In calling the 1915 campaign against Armenians a genocide, President Joe Biden has rekindled tensions that never really faded—and has perhaps <a href="https://www.economist.com/europe/2021/04/27/turkey-and-armenia-show-no-signs-of-reconciling?utm_campaign=the-intelligence&amp;utm_medium=podcast&amp;utm_source=third-party-host&amp;utm_content=show-notes" rel="noopener noreferrer" target="_blank">delayed a rapprochement</a>. Chinese authorities fear religion, particularly when it is practised out of sight; we look at increasing <a href="https://www.economist.com/china/2021/04/03/china-wants-to-make-its-christians-more-chinese?utm_campaign=the-intelligence&amp;utm_medium=podcast&amp;utm_source=third-party-host&amp;utm_content=show-notes" rel="noopener noreferrer" target="_blank">repression</a> of China’s tens of millions of Christians. And tracking the coronavirus’s spread by dipping into Britain’s sewers.For full access to print, digital and audio editions of The Economist, subscribe here <a href="http://www.economist.com/intelligenceoffer" rel="noopener noreferrer" target="_blank">www.economist.com/intelligenceoffer</a> &#10;&nbsp; <hr>See <a style='color: grey; ' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for privacy and opt-out information.

A word in edgewise: Turkey, Armenia and genocide

One Of Us

Ann Patchett, the award-winning author of numerous books including “Bel Canto” and “State of Wonder,” joins her good friend Elizabeth Gilbert, author of the hit bestseller “Eat, Pray, Love,” to talk about the challenges and joys of their craft. In this thrilling conversation, Patchett and Gilbert ask each other how and why they write, covering everything from grief, to frustration, to divine inspiration.

Ann Patchett & Elizabeth Gilbert on Writing

Background and poem text: https://www.brainpickings.org/2016/05/16/wait-galway-kinnell/

POEM TEXT

Galway Kinnell reads "Wait"

Background and poem text: https://www.brainpickings.org/2017/01/01/adrienne-rich-reads-what-kind-of-times-are-these/

Recorded for PBS's "Poetry Everywhere" program: http://www.pbs.org/wgbh/poetryeverywhere/

BACKGROUND / POEM TEXT

Adrienne Rich reads "What Kind of Times Are These"

Poem text and context: https://www.brainpickings.org/2017/05/02/rosanne-cash-adrienne-rich-marie-curie/

Recorded at "The Universe in Verse," April 24, 2017: https://www.brainpickings.org/the-universe-in-verse/

Photograph of Rosanne Cash by Molly Walsh / Academy of American Poets

POEM TEXT / CONTEXT

Rosanne Cash Reads "Power" by Adrienne Rich

Poem text and context: https://www.brainpickings.org/2018/04/23/ursula-k-le-guin-hymn-to-time-janna-levin/

Astrophysicist Janna Levin reads "Hymn to Time" by Ursula K. Le Guin

I recently gave a talk about my new book, The Power of Showing Up (written with Tina Payne Bryson), to an amazing audience in Portland, Oregon and wanted to share it with you. I talk about our 4S framework and how it helps promote secure attachment and the development of resilience and an internal compass in our children. You'll even hear a complexity choir as we explore the nature of chaos and rigidity, and the harmony that arises with integration! -- Enjoy, Dan

Get your copy of "The Power of Showing Up" here: http://www.randomhousebooks.com/campaign/thepowerofshowingup/

Visit my website at: https://www.drdansiegel.com/

Dr. Dan Siegel and "The Power of Showing Up" - January 2020

Artist Debbie Millman's narration of her wondrous illustrated love letter to the garden: https://www.brainpickings.org/2020/07/24/debbie-millman-love-letter-to-my-garden

VISUAL AND TEXT

Debbie Millman reads her love letter to the garden

Chicago Symphony Orchestra
Fritz Reiner, conductor

Schumann: Symphony No. 2 in C Major, Op. 61  - II Scherzo (November 1997)

"For Anton Vishio" (2019) is a composition for clarinet, flute, and piano. Anton Vishio is a composer, theorist, and pianist who was, to me, a kindred spirit - not only through his curiosity and celebration of new music that has and remains very important to me and work, but also through his uncanny ability to connect music of the past with what is happening now. He remains a dear friend, and this piece is dedicated to him.

For anonymity purposes, I will not name the incredible performers of this composition (unless they want to be identified, in which case I will list who they are...!) and its date of premiere. This is only for your ears.

Galway Kinnell reads "Wait"

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