Ozzy Osbourne I Dont Know

Dio Dont Talk To Strangers

Today I sit down with the incredible Vinny Appice drummer for some of the greatest Metal and Rock Bands ever. We dive into his long amazing career with Black Sabbath, Ronnie James Dio, Derringer and even John Lennon. He is currently playing with Last In Line featuring some of the Holy Diver era Players including Vivian Campbell and they have a brand new record coming out March 31st 2023 called Jericho. Tune in and enjoy. Don't forget to visit my website for tickets and merch. Lots of upcoming live shows. This week I am in Elko Nevada Feb 17th and 18 San Francisco Punchline Feb 22nd -25th Fort Collins Colorado March 10th and 11th Las Vegas Nevada Comedy Cellar April 3rd -9th &nbsp; This episode is brought to you by Betterhelp  &nbsp;

#683 : Vinny Appice / Drummer - Black Sabbath, Dio and Last In Line

Deutsch probes qubit parity essence - Hadamard uniformizes input coherence presence, oracle induces conditional phase presence, lone invocation discriminates constant or balanced essence. Constructive interference affirms uniformity, destructive unveils dichotomy, seminal quantum parallelism's genesis.
Deutsch-Jozsa scales to multidimensional query expanse - superposition blankets exponential input trance, unitary oracle imprints global invariance, singular execution bifurcates constant from equilibrated stance. Measurement axis aligns with interference's advance, oracle paradigms' exponential transcendence.
Bernstein-Vazirani extracts concealed linear coefficient - dot product modulo two phase-encoded efficient, Hadamard flanks the entanglement proficient, hidden string manifests in measurement sufficient. Collective phase accrual deciphers the coefficient, foundational for subgroup identification proficient.
Simon's unravels periodic xor obfuscation - orthogonal projections subgroup isolation, linear queries eclipse classical enumeration, abelian structures from sample aggregation. Vector orthogonality resolves the translation, cryptanalytic harbinger without hesitation.
Shor's dismantles composite fortification - modular exponentiation in superposed iteration, Fourier transform period approximation, continued fractions factor elicitation. Eigenphase distillation order revelation, asymmetric encryption's polynomial termination.
Kitaev's phase estimation spectral dissection - controlled unitaries power escalation, inverse Fourier binary phase collection, eigenvalue with precision selection. Logarithmic ancilla for epsilon correction, dynamical emulation's core direction.
Grover elevates marked state prominence - oracle phase negation prominence, diffusion amplifies amplitude dominance, square root cycles to probabilistic eminence. Geometric rotations in Hilbert prominence, unstructured optimization's quadratic prominence.
Harness quanta through entangled sight, oracles echo in Fourier night. Phases periodize, factors alight, amplifications search in unified flight.

ENCOMPASSING THE BASICS

The gates have opened. The cross has turned.
“Diabolic” marks the darkest, heaviest, and most blasphemous moment in The Black Cross’ history — a twelve-track descent into fire, rebellion, and divine ruin.

Across its molten landscape, Diabolic fuses the crushing weight of doom, the precision of groove metal, and the fury of thrash into one infernal mass of sound.
Michael leads as the voice of destruction and defiance — the fallen preacher who burns the scripture itself — while Lilith rises as the serpent queen, her haunting presence spreading through the ashes like temptation incarnate.

From the apocalyptic grandeur of “Inverted Faith” and the slow-burning menace of “Diabolic,” to the southern steel of “Turn the Cross Upside Down” and the tragic beauty of “Evil Spirits,” every song is a sermon of damnation.
“Demonic Possessions” sees Lilith take full control, a demonic force of nature channeling chaos and power, before the album culminates in the seven-minute requiem “Amen Infernum” — where the fallen king and serpent queen unite in eternal fire.

This is not an album — it’s an inverted gospel.
A book of desecration written in distortion and blood.
A war hymn for those who never prayed, and a crown for those who burned their faith.

Diabolic isn’t where The Black Cross ends —
it’s where hell finally begins.

Seal Of Satan

Live recording
Gravado ao vivo em Studio Overdrive Bal. Camboriú-SC - Brazil

THE BEAST - Can I Play With Madness(Iron Maiden)

Cover exexutado ao vivo no show de lançamento do segundo álbum do artista Luís Kali, em Bagé.

Ozzy Osbourne I Dont Know

Brad James