Name: Lou Reed on Bob Dylan by brainpicker in all bob dylan
Duration: 1 min 10 s
Description: Lou Reed talks to Rolling Stone critic Anthony deCurtis at the Kelly Writers House. Background, transcript, and context here: http://www.brainpickings.org/index.php/2013/11/11/lou-reed-anthony-decurtis-interview/

all bob dylan

Lou Reed talks to Rolling Stone critic Anthony deCurtis at the Kelly Writers House. Background, transcript, and context here: http://www.brainpickings.org/index.php/2013/11/11/lou-reed-anthony-decurtis-interview/

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Lou Reed on Bob Dylan

Jocelyn Pook - Oppenheimer (Flood)

Bob Dylan - Don’t Think Twice, It’s All Right

METANOIA004
April, 27th 2015

01. Laura Weider - Spring Ins Feld (Thema)
02. Laura Weider - Spring Ins Feld (Original)

Everytime I listen to the music by Laura Weider, I get lost in this very moment.

Memories of little light particles transform into fields of 
rising possibilities that you want to jump into.

Spring brings you infinite shifts of emotions, 
relieved from the numb touch of cold winter days.

This journey contains so much of both - joy and saudade; in the very same moment.

(Enjoy in healthy doses whenever you need a transformation)

Laura Weider - Spring Ins Feld (Thema)

BOB DYLAN - COMPLETE SUPPER CLUB "SOUNDBOARDS" November 16th/17th 1993

SOURCES:
16th Early - "Live at The Supper Club" (Commercial Bootleg *) Torrent Download
16th Late  - CDR at time of First Circulation
NOTE: * "Live at The Supper Club" is NOT sourced from my original "clean-up"
(which was Torrented here) of "In The Seats Of The Supper Club", as stated elsewhere.

LINAGE:
16th Early, 17th Early and 17th Late > Download > FLAC Frontend > Soundforge 9 > FLAC Frontend
Level 6 Align on sector boundaries

16th Late > CDR > EAC > Soundforge 9 > FLAC Frontend Level 6 Align on sector boundaries

Several small glitches have been removed from all shows, most tracks re-indexed and playback levels
of the four shows made consistant.
No alterations have been made to the sound other than the small level adjustment.

Thanks to those who made the original sources available and to the uploaders.

I have put these together as two double disc sets complete with Artwork (JTT) 

THE SUPPER CLUB
NEW YORK CITY, N.Y.
November 16th 1993

Disc One: Early Show
 1. ABSOLUTELY SWEET MARIE
 2. LAY LADY LAY
 3. BLOOD IN MY EYES
 4. QUEEN JANE APPROXIMATELY
 5. TIGHT CONNECTION TO MY HEART
 6. DISEASE OF CONCEIT
 7. I WANT YOU
 8. RING THEM BELLS
 9. MY BACK PAGES
10. FOREVER YOUNG


Disc Two: Late Show
 1. RAGGED AND DIRTY
 2. LAY LADY LAY
 3. I'LL BE YOUR BABY TONIGHT
 4. QUEEN JANE APPROXIMATELY
 5. JACK-A-ROE
 6. ONE TOO MANY MORNINGS
 7. I WANT YOU
 8. RING THEM BELLS
 9. MY BACK PAGES
10. FOREVER YOUNG


BOB DYLAN - COMPLETE SUPPER CLUB "SOUNDBOARDS" November 16th1993

Matthew Bourne returns to the piano on ‘Candela (for Sascha Heeney)’, the first single from his forthcoming album, to be released this summer.

‘Candela' is a deep meditation in texture and melody: skeletal piano motifs buoyed on a bed of strings. There is an emotional directness and vulnerability that Bourne has only ever hinted at. When taken in the context of his back catalogue, this unadorned simplicity is a bold and challenging step to make, and all the more devastating for it.

Candela (for Sascha Heeney)

Free download

Bruckner: Symphony No. 9 / Benjaimin Zander / Boston Philharmonic Orchestra

oryginalna muzyka i słowa: tęskno 
kwintet smyczkowy: kornelia grądzka, paulina kusa, mateusz wasiucionek, dobrawa czocher, maciej kozioł 
piano: hania rani
wokal: joanna longić & hania rani
nagranie: izabela mazur & maciej wiejaczka
mix & mastering: piotr wieczorek

tęskno : mięsień

Listen / Purchase: https://lnk.to/dcad

Film composer and multi-instrumentalist William Ryan Fritch's long-anticipated double album, ‘Deceptive Cadence: Music For Film Volume I & II’ out now on Lost Tribe Sound.

It’d be a laborious task to run through all of Fritch’s many accolades, since 2009 he has released over 20 albums and composed music for over 30 feature films and more than a hundred short films. Lost Tribe Sound has been by his side since the beginning, releasing a few of his finest stand alone scores, including the critically acclaimed, ‘The Waiting Room’, ‘Eagle Hunters in a New World’, and ‘The Old Believers.’ Of course, LTS could boast for days about what a musical genius we believe he is. Yet, having written so many of these press rants for Fritch in our time, we’ll try to curb ourselves at the risk of preaching to the choir or sounding disingenuous.

That isn’t to say, Fritch isn’t well deserving of mountains of praise. We are honestly amazed that his film music hasn’t attracted the attention of more major motion picture studios. To date, Fritch has penned imaginative and impressive scores for narrative and documentary productions that run the gamut of most every imaginable genre and aesthetic. From raw and emotional films that uncover startling humanitarian and ecological crises, such as 2016’s Oscar-nominated short film ‘4.1 Miles,’ and National Geographic’s sweeping ’Into The Canyon,’ to eccentric and nuanced biopics and documentaries on figures such as Ursula K LeGuinn, Bill Nye and Johnny Cash. Fritch has found unique and artful voices for these wide ranging stories.

Most of those familiar with Fritch, know only of his albums as a singer songwriter or genre-elusive multi-instrumentalist, which truly represent a small fraction of the depth and range of his work. ‘Deceptive Cadence…’ gathers the most remarkable and memorable pieces from Fritch’s vast catalog of film compositions. Rather than filling up two volumes with half assembled film cues and fragmented themes, Fritch has gone to great lengths with ‘Deceptive Cadence…’ to make sure both volumes tell a story, build theme, and create a satisfying full album experience as good as any movie they may have come from. While this music once graced a particular film, show, or commercial, it has all been reimagined, reworked and made whole in post-production to complete the epic narrative of ‘Deceptive Cadence…’

Cover Image by Joe Borreson (http://www.dustclouddesign.com)

Deceptive Cadence - Music For Film Vol. I & II

Gut Level

Buy Album/Series

William Ryan Fritch - Gut Level (from Deceptive Cadence: Music For Film Vol. I & II)

Erased Tapes Collection VII

September 20th marks the 30th birthday of Berlin pianist Nils Frahm, but also the day he has chosen to give his fans a special gift in the form of 9 songs he recorded with 9 fingers, entitled 'Screws'.

Nils experienced an unfortunate accident which saw him fall from his bunk bed located directly above his studio, which resulted in a broken thumb. But through inspiration from his fans and after a gentle walk and talk through the park with a close friend, he decided to deal with the situation in the only way he knew – playing his piano.

With four screws surgically placed inside his thumb, he started recording with his remaining 9 fingers, what later resulted in 9 intimate piano recordings.

Fans can download 'Screws' as mp3s or in full 24-bit 44.100 kHz audio quality here (http://screws.durtonstudio.com), and pre-order a Vinyl/CD edition from the Erased Tapes online store (http://erasedtapes.com/store/index/ERATP046), which will be released later this year.

'I am sitting in front of a sheet of paper. My right hand is bending over my left thumb. The first day I got out of my cast I could bend it by 15°. Now I am already at 50° and that makes me happy. Things are going uphill...

As you can imagine, it is really bad news for a pianist when he gets diagnosed with a broken thumb. That day I was sitting in the emergency room, feeling rather dizzy while thinking of a zillion shows coming up and all the people involved around it. I realised in that moment how busy things have become. It is hard to turn down interesting projects and opportunities, since I surely love my work. It actually never felt like work. Playing piano and playing it for wonderful people is the greatest joy I can imagine.

For a couple of days I felt like this all could be over. How pathetic. But hey – also feeling sorry for yourself has its place somewhere. All of a sudden I had so much time, an unexpected holiday. I cancelled most of my schedule and found myself being a little bored. Even though my doctor told me not to touch a piano for a while, I just couldn't resist. I started playing a silent song with 4 fingers on my left and the remaining 5 on my right hand. I set up one microphone and recorded another tune every other night before falling asleep.

The day I got rid of my cast I had recorded 9 little tunes. They have helped me feel less annoyed about my accident and reminded me that any good is something I can only achieve, when I am making the most out of what I've got.

Thank you all for listening!

With lots of love,

Nils


9FINGERS North American Tour 2012

09/16 New York (US) – West Park Presbyterian Church 
09/21 Boulder (US) – Cherryvale Studios
09/22 Colorado Springs (US) – The Mesa
09/23 Santa Fe (US) – O'Shaughnessy Performance Space @ Santa Fe Uni
09/24 San Fransisco (US) – private show (RSVP only)
09/29 Seattle (US) – Decibel Festival @ Broadway Performance Hall
09/30 Portland (US) – Classic Pianos
10/03 Mexico City (MX) – Mutek

ERASED TAPES 5th Anniversary Tour w/ Ólafur Arnalds & A Winged Victory For The Sullen

10/08 HAMBURG (DE) – Fliegende Bauten
10/09 PRAGUE (CZ) – Palac Akropolis
10/10 BUDAPEST (HU) – Trafo
10/11 MANNHEIM (DE) – Alte Feuerwache
10/13-14 BERLIN (DE) – Radialsystem
10/15 AMSTERDAM (NL) – Paradiso
10/16-17 LEUVEN (BE) – Stuk
10/18 LONDON (UK) – Hackney Empire
10/19-20 ISTANBUL (TR) – Salon IKSV

PREVIOUS PRESS:

'No. 42 Best Albums Of 2011' -The Guardian
'Felt is a transportative album, a balm for troubled minds.' BBC Music
'Frahm’s hyper-intimate recording technique for the album makes Felt a captivating listen' (9/10) DIS

★ ★ ★ ★ – Popmatters ★ ★ ★ ★ – Uncut ★ ★ ★ ★ – Clash ★ ★ ★ ★ – Mojo

OFFICIAL WEBSITES: screws.durtonstudio.com · facebook.com/nilsfrahm · twitter.com/nilsfrahm · erasedtapes.com

Screws

Buy CD/LP/DL

Nils Frahm - Mi

Once upon a time you dressed so fine
You threw the bums a dime in your prime, didn't you?
People'd call, say, "Beware doll, you're bound to fall"
You thought they were all kiddin' you
You used to laugh about
Everybody that was hangin' out
Now you don't talk so loud
Now you don't seem so proud
About having to be scrounging for your next meal.

How does it feel
How does it feel
To be without a home
Like a complete unknown
Like a rolling stone?

You've gone to the finest school all right, Miss Lonely
But you know you only used to get juiced in it
And nobody has ever taught you how to live on the street
And now you find out you're gonna have to get used to it
You said you'd never compromise
With the mystery tramp, but now you realize
He's not selling any alibis
As you stare into the vacuum of his eyes
And ask him do you want to make a deal?

How does it feel
How does it feel
To be on your own
With no direction home
Like a complete unknown
Like a rolling stone?

You never turned around to see the frowns on the jugglers and the clowns
When they all did tricks for you
You never understood that it ain't no good
You shouldn't let other people get your kicks for you
You used to ride on the chrome horse with your diplomat
Who carried on his shoulder a Siamese cat
Ain't it hard when you discover that
He really wasn't where it's at
After he took from you everything he could steal.

How does it feel
How does it feel
To be on your own
With no direction home
Like a complete unknown
Like a rolling stone?

Princess on the steeple and all the pretty people
They're drinkin', thinkin' that they got it made
Exchanging all kinds of precious gifts and things
But you'd better lift your diamond ring, you'd better pawn it babe
You used to be so amused
At Napoleon in rags and the language that he used
Go to him now, he calls you, you can't refuse
When you ain't got nothing, you got nothing to lose
You're invisible now, you got no secrets to conceal.

How does it feel
How does it feel
To be on your own
With no direction home
Like a complete unknown
Like a rolling stone?

Like a Rolling Stone - Bob Dylan

"Music is a Place to take Refuge. It's a Sanctuary from Mediocrity and Boredom. It's Innocent and it's a Place you can loose yourself in Thoughts, Memories and Intricacies..." Lisa Gerrard
http://www.facebook.com/group.php?gid=2260253259&ref=search

Lou Reed on Bob Dylan

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