Myron & E with the Soul Investigators, from the album Broadway.  
http://stonesthrow.com/myronande


U.S. TOUR WITH CODY CHESTNUTT
Sep 27: St. Louis, MO @ Blueberry Hill 
Sep 29: Chicago, IL @ Lincoln Hall  
Oct 1: Charlotte, NC @ Visulite  
Oct 3: Asheville, NC @ Grey Eagle  
Oct 4: Atlanta, GA @ The Loft  
Oct 5: Nashville, TN @ Mercy Lounge  

IN JAPAN WITH THE SOUL INVESTIGATORS
Oct 9: Tokyo @ Billboard Live Tokyo 

EUROPE TOUR WITH THE SOUL INVESTIGATORS
Nov 13: Turku, FI  @ Dynamo
Nov 15: Helsinki  @ Tavastia 
Nov 16: Copenhagen  @ Loppen
Nov 17: Stockholm @ Fasching Club
Nov 20: Rennes @ Ubu 
Nov 21: Paris @ Bellevilloise
Nov 22: Avignon @ Nuits Zebrees / Radio Nova
Nov 23: Marseille @ Cabaret Aleatoire
Nov 25: Frankfurt @ Orange Peel
Nov 26: Stuttgart @ Zwölfzehn
Nov 27: Pfarrkirchen, Germany @ Club Bogaloo 
Nov 28: Basel, Switzerland @ Kaserne 
Nov 29: Amsterdam @ Paradiso 
Nov 30: Rotterdam, Netherlands @ Bird 
Dec 1: Hanover, Germany @ Lux
Dec 2: Cologne @ Bahnhof Ehrenfeld 
Dec 4: London, UK @ Jazz Cafe 
Dec 5: Cardiff, UK @ Koko Gorillaz
Dec 6: Berlin @ Bohannon
Dec 7: Madrid @ Tempo Club

THE ALBUM

Myron & E - Going In Circles

Written, performed and produced by Andrew Ashong
Which Way Records. R/D 27th January 2014

'Never Dreamed' - Gilles Peterson Worldwide BBC Radio 6 - 12/10/13

TRUCD223 Wildcookie - Serious Drug, Cookie Dough

Wildcookie - Serious Drug

A smoothed out, catchy little downtempo bobber from a cool late-winter night in The Vault.  Makaya bounces on a flammed rimshot, Abrams jumps in quickly with some nice bass chords, Justefan colors the progression with his singing vibraphone harmonies, and Marquis tops it all off with a gorgeous trumpet melody and solo verse.

Recorded on March 5th, 2014 by Dave Vettraino.  Personnel: Makaya McCraven - drums, Joshua Abrams - bass, Justin Thomas - vibraphone, Marquis Hill - trumpet.

Steppe Smoothe

Taken from 'The Epic', released 4th May 2015 on Brainfeeder.

Buy:
iTunes: http://found.ee/kamasiepic-it
Ninjashop: http://found.ee/kamasiepic
Amazon: http://found.ee/kamasiepic-am

Follow:
Twitter: https://twitter.com/KamasiW
Soundcloud: https://soundcloud.com/kamasi-washington
Youtube: https://www.youtube.com/user/KamasiWashington

http://kamasiwashington.com/

'Re Run Home'
Composed, Arranged and Produced by Kamasi Washington. Copyright Control. Recorded at King Size Sound Labs. Engineered by Tony Austin. Mixed by Benjamin Tierney. Mastered by Stephen Marcussen at Marcussen Mastering.

Kamasi Washington - Tenor Saxophone
Ryan Porter - Trombone
Igmar Thomas - Trumpet
Cameron Graves - Piano
Brandon Coleman - Keyboards
Miles Mosley - Acoustic Bass
Stephen "Thundercat" Bruner - Electric Bass
Tony Austin - Drums (Right Side)
Ronald Bruner Jr. - Drums (Left Side)
Leon Mobley - Percussion


Pre-Order

Kamasi Washington - 'Re Run Home'

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Jitwam - Alone

Wings On Fire

Wings On Fire (Instrumental)

Blast Off

04 Yaw - Where Would You Be

De La Soul - Drawn Ft. Little Dragon

Off the back of their Meredith Music Festival 2019 lineup announcement, Melbourne wonky soul four-piece Karate Boogaloo have shared the second piece from their upcoming ‘KB’s Mixtape No. 2’.

This time KB gives us their flip on Mtume’s disco/R&B slow-jam “Juicy Fruit”. It’s a mid-tempo bounce, mellow and light to the touch with sprinkles of oozy synth and slide-guitar throughout.

Composed around a Linn LM-1 drum machine and recorded in under two hours, Mtume’s “Juicy Fruit” has had a lasting impact on the R&B and hip-hop scene with over 100 listed sample uses of the track. Most famously used in Notorious B.I.G’s 1994 hit “Juicy”, Keyshia Cole’s “Let It Go”,  Warren G’s “This D.J” & in Grand Theft Auto’s radio shows.

Following on from the cult success of ‘KB’s Mixtape No. 1’ - songs that were sampled into your favourite hits -, ‘Mixtape No. 2’ expands this theme with songs from the 80s that were sampled into your favourite hits! Out September 27 via Hopestreet Recordings.

Making up the rhythm section of long-time Melbourne soul favourites The Cactus Channel, KB consistently sit in their own lane – the combination of raw musicianship and sheer time on the clock in the studio and on stage gives them a glowing connection rarely seen. Making records, they follow their own rules; recording and mixing on tape with no plugins and no edits, releasing exclusively in mono. It’s not about anachronism, it’s about the KB manifesto: a chosen set of limitations forcing a specific outcome, an outcome best appreciated through their “KB’s Mixtape” series of LPs.

Kamasi Washington - 'Re Run Home'

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