a quick and dutty remix using the GC fanclub sample packs

here's the original, take a listen!! https://www.youtube.com/watch?v=qFSaUJTQbGg

image source https://commons.wikimedia.org/wiki/File:Flying_Skeleton_Hell.jpg

21th aug 2019 edit: this was made while bored sitting around the campus at the university of western australia. i was away from home for 6 weeks but it felt like an eternity. i thought no one would listen this track! thank you for all the plays

george clanton - wonder gently (gingin experiment remix).mp3

Оставь мой алгоритм в покое, больной дегенерат.
[Welcome to] the ビジネスミーティング™
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You're late. We were all waiting.
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You're hired.

https://steamcommunity.com/id/gypsyAndThecowboy/

thanks for listening 

https://twitter.com/bowsamic
https://bowsamic.bandcamp.com

Benjamin Gibert ventures into mountains, forests and megacities in search of secret sounds and stray signals. He collects raw sonic material — using a microphone and a notebook — then plays with nesting, soldering, fragmenting and merging sounds. His sonic objects often flirt with acoustic or electronic instruments, forming abstract narratives and opening doors to invisible worlds. His work seeks to create immersive forms where reality and imagination, landscapes and fiction coexist.

Coming from a background in contemporary dance, he develops a physical and spatial approach to sound — conceived for deep listening and movement. Field recording is his main tool, which he combines with electronic textures, evolving rhythmic structures, and a singular use of the voice: without words or language, treated simply as raw, organic, vibrant material.

He has completed numerous residencies in France, New Zealand and Chile, and has performed in France, Spain and Japan.

He released Gemmes (2018), an EP composed for the Royal Abbey of Fontevraud; followed by Taihua (2019), an album created and produced in New Zealand. His upcoming EP, Nightingales, will be released in summer 2025. It is a musical fiction at the crossroads of IDM, organic house and ambient, imagining what a secret forest rave might sound like.

Benjamin Gibert’s work stands out for its way of connecting places, natural sounds and electronic textures. He is drawn to liminal spaces — between wakefulness and sleep, human and non-human, natural and synthetic. His sonic universe is shaped by influences ranging from Oneohtrix Point Never to A.G. Cook, as well as Steve Reich, Björk and D’Eon.