Name: "Dreams" by Mark Strand read by Maria Popova by brainpicker
Duration: 2 min 6 s
Description: Details and poem text: http://www.brainpickings.org/2015/03/16/mark-strand-dreams-collected-poems/

თორნიკე მერაბიშვილი, ილია ჯღარკავა, ვანო დვალიშვილი

ღმრთისმშობლის შობის IX ძლისპირი "რომელმან შევ მთიები"

Details and poem text: http://www.brainpickings.org/2015/03/16/mark-strand-dreams-collected-poems/

MORE / POEM TEXT

"Dreams" by Mark Strand read by Maria Popova

SONAE + Werkstatt:	Between Two Worlds 	03:58
Mixed and produced by Sonae  
using material from the Werkstatt performed by Sonae, Picciotto, Islaja, AGF, Krach
taken from the album
va: Monika Werkstatt
m90

Monika Werkstatt

Sonae + Werkstatt: Between Two Worlds

YOUTUBE CHANNEL
https://www.youtube.com/EGONRAKIMTHOMASLACROIX

Nevermore

Frozen (Madonna Cover)

RADIO EDIT (3'36 INSTEAD OF 4'45)

LISTEN TO FULL VERSIONS ON "GUILLAUME PERRET & THE ELECTRIC EPIC" ALBUM 
(TZADIK TZA-CD-7804) 
OUT 30 MARCH 2012
http://tzadik.com/

COMPOSED, ARRANGED, EDITED AND DIRECTED BY GUILLAUME PERRET

PERFORMED BY 
MEDERIC COLLIGNON - CORNET, EFFECTS, VOICE
JIM GRANDCAMP - GUITAR, EFFECTS
PHILIPPE BUSSONNET - BASS, EFFECTS
YOANN SERRA - DRUMS, SAMPLER
GUILLAUME PERRET - ELECTRIC SAX, EFFECTS 

Press : Muriel Vandenbossche muriel@muvdb.com / +33 (0) 6 80 63 90 73 
Booking : Benjamin Levy ben@blmusicprod.com / +33 (0) 6 71 44 86 80

www.guillaume-perret.com

ETHIOPIC VERTIGO (RADIO EDIT)

Poem text and context: https://www.brainpickings.org/2018/04/23/ursula-k-le-guin-hymn-to-time-janna-levin/

POEM TEXT / CONTEXT

Astrophysicist Janna Levin reads "Hymn to Time" by Ursula K. Le Guin

Poem text and context: https://www.brainpickings.org/2018/08/16/czeslaw-milosz-love/

"Love" by Czesław Miłosz (read by Maria Popova)

The Listening Body is a new collaborative project by sound artists and musicians Steven Mclnerney and Pascal Savy. Together they seek to investigate alternative ways of presenting their drone work and question the relationship between performer and audience in the context of the space in which sound and music are experienced.

The project stems from their respective practices of performing experimental music in traditional and less traditional concert venues, where the divide between stage and audience enforces the expectation of a spectacle that more often that not fails to materialise. With The Listening Body they seek to dissolve the binary nature of the concert space by asking the audience to lie on the floor and cover their eyes with sleep masks, as their sound work will be diffused throughout the room. In doing so they hope the audience can use the entire bodies as resonant sensors and reclaim the here and now of the performance as a space for direct and felt experience.

Steven McInerney will lead a sonic meditation using ancient and contemporary techniques with gongs, singing bowls and other idiophones. The symphony of sounds will allow a sense of deep relaxation which can be effective in reducing stress levels and tensions within the body. Through the process of entrainment, the phenomenon whereby both physical and biological systems synchronise their rhythm through the interaction of an external stimulus, the gong space will affect the individual on a physical, mental, emotional and spiritual level. These meditation instruments will be played intuitively with the highest intent to safely guide the group into the deep states of consciousness.

Pascal Savy will explore the interaction between sound, body and physical space with a new minimal composition at the intersection of drone, ambient and noise music diffused on a large quadraphonic sound system, and will seek to investigate the possibilities of experiencing sound where the entire body can act as an extended listening device triggered by the resonant properties of the room in which the work is presented. He hopes that experiencing sound as a continuum of physical vibrations mediated by the body, rather than the ear alone, will catalyse within participants a sense of physicality that is more perceptual than affective, as a way to make music a fully embodied experience. Ultimately his performance will seek to question why sound more than other experiential mode of investigations can reveal something fundamental about the ephemeral nature of reality.

"Dreams" by Mark Strand read by Maria Popova

brainpicker

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