This demo doesn't expand what Icarus can do, whats the point if another user cant replicate it. Idea was simple: only Icarus and only whats already in there. It seems in practice that's harder than making new patches, especially because it has re-synthesis but I tried to stick to those rules. 
Only some things had to be changed, overall 99% is unchanged. Those things were: 
On several patches had to lower Icarus effects. On vocoder patch I used lowpass at about 13k, there was a lot high frequency content, don't want to scary kids (too much), some is still there so kids...beware :) (click on "show more")
I wish that I allowed myself to use at least volume automation (in second part) but no, no automation at all. No any effects except on master buss to make it louder. Only daw faders was used (no panning too). On master bus were used eq and several compressors + Limiter No6. 
In the end, not perfect but I hope listenable. 

Sounds like a happy tune with commercial like sounds, it wasn't my intention, I just went with the flow. In my defense I even choosed to be in G minor scale which should sound "tragic" and sometimes it does. 

My opinion: synth can do a lot more. This is just scratching the surface. All sounds u hear are in there already (when u install it) and also many many more + u can easily make yr own even if u r beginner. For commercial sounds like trance, edm etc factory sounds (about 1000 of them) are perfect. I leave up to you to test re-synthesis, vocoder and other stuff but if u liked any of the sounds in this demo u can find it easily in factory presets. 

Forgot to mention, used 14 instances of Icarus. 1 for drums (I think 909 kit), 1 for perc, 1 for atmos, 1 from fx section etc

More info about Tone2 Icarus: https://www.tone2.com/html/icarus.html

Tone2 Icarus (Factory) Demo

http://www.boyss-sound-e-scapes.com
Boyss is electronic music project whose sole member is producer Bojan Boyss. His first trying to compose/write music was at the age 16, in the 90s. Love to music and sound design/manipulation dates long before that period. His biggest influences to start was famous electronic bands from the 90s but also grunge and metal. Album from that time that made a mark on his work was soundtrack of the "Spawn" movie  where he heard for the first time collision of his favorite genres.
In the 90s and even now-days a lot of people think that electronic music has no soul or emotions and that its done easily.
Boyss, like many other, is trying to brake that stereotype and to conjure trough music (as a form of an art) some of his emotions or internal state.
He has done a lot of tracks in the past and kept them for himself thinking that there is only mainstream dictated by big labels. He got in touch by artists/bands from  local scene first who encouraged him to continue on his work.
His collaboration with Lucky Flaush gets on VA international compilation and became very popular. 
After that he did 2 albums (one of them on CD too) and many collaborations/remixes/compilations and even whole remix album.
He is still active and working on new music projects.
  
Most of the listeners describes his music as breakbeat but he is not genre bounded nor he tries to be. On some web places his music is described also as electronic/breaks/bigbeat/electronic rock/alternative/experimental.
Lately he has founded new love: sound design and sometimes he publish his work as sample libraries or under Second Escape experimental project.

Bojan Boyss is also a member of Rootwork Collective, international group of underground producers. You can check compilations by RW (v.a.): https://rootworkcollective.bandcamp.com , on Sundays is RW live stream radio, more about RW radio here: https://www.facebook.com/rootworkcollective/