played in ' FORET DE SOIGNES '  , thank you @gadevoi for the invitation ✌✌✌✌✌✌

Mokadelic - Doomed To Live
DRAKE - OVOXO (TEAMS ∞ TRUST EDIT)
Tangerine Dream - Church Theme ( 1983 )
Nü Kvlture - Lil Wayne A Milli (Frenquency Bootyleg)
zuukou mayzie le bg 667 - PFPT (Prod . Prodouceur )
Maison Lumière - code lyoko - u o, johannes & rose gone
winnterzuko - Trotski (prod. Kochan)
TDJ - Trance Her Make Her Dance
@pat16120 - 4years
noti rose - lucky lucky
Von Bikräv - Frapcore 2 Rue
Fallen Shrine - RUDE BOY
Major Lazer Ft Daddy Yankee Ft Tanet Alicante - Watch Out For Gasolina (Javi C Edit)
Bing Bong X Tokyo Drift X Temperature (Restricted Edit)
Ljj555998 - I'm In Love With The Slut
Wukileak - Crunk in Time
D V D - LIKE A FREAK
FweaGoJit - Milkshake
★★Flyy TheProducer★★ - The Box (Jersey Club Remix) - Dj L-Spiz X Flyy TheProducer X Roddy Ricch
GIFTA x HUSTLER - TOUCH DOWN
Temma - I MISS THE AMEN
SEMATARY - ADAM & EVE

...SALUTE SEELY DOGG..✌ 23.04

burgruine

"Veering from fractured hyperpop into deconstructed club oddness and ambience, this album is a restless and rewarding experience that will delight fans of the Orange Milk catalogue and the stranger corners of Oneohtrix Point Never’s discography." (https://soundcloud.com/djmag) 

"Time and time again, we have found ourselves lost in this album. A potent stew of element we’d possible not normally enjoy tumbling in space with sections we wish continued into far longer expanses." (Obladada) 

On Organe Solaire (GEN051) by https://soundcloud.com/amselysen a coherent ensemble is presented consisting of digital, hyperprocessed textures, minuscule sound fragmentations and impassioned, pressing vocal broadcasts. Deceptively, the sound at intermittently even approaches something like a sugary sweet pop production: chord stabs, piano tones, heartfelt howling, energetic kicks, the whole works. The most powerful weapons in the electro-acoustic toolkit are used here: sound events occur on a microscopic scale, sliced, granulated, pitch-bent, resonant, bubbling, stretching - but at the same time have an impactful, cinematic, piercing quality. From the arrangement point of view there is a cryptic multi-centered, restless logic, with the trajectory of all tracks constantly getting out of balance, twisting, self-subverting. The human voice, or the remnants of it, form an important thread through this album; spanning a wide tonal, textural range, the voice material is sometimes vocoded, stuttering, crushed, resampled, fried, totally pushed beyond its limits; but at other times innately performative, assertive - a declaration of intent or active intervention, conveying meaning, communicating something important. Organe solaire follows 2020's murky transmission Hypnagogic Surge.

/ Hakeem Lapointe (https://soundcloud.com/amselysen) about GEN051
“My [Amselysen’s] second full length album’s focus, Organe Solaire, strays from conceptual music and goes on dissecting and splaying a dark but colourful sludge of emotions. A major point source in my compositional approach to the record has been imagining the trajectory of hyper-pop if it evolved with a more pessimistic tendency, with the same bells and whistles, but less shiny and squeaky clean — like the rainbow reflections of tar bubbles.
Organe Solaire, unable to afford being cryptic, doubles down on honest, raw lyricism and is quick to open up, building a comprehensive musical and gestural language that reflects the narratives behind each and every track. They range from slow suicidal ballads, to demented hyper-melancholic pop, to interludes containing heavy narratives, like Discrepancies (for Kellyanne): a heavily filtered piano composition dating from my late teens, also acting as a hope to reach out to a long lost then-best friend.
I did not shy away at referencing personal idols who’ve inspired me throughout the years: The Labour of Love samples Akira Fuse’s Shikuramen No Kahori, a song mentioned in Joji Koyama and Tujiko Noriko’s feature length film Kuro, and matches its theme: gazing at the afterimage of a romance long gone. Post-modern Tsunami, as outlined by “shoutout to Hito Steyerl”, is made to the image of Steyerl’s Liquidity Inc.: in its wave-like structure; in its senseless meme aesthetic; and nods at its conceptual approach, dissecting contemporary culture with economic undertones.
To aid me in my efforts, I have called upon two outstanding collaborators to lend their strengths on the album. I’ve recruited the excellent Ubu Boi, providing tactful compositions and solid vocal performances, and the mysterious 2x|n, a.k.a. Seraphim, for precise sound design and incisive aural interventions.
Delving into romantic torment, drug use, artistic frustrations, struggles with mental illness, Organe Solaire brings forth a fundamentally human experience in the form of raw edges thinly veiled under a layer of gloss.”

Buy & Stream

Amselysen - The Labour of Love (feat. 2x|n)

@flegmajoe

"Poussière. Plastique. Résidu. Ruines. Je me réveille et ne reconnais rien de ce paysage de néant pourtant si plein. Le ciel est d’un rose rance et terrifiant. Sur ce sol accidenté, rien ne semble avoir résisté, ni image, ni écran. Rien si ce n’est des débris, des reliquats de vies passées, d'existences numériques. De la mousse phosphorescente a recouvert mes pieds. A tout recouvert. Entre effroi et émerveillement, je contemple les alentours, médusé. 
Alors que de nouvelles voix et un nouveau langage résonnent en moi, le silence environnant m’accable. Pourtant au loin j’entends des sirènes en écho. Elles m’appellent. Je me lève finalement et commence ma traque. Suivre la trace des ces chants, quoi de plus hasardeux. Allez, qu’est-ce que j’ai à perdre de toute façon."

Identité visuelle : Maxime Buono

Intro, interludes et outro 
Textes : Alexandre Peron 
Voix : Alice la Terreur 
Traitement et production : Hildegarde

Mastering : Tristan Chaillou

Production : Alice la Terreur & 
Alexandre Peron

Ruines

Flegma Joe - Collé-serré avec mes limites

An ode to failure!

Departing from the image of the genius artists, the Hit&Miss compilation wants to show the hidden parts of creation, by embracing missteps and abandonment as a natural part of any artistic journey. 

Open to all members of the Global URL Nation, it proposed a new home for projects that couldn't find a place to exist otherwise, due to artistic (self-)exigency, technical problems, bad timing or any other reason often unknown to the general public. 

With more than 20 artists from a broad range of styles, experience and locations, it gathers unfinished projects such as aborted WIP, forgotten drafts, lost files, unconvincing demos, compulsive emotional bursts or technical experimentations. 

With all its flaws and raw cuts, Hit&Miss asserts the strength of trial and error, and cherishes the impossibility to develop an idea into a finished object as a learning process towards one's growth.


++ TRACKLIST ++

01. Antilita Octovyk - Mother Earth Solitude
02. Basura - Erythritol
03. Bademjan - The Blade Is Over
04. King Demitri - Reinitializing Heaven
05. Lukann - Blossom
06. Antilita Octovyk - Here Comes The Moon
07. Ancestral Vision - Mana Double Cup
08. RougeHotel - Sync 2 (demo before PSM 2020)
09. Bademjan - Ringfields
10. indigoblue - 060421
11. Pénélope - La rosée
12. Bademjan - Steel Lumens 
13. Sxmbra - Gloss
14. grrggg - unnerving rdm demo
15. Heart Shaped DJ - Me or everyone else
16. Fungal Mat - Dead or dormant?
17. jjjacob - Kijana
18. Nagruv - Barp (more percussion needed)
19. Bouzouk - Future Dog (Whatever)
20. grrggg - celestial gates demo
21. Cralias - ?collab
22. DJ Criminal Edit - Libertinages dans la pyramide
23. DJ Rotule - Ponpon
24. crat - too dudey
25. Medejin - Má forma
26. Antilita Octovyk - Fuck Marry Kill
27. LMN3 - CANNAPEASE
28. Antilita Octovyk - Лайка
29. grrggg - rocky rdm instrumental 
30. SNKLS - Problème avec personne (Brandy & Monica VIP)
31. J Sliwa - External Schism
32. Andres Komatsu - Tecmo
33. grrggg - CB2012
34. DJ Rotule - Departure (HxH NxC Edit)
35. crat - Asynchronous voice
36. Bademjan - Bleu Lunaire


++ CREDITS ++ 

Tracks produced by Ancestral Vision, Andres Komatsu, Antilita Octovyk, Bademjan, Basura, Bouzouk, Cralias, crat, DJ Criminal Edit, DJ Rotule, Fungal Mat, grrggg, Heart Shaped DJ, indigoblue, jjjacob, J Sliwa,  King Demitri, LMN3, Lukann, Medejin, Nagruv, Pénélope, RougeHotel, SNKLS, Sxmbra

https://soundcloud.com/ancestralvision
https://soundcloud.com/andreskomatsu
https://soundcloud.com/talitaotovic
https://soundcloud.com/bademjan
https://soundcloud.com/bazura
https://soundcloud.com/bouzouk
https://soundcloud.com/cralias
https://soundcloud.com/becrat
https://soundcloud.com/fungalmat
https://soundcloud.com/grrggg
https://soundcloud.com/indigoblue97
https://soundcloud.com/jjjacob
https://soundcloud.com/jsliwa
https://soundcloud.com/kingdemitri
https://soundcloud.com/lmn3muzik
https://soundcloud.com/lukann4
https://soundcloud.com/medejin
https://soundcloud.com/nagruv
https://soundcloud.com/poirot-penelope
https://soundcloud.com/rougeh0tel
https://soundcloud.com/snakeleserpent
https://soundcloud.com/sxmbra

Cover & visual works by Boris Van de Walle & Robin Lopvet
https://www.instagram.com/magicienboz/
https://www.instagram.com/robinlopvet/

Mastering by Bademjan

DOWNLOAD

jjjacob - Kijana

Mana Online w/ Soya Ito - 26/01/2023

Intensensitivity

acounta - Laughing Morpha (xato edit)

Reigen_im_Getsemani.wav

The term Waaaagh is borrowed from the vocabulary of the "Warhammer" world, a video and board game. The installation "petit before ppz avant la waaaagh" mixes sculptures,
drawings, paintings, prints, doctored ready-mades and raw materials to
create a place thought as a stage for performances and rituals.
It is composed of different fragments of places, stories, beliefs and
personal memories. It conjures up disparate eras, myths, characters and
realities. Current and real digital dimensions are juxtaposed.
The "small ppz before the waaaagh" is a nomadic camp dedicated to the
gobelins of the night, mythical beings known as thieves, plunderers and
pirates. The installation serves as a venue for a public performance,
built on the basis of a role-playing game where participants take part in
a ritual (a before) and a great esoteric celebration (the waaaagh).
Participants and actors in costume live together in this space.
The staging of the evening gave indications, references and roadmaps to the audience and participants before the performance. Mark Leckey's video "Under Under in" served as a starting point for this collective moment. It invited us to think of a place in its magical character, to summon memories of a place, tinged with nostalgia, adolescent beliefs, how to appropriate a place and how to exorcise it. Embodying the fioblin allows us to blur the lines and destroy the figure of the author (sampling) in a world where we are continually traced and identified by mobile data and commercialised data without our consent.

Video : https://youtu.be/8smsAd88s0w?si=PjtLSOVowAfo_T5v
visuel @aariel136