Moses Boyd drums/composition/production 
binker golding- tenor sax
artie zaits-guitar
theon cross - Tuba

Nocturne

Rebirth Of Cool

Taken from 'The Epic', released 4th May 2015 on Brainfeeder.

Buy:
iTunes: http://found.ee/kamasiepic-it
Ninjashop: http://found.ee/kamasiepic
Amazon: http://found.ee/kamasiepic-am

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Twitter: https://twitter.com/KamasiW
Soundcloud: https://soundcloud.com/kamasi-washington
Youtube: https://www.youtube.com/user/KamasiWashington

http://kamasiwashington.com/

'Re Run Home'
Composed, Arranged and Produced by Kamasi Washington. Copyright Control. Recorded at King Size Sound Labs. Engineered by Tony Austin. Mixed by Benjamin Tierney. Mastered by Stephen Marcussen at Marcussen Mastering.

Kamasi Washington - Tenor Saxophone
Ryan Porter - Trombone
Igmar Thomas - Trumpet
Cameron Graves - Piano
Brandon Coleman - Keyboards
Miles Mosley - Acoustic Bass
Stephen "Thundercat" Bruner - Electric Bass
Tony Austin - Drums (Right Side)
Ronald Bruner Jr. - Drums (Left Side)
Leon Mobley - Percussion


Pre-Order

Kamasi Washington - 'Re Run Home'

Tension riser.

Watch the full film featuring a score by Kamasi Washington!

https://www.youtube.com/watch?v=0fonYgn1wXE

The latest in Ray Ban’s Never Hide Films series, "Color Guard" tells the story of a young girl (Clover Nee) who requests that her babysitting Uncle Jamie (Jamie Granato) tell her a bedtime story. Jamie’s improvised tale centers around a group of color-blind and joyless adults, including Clover’s father Roland (Scovel), who attend “Guru Tiki Royal’s Color Camp For Adults” in efforts to be cured of their ailments and add color to their world. 




Kamasi Washington - Theme from "Color Guard"

The first single released from the forthcoming album 'Sub Plot'
Free DL & 45 orders available from www.jonnydrop.bandcamp.com
Trying to gather some buzz, so please do share, like and comment!

Mind Field

South London drummer, producer and composer @moses-boyd launches his Exodus Records with a 12" of vibrant dancefloor-oriented jazz, mixed by mentours Four Tet & Floating Points. 

Moses Boyd - Rye Lane Shuffle (Worldwide Premiere)

E Scott Lindner

Get It

E Scott Lindner - Castles In Air

Saxophonist Nubya Garcia links up with fellow South Londoner Maxwell Owin on a remix for her new EP 'When We Are'.

Read more & buy: http://www.stampthewax.com/2018/03/01/premiere-nubya-garcia-source-maxwell-owin-remix/
Listen on Youtube: http://bit.ly/nubya-maxwell

Listen on Youtube

Nubya Garcia - Source (Maxwell Owin Remix) (STW Premiere)

Celebrating its 25th anniversary, Far Out Recordings proudly presents two albums of previously unheard Azymuth demo recordings from 1973-75

Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.
But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil.

Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward.Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.

These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.

One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.
When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).

Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.

On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

Vinyl / CD / Digi

Azymuth - Manha

First single from the upcoming release Seven Wonders. New Movements in Australian Jazz & Soul A 14 track compilation recorded at Plug Seven Studios In Melbourne Collingwood, in partnership with Wondercore Island, due for release Feb 2020.

Kamasi Washington - 'Re Run Home'

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