow in kind. The lullaby-like “Grapevine” chronicles the splintering of a human connection. The otherworldly dirge “God Turn Me into a Flower” serves as an allegory about our collective hubris. “The Worst Is Done” is an ominous warning, set against a deceivingly breezy pop melody. 

“Chaos is natural. But so is negentropy, or the tendency for things to fall into order,” she says. “These songs may not be manifestos or solutions, but I know they shed light on the meaning of our contemporary disillusionment.”

maría, josh, jesse & edward
http://themarias.us

European tour on sale now! http://shakeshookshaken.com/tour

Bounne is following