Twechi

The Knight Bus is a triple-decker, purple AEC Regent III RT that assists stranded individuals of the wizarding community through public transportation. It operates at a very fast speed and obstacles will jump out of its way, and can also deceptively fit through small spaces. To hail the bus, a witch or wizard must stick their wand hand in the air in the same manner that a Muggle might do while hailing a Muggle Bus in the United Kingdom, though it is possible to book tickets for travel on the bus in advance

The Night Bus (preview)

The Berlin Wall  was a guarded concrete barrier that physically and ideologically divided Berlin from 1961 to 1989.[1] Construction of the wall was commenced by the German Democratic Republic (GDR, East Germany) on 13 August 1961. The Wall cut off West Berlin from surrounding East Germany, including East Berlin. The barrier included guard towers placed along large concrete walls. accompanied by a wide area (later known as the "death strip") that contained anti-vehicle trenches, beds of nails and other defenses. The Eastern Bloc portrayed the Wall as protecting its population from fascist elements conspiring to prevent the "will of the people" from building a socialist state in East Germany.
GDR authorities officially referred to the Berlin Wall as the Anti-Fascist Protection Rampart (German: Antifaschistischer Schutzwall). 
The West Berlin city government sometimes referred to it as the "Wall of Shame", a term coined by mayor Willy Brandt in reference to the Wall's restriction on freedom of movement.[4] Along with the separate and much longer Inner German border (IGB), which demarcated the border between East and West Germany, it came to physically symbolize the "Iron Curtain" that separated Western Europe and the Eastern Bloc during the Cold War.
Before the Wall's erection, 3.5 million East Germans circumvented Eastern Bloc emigration restrictions and defected from the GDR, many by crossing over the border from East Berlin into West Berlin; from there they could then travel to West Germany and to other Western European countries. Between 1961 and 1989, the Wall prevented almost all such emigration.[6] During this period, over 100,000[citation needed] people attempted to escape, and over 5,000 people succeeded in escaping over the Wall, with an estimated death toll ranging from 136
 to more than 200 in and around Berlin.
In 1989, a series of revolutions in nearby Eastern Bloc countries—in Poland and Hungary in particular—caused a chain reaction in East Germany.[9] In particular, the Pan-European Picnic in August 1989 set in motion a peaceful development during which the Iron Curtain largely broke, the rulers in the East came under pressure, the Berlin Wall fell and finally the Eastern Bloc fell apart.
After several weeks of civil unrest, the East German government announced on 9 November 1989 that all GDR citizens could visit West Germany and West Berlin. Crowds of East Germans crossed and climbed onto the Wall, joined by West Germans on the other side in a celebratory atmosphere. Over the next few weeks, euphoric people and souvenir hunters chipped away parts of the Wall.[5] The Brandenburg Gate, a few meters from the Berlin Wall, was opened on 22 December 1989. The demolition of the Wall officially began on 13 June 1990 and was completed in 1994.[1] The "fall of the Berlin Wall" paved the way for German reunification, which formally took place on 3 October 1990.

Wall of Shame

The Roar Of The Flower Beds

Distortion is the alteration of the original shape (or other characteristic) of something. In communications and electronics it means the alteration of the waveform of an information-bearing signal, such as an audio signal representing sound or a video signal representing images, in an electronic device or communication channel. Distortion is usually unwanted, and so engineers strive to eliminate or minimize it. In some situations, however, distortion may be desirable. For example, in FM broadcasting and noise reduction systems like the Dolby system, an audio signal is deliberately distorted in ways that emphasize aspects of the signal that are subject to electrical noise, then it is symmetrically "undistorted" after passing through a noisy communication channel, reducing the noise in the signal. Distortion is also used as a musical effect, particularly with electric guitars.

The addition of noise or other outside signals (hum, interference) is not considered distortion, though the effects of quantization distortion are sometimes included in noise. A quality measure that explicitly reflects both the noise and the distortion is the signal-to-noise-and-distortion (SINAD) ratio.

RockyFrenzy

The broken windows theory is a criminological theory that states that visible signs of crime, anti-social behavior, and civil disorder create an urban environment that encourages further crime and disorder, including serious crimes.
The theory suggests that policing methods that target minor crimes,[dubious – discuss] such as vandalism, loitering[not verified in body], public drinking[not verified in body], jaywalking[not verified in body] and fare evasion[not verified in body], help to create an atmosphere of order and lawfulness, thereby preventing more serious crimes.

The theory was introduced in a 1982 article by social scientists James Q. Wilson and George L. Kelling.It was further popularized in the 1990s by New York City police commissioner William Bratton and Mayor Rudy Giuliani, whose policing policies were influenced by the theory.

The theory became subject to great debate both within the social sciences and the public sphere. Broken windows policing has become associated with controversial police practices, such as the use of "stop-and-frisk" by the New York City Police Department. In response, Bratton and Kelling have written that broken windows policing should not be treated as "zero tolerance" or "zealotry", but as a method that requires "careful training, guidelines, and supervision" and a positive relationship with communities, thus linking it to community policing.

Broken windows theory

A vampire is a creature from folklore that subsists by feeding on the vital essence (generally in the form of blood) of the living. In European folklore, vampires are undead creatures that often visited loved ones and caused mischief or deaths in the neighborhoods they inhabited while they were alive. They wore shrouds and were often described as bloated and of ruddy or dark countenance, markedly different from today's gaunt, pale vampire which dates from the early 19th century.

Vampiric entities have been recorded in most cultures; the term vampire was popularized in Western Europe after reports of an 18th-century mass hysteria of a pre-existing folk belief in the Balkans and Eastern Europe that in some cases resulted in corpses being staked and people being accused of vampirism.[1] Local variants in Eastern Europe were also known by different names, such as shtriga in Albania, vrykolakas in Greece and strigoi in Romania.

In modern times, the vampire is generally held to be a fictitious entity, although belief in similar vampiric creatures such as the chupacabra still persists in some cultures. Early folk belief in vampires has sometimes been ascribed to the ignorance of the body's process of decomposition after death and how people in pre-industrial societies tried to rationalize this, creating the figure of the vampire to explain the mysteries of death. Porphyria was linked with legends of vampirism in 1985 and received much media exposure, but has since been largely discredited.[2][3]

The charismatic and sophisticated vampire of modern fiction was born in 1819 with the publication of "The Vampyre" by the English writer John Polidori; the story was highly successful and arguably the most influential vampire work of the early 19th century.[1] Bram Stoker's 1897 novel Dracula is remembered as the quintessential vampire novel and provided the basis of the modern vampire legend, even though it was published after fellow Irish author Joseph Sheridan Le Fanu's 1872 novel Carmilla. The success of this book spawned a distinctive vampire genre, still popular in the 21st century, with books, films, television shows, and video games. The vampire has since become a dominant figure in the horror genre.

Vampire

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