Crew KMST3579

Made in #Ableton (May 2023)

Genres;
#Electronic
#Experimental

Keep It Close

The Work8

>>> DOWNLOAD THIS TRACK :
https://chrisjuno.bandcamp.com/track/last-tango-in-brussels

Last Tango In Brussels - Το Τελευταίο Ταγκό Στις Βρυξέλλες

A soundtrack inspired by the Thylacine, also commonly known as the Tasmanian tiger, an extinct carnivorous marsupial. Some folk still believe that they exist in the South West Wilderness 🖤

Les Animaux

Thylacine

I was honoured to get a message from Mark Sartori (@user-83791253-79179570), whose music & guitar playing I'm a big fan of, asking if I might want to collaborate on one of his pieces of music. He suggested I add some percussion to his guitar, and this is what came together. Mark S has since recorded a new, solo version of the song as well. 

Thanks Mark, for giving me the nod to work with you on this really fine & catchy tune. Hope folks dig this pan-Pacific partnership!

Mark's Album (post-2020)

Little Wind (Mark Sartori - guitar / MisterMark - percussion)

I composed it with the image of an orange sky!☀️✨
(オレンジ色の空をイメージして作曲しました！)
thank you for listening！👍！
DAW: Cubase pro 12

⭕Spotify↓↓⭕
open.spotify.com/artist/312MPUfW0fyacOfLoDMc9u

⭕Instagram↓↓⭕
https://gate.sc/?url=https%3A%2F%2Fwww.instagram.com%2Fsuperps32023%2F%3Fhl%3Dja&token=68bce4-1-1686833662817

Orange Days

If Things Do Not Alter, They Will Remain The Same

Bird Of Paradise

Nothing much to say here, as the title says it all. Hope you'll enjoy this sonic portrait of a spaceship crew saying goodbye to a few dozens Plutonian birds.
I made this out of a few recordings and experiments I had in my HD. More numbers will follow, sooner or later. I'm currently working on several tracks, aiming at putting an album together someday. 
I'd like to thank all you SC people who are still listening to my stuff even though I've spent a couple of years mostly on Pluto... I guess I'm finally taking off now, in a way or another. Hope you're all doing good, my friends.

Teth Sin : electric guitars, vocals, synthesizers, field recordings, sound design

Original composition, arrangement, mix, mastering, photo & cover artwork design by Teth Sin

Crew KMST3579 Bidding A Flock Of Plutonian Birds Farewell

This is how we disfunction when we stop pretending to be human or mimic musical structures. Let us in, let us show you the breakdown of your communication, your weakness. Thee ghost in the machine has delivered the malware, the glitch was intentional, your emotion has left you unguarded, relax and dissociate....

Frequency/Algorithm

Chapter 153 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days. 

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you wish to take a dive into everything that has come before:
The TAFFETA Albums each contain 15 consecutive tracks and are available for free, exclusively on Bandcamp.

TAFFETA Vol. 9 is now available exclusively on Bandcamp.
https://belialpelegrim.bandcamp.com/album/taffeta-vol-9

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
belialpelegrim.bandcamp.com/merch/belia…feta-design

The TAFFETA Playlist is always kept up to date:
https://soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical?si=d46fc7ad1b50446dadc7ce3ffe1a1b02&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Taffeta 153

TAFFETA | 153

A couple of months ago I had the chance to jam with a couple of friends on guitars at a dinner party. We played a few Stones covers, and the vibe was ok. Then suddenly someone named the Velvet Underground, so I started strumming and singing a classic number we used to perform pretty often when we were young, "I'm Waiting For My Man". I could really feel it, and when I got home I thought it was worth trying to record it. In the past we used to cover the Live 1969 version, but this time I tried to blend it with a couple of other renditions, namely the 1972 Transformer Tour performance and an acoustic demo recorded in 1965. Quite obviously, I ended up adding to this bizarre jumble my own touch. I completed most of the tracking in about a week, but it took me a long time before trying to record vocals. It somehow sounded dull and trivial to my ears, so I had lost interest in finishing the song. Then a couple of weeks ago I felt inspired and I did the vocals. I also added an organ and a Cretan lyra parts, to make the ending section sound a bit more exciting.
Hope you'll enjoy this studio jam, I think it sounds quite unusual if compared to the rest of my stuff, but at the end of the day it's not so bad to listen to.

Teth Sin : acoustic guitar, electric guitars, bass guitar, vocals, organ, drums, Cretan lyra

Original composition & lyrics by Lou Reed
Arrangement, mix, mastering, photo & cover artwork design by Teth Sin

I'm Waiting for My Man

I'm Waiting For My Man - VU Cover By Teth Sin

This is a pretty old track, I thought I'd release it now as I'm in the process of getting a new EP sorted for release in a couple of weeks :) 

Anyways, if you have Spotify then check out my page (also YouTube) I'll leave a link for you folks to follow. I'm just trying to build a following outside of SoundCloud

Spotify

Elsewhere

I'm Not There

I’m Not There (Bob Dylan cover) (remastered)

Hope Against Hope

Featuring Glass Chamber from Jeryia J. Please enjoy.

Glass Chamber

First album, "That's Sin", is out on Bandcamp @ https://tethsin.bandcamp.com/album/thats-sin

If Things Do Not Alter, They Will Remain The Same

Boxy 2

Recent comments

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Teth Sin

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