ODG Production 

Mix/Mastering : Olo Odg 
Artwork : Mëldan

Erhu : jacko Cheng 
Violons  : Meÿ / Jessie Morgan
Bansuri : Rajat Prasanna
Piano : Michael Scott

First Star

FREE DOWNLOAD

Greenadub Ft Sammy Gold - Police brutality + Version

This song is an original piece I wrote from my own thoughts and set to music with the help of modern AI technology.
Words & Music: Franky
© 2025 Franky – All rights reserved.
Thanks for listening 🙏
If you like the song, please like/subscribe or comment! 

Dieser Song ist ein Originalstück, das ich aus meinen eigenen Gedanken heraus geschrieben und mit Unterstützung moderner KI-Technologie vertont habe.
Text & Musik: Franky
© 2025 Franky – Alle Rechte vorbehalten.
Danke fürs Zuhören 🙏
Wenn dir der Song gefällt, freue ich mich über ein Like/Abo oder Kommentar! 🎶

Questo brano è un’opera originale, scritta da Franky e prodotta con il supporto della tecnologia moderna di intelligenza artificiale. 
© 2025 Franky – Tutti i diritti riservati. 
Grazie per l'ascolto 🙏
Se ti piace la canzone, metti "Mi piace", iscriviti o commenta! 🎶

Sunshine sunshine .mp3

WEEDING DUB "Love" feat. M.Parvez aka The Dub Factory.
From the 4th WEEDING DUB album "Still Looking For", released on Wise & Dubwise recordings, November 13 2015.
Maxi 12'' vynil available @ www.controltower.fr
www.weedingdub.fr 
O N E * L O V E

.WEEDING DUB "Love" feat. M.Parvez aka The Dub Factory

Brain Damage Dub Session "Meets Sir Jean" (Dub) 
Vinyl / Digital (MP3/Flac) 
23 avril 2012

http://www.cd1d.com/fr/album/brain-damage-dub-sessions-meets-sir-jean 
---------------------------

Après plus de 12 ans d’existence, Brain Damage est une nouvelle fois en pleine refonte, prêt à prendre le contre pied, à surgir là où on ne l’attend pas... 
Suite au départ du bassiste Raphaël Talis, c’est désormais seul que Martin Nathan donne une nouvelle direction au projet.

Si le son de Brain Damage reste toujours personnel et identifiable, il se teinte ici d’une couleur résolument plus «roots», à l’image des premiers albums, notamment Ashes to ashes / Dub to dub.

Testée grandeur nature depuis quelques mois dans le cadre de la tournée High Damage, la formule live Brain Damage Dub Sessions est radicalement consacrée à une certaine vision du Sound System.

Pour la création de ce nouveau set, de nombreux intervenants ont été sollicités : Sir Jean, Brother Culture, Madu Messenger, M. Parvez, ainsi que la section cuivres ArtDeko, pour de puissantes et fructueuses sessions de studio.

Comme il se doit, ces rencontres donnent le jour à plusieurs productions discographiques. Première pierre à l’édifice de ce renouveau, un maxi vinyl en compagnie de Sir Jean (Mei Tei Sho, Le Peuple de l’Herbe), qui retrouve ainsi ses premières amours, le reggae.

On avait déjà eu un aperçu de cette heureuse rencontre avec le somptueux Royal Salute sur la FX100, ici décliné en version sound-system. Quatre titres qu’on ne se lassera pas d’écouter en boucle en attendant l’album prévu pour l’automne, chez Jarring Effects.

Après s’être tant éloigné du modèle dub anglo-jamaïcain, Brain Damage Dub Sessions en propose donc finalement sa version en 2012.

Released by: Jarring Effects 
Release/catalogue number: fx988 
Release date: Apr 23, 2012

Brain Damage Dub Sessions w/ Sir Jean : "Royal Salute"

2 - I Don't Care Ft.Maicee

Composed, produced & mixed by Kiangana

BUY HERE : https://kiangana.bandcamp.com/track/spring-bird

SPRING BIRD - KIANGANA

Extracted from the album «¡Ya no mas!»

October 19th 2018

Brain Damage
«¡Ya no mas!»
(Jarring Effects/ L’autre distribution)

On Frédéric Péguillan's initiative, Brain Damage performs for the first time in Colombia, within Télérama Dub Festival in 2016. Over there, the encounter with Gatos Negros was decisive. For years, with unflinching dedication of Macky Ruff and La Gaitana, supported by budding or legendary artists, as well as by many socio- cultural coordinators, the collective has been engaged every day in some overlooked districts of Bogotá, towards deprived youths, representing the majority of the population. A common creation was immediately on the table, and fruitful studio sessions spontaneously popped with some of the most atypical artists of the city.
One year later, supported by Jarring Effects label this time, Martin Nathan returns to Bogotà within ‘France-Colombia Year’, with firm intention to bring the project to completion, far from the glitz, accompanied by Romain Etienne — photographer from Lyon-based Item Collective — for an original and subtle illustration of the adventure. New meetings happened during marathon studio sessions, to complete a dream team casting.
Pioneers like Javier Alerta Kamarada or Kontent Thug — who respectively first brought reggae and hip-hop in Colombia in the nineties —, and Jimena Angel — pop icon with a world-class voice, keen on traditional songs —, take turns in the recording booth, alongside with Macky Ruff and La Gaitana, themselves, for militant anthems. Numerous musicians also took part in the sessions : percussionists, trombonist, flautists, harp and marimba players, featuring an ancestral knowledge and a cultural diversity, characteristic of the country.
With this raw material, Martin Nathan returned to his own studio to finalize the project, prompting it into an unexpected direction, as he is used to, at odds with reggae and dub scene current trends that are crushed by UK influences, but also million miles away from electro-cumbia clichés flourishing here and there since a few years.
Yes. A new Brain Damage album is indeed what it is all about : the 14th, never really where expected, always swimming against the tide. Falsely lo-fi latin ballads, unlikely fusions between digital techniques and centuries-old traditions, polished aesthetics to highlight raw texts and incisive lyrics : all the ingredients are there for a new alien album, unique, telling about the constrast between the cultural treasures of a country and its everyday life harshness.