Welcome My Son - Professor Creepshow

Brought my laptop and a couple mics to a rehearsal room n did this 

buncha bs outro jam 2025

Two gold standard musical compositions I won’t insult by labelling with a genre. 'Truth is the key' is one of my favourite tracks period, the Arp solo just does it for me in every way. The vocal will be familiar as Irene Datcher also sang on the James Mason LP (who also features on these tracks) . 'Dreamflower' should need no introduction, famously Sampled by Erykah Badu’s ‘Didn't Cha Know ‘ and many others. This is a sublime landscape is notable for Ryo Kawasaki’s dreamy guitar work, Stone cold classic.  Both sides surprisingly have never graced the 7” format until now , absolutely essential 45. 

Ath026B Tarika Blue -  Dreamflower

From the upcoming full-length LP "Anti-Anxiety" on Paxico Records:

swarvy.bandcamp.com/album/anti-anxiety

Pocus [feat. Zeroh]

Written by Alfa Mist & Lester Duval 
Electric Bass - Rocco Palladino
Outro Drums - Dornik Leigh

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Vinyl

Exit (Feat. 2nd Exit)

Stashboxxx

Dilla's Eclair

Erykah's Gun

From the new EP "ReBirth"

September 18th on Hot Record Societe

Artwork by flatspot_.

ReBirth

Gaia's Warning (Rebirth) (feat. Danielle Wertz & Russell Gelman - Sheehan)

Road Of The Lonely Ones

Written, Recorded, Produced by River Tiber

Vocals, Bass, Guitar, Drums, Tambourine, Vibraphone, Synth, Rhodes, Violin, Cello by River Tiber

Drum Samples Recorded by Matthew Tavares

Mixed by Spencer "Moose" Muscio & River Tiber

Mastered by João Carvalho

Photograph by River Tiber

Rainbow Road/Hypnotized

Pre-order the new album 'It Is What It Is', released 3 April on Brainfeeder: https://thundercat.lnk.to/it-is-what-it-isSo

Thundercat
Apocalypse
BF040

1. Tenfold
2. Heartbreaks + Setbacks
3. The Life Aquatic
4. Special Stage
5. Tron Song
6. Seven
7. Oh Sheit It’s X
8. Without You
9. Lotus and the Jondy
10. Evangelion
11. We’ll Die
12. A Message for Austin / Praise the Lord / Enter the Void

Forever a wildcat and wild card, Los Angeles’ bassist/songwriter/vocalist Stephen Bruner, aka Thundercat, is impossible to tame artistically. A true master of his craft, he can be found playing bass with Flying Lotus, Erykah Badu and Suicidal Tendencies, in the same breath as performing live with the likes of Stanley Clarke, Snoop Dogg or the Red Hot Chili Peppers. His 2011 solo debut (The Golden Age of Apocalypse, co-produced by Flying Lotus) created an equally genre-blurring enigma of indie rock and jazz, with a touch of electronica.

On his second album, Apocalypse, Thundercat pairs up with executive producer Flying Lotus to pull the veil back and reveal the simple truths of the cycle of life, for all its beauty and destruction. An album about loss and rebuilding, trying to gain something back, and capturing that moment of clarity where one finally finds feet back on the ground again. Bringing a fusion of pop, soul, electronica, prog rock and funk into an unexplored dimension, the album slowly descends and tunnels to the core of what it takes to grasp peace, at a time that it seems most far.

From the deep, rumbling entrance of ‘Tenfold,’ each of the 12 tracks coalesce with Thundercat’s signature bass, his riffs and basslines gliding sky high to meet Fly Lo’s astral touch. Bruner’s vocals and harmonies also soar with open honesty, rising above heartbreak with uplifting odes to love and companionship (‘Tron Song’) and wise mantras to live by (‘Special Stage’). The album plays as a comedy and tragedy at the same time, delicately addressing tracks like ‘We’ll Die’ while bringing the all-out cosmic funk of the anthemic ‘Oh Sheit, it’s X.’

As heavy as the lyrical weight may be, the divine musicality of Flying Lotus, and Thundercat’s instrumental collaborations, brings light. Navigating dense rhythms and intense harmonic progressions, the LP pushes through the hypnotic strands of ‘The Life Aquatic,’ the analogue explorations of ‘Lotus & The Jondy’ (recorded in Adrian Younge’s studio with drummer Thomas Pridgen), and Thundercat and Lotus’ prog rock jam ‘Seven,’ a spontaneous improv recording that organically materialized in less than an hour. It’s no wonder the kindred pair often refer to their freeform sessions as “going to space.” Continually pushing tracks to their furthest point, they take the listener to another place completely – somewhere beyond time, a place that transcends this realm. As the aforementioned track ‘Seven’ (named for its challenging time signature) asks, “Can you hear the sounds of infinity?”

Thundercat - Lotus and the Jondy

BRAINFEEDER