Spoken Word

This is an amazingly beautiful track.You may have heard it in the gravity trailer or in the movie The East. Its a very simple song but i wanted to add some depth to it. Made in Logic 9 by Kabbalistic Village - Menachem Engel

Here the original here - http://www.youtube.com/watch?v=B8qg_0P9L6c

I use Distrokid to put my music on the biggest streaming services. Sign up here to get 7% off! - https://distrokid.com/vip/seven/576401

Arvo Part - Spiegel Im Spiegel - Remix/Rework

This is a original arrangement and composition based on 13th century liturgical chant. It was recorded many years ago, yet I am posting it now in dedication to the passing of a dear, sweet friend, Breanna LeVine. Remembering how she loved this song and how music carried her spirit so beautifully, I offer this as yet another prayer for the passage of her soul to be carried beyond all further pain and suffering, into her true nature of brilliant, beaming, love and light. This is a prayer for her spirit's rebirth into a world where she may be truly united with divine love and be filled with the joy and laughter that radiated within her. Goodbye, beautiful, brilliant one. 


Kyrie Eleison

Taken from the forthcoming album 'Asylum For Eve', released February 10th 2017.

Featuring new material and reworked soundtracks, the album drifts from plaintive piano-led passages to brisk chamber music and back again, tied together by the textured layering of found sounds and instruments that distinguishes Thomas’s music.

After tracking down an old Bechstein Model 9 upright piano for ‘Asylum For Eve’, Thomas set about modifying and preparing it with cardigans, screws and nails in order to provide the textures and timbres which characterise the album’s dense, affecting sound. Techniques employed for the album include the intricate layering of bowed guitars and ukuleles, and fingerpicked violins, banjo and charango. It’s processes such as these, coupled with Hill’s high quality composition and musicianship, that see the album at once expansive and intimate.

Asylum For Eve

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Thomas William Hill - Cirrostratus

From the album 'Branches Of Sun' 
www.aukaimusic.com
guitar - Markus Sieber
piano - Angelika Baumbach
cello - Anne Müller
prophet 5 - Jamshied Sharifi
Written & Produced by Markus Sieber
Mixed and Mastered by Martyn Heyne
Recorded in Berlin, Durango, and New York
Photo by Sebastian Suki Beláustegui http://photosuki.com

Branches Of Sun

Nightfall

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Matthew Bourne returns to the piano on ‘Candela (for Sascha Heeney)’, the first single from his forthcoming album, to be released this summer.

‘Candela' is a deep meditation in texture and melody: skeletal piano motifs buoyed on a bed of strings. There is an emotional directness and vulnerability that Bourne has only ever hinted at. When taken in the context of his back catalogue, this unadorned simplicity is a bold and challenging step to make, and all the more devastating for it.

Candela (for Sascha Heeney)

Free download

Palemote

James Maloney studied music at Oxford University and after graduating in 2011, found his own voice in minimalist composition and songwriting, which led him to the sounds and style present on Gaslight. The album is a vibrant piece of work that is built around an old piano, accompanied by a trumpet, vibraphone, glockenspiel, and subtle electronics. This is a music defined by spacious atmospheres, vibrant tones, and comforting chords, a bold soundworld crafted by Maloney on his debut record that make it a triumphant and original foray into minimalist territories. Maloney adeptly weaves a broad range of styles and influences into his compositions: gentle nods to cinematic orchestrations meet hints of post-rock sonorities, with infusions of mellow jazz and modern classical germs.

Gaslight is released on CD and digital on July 7. Pre-order: http://hcdi.gs/2s5lU8E

Gaslight

Blink

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TRACK PREMIERE : James Maloney - Blink

Second single from the upcoming album 'Oceanic', out on 7K! records on 9 February 2018.

Pre-order the album here: 7K.lnk.to/Oceanic

'This song I created while looking outside of the window. There was an empty beach and I did imagine two ballet dancers whirling up the sand.'

Niklas Paschburg - Sand Whirling

1631 Recordings is proud to release the original score for the indie documentary “The Man Behind The Microphone” composed by Tom Hodge and Franz Kirmann.

Directed by Claire Belhassine and produced by Claire de Lune Films and Roast Beef/Nutopia, The Man Behind The Microphone starts from a very personal story (the British director found out by chance in her early 30s that her grandfather was a legend of Tunisian music, the ‘Frank Sinatra’ of Tunisia) and turns into a family saga and a reflection on the nature of fame, culture, heritage and homeland.

Tom Hodge and Franz Kirmann have worked collaboratively over the past 10 years and have released three albums together under the guise of their post-classical/electronic moniker Piano Interrupted. This is their  second soundtrack together, having composed the score to BBC One series McMafia earlier this year.

The Man Behind The Microphone took several years to complete and Kirmann & Hodge were involved early on, sketching compositions loosely inspired by some of Hédi Jouini’s own music. Sometimes they would sample a small musical phrase from his old recordings or write harmonies and chords in a relative key to use as a starting point for their pieces. Their score echoes the melancholy and investigative nature of Claire Belhassine’s quest for her grandfather and the mysterious and fragmented aspects of the story.

Kirmann’s vaporous electronics and Hodge’s ghostly piano and clarinet lines are mixed with earthy analog synth basses and a string quartet provided by the London Contemporary Orchestra. The soundtrack is a melancholic and dreamy journey over 9 pieces, oscillating between post classical, minimalist and ambient music.

“There is a real sense of culmination about this soundtrack. In one way way it is our very first score, as it started long before McMafia. But even more so, you might say it is simultaneously our first and last Piano Interrupted record, or our very first collaboration even. Our album Two By Four was strongly influenced by our work on the prototype of this film and the sound of Papa Hedi. Yet because of the longevity of this film project, our combined musical voice has been profoundly altered by our work on our other two Piano Interrupted albums, as well as the four hours of score we wrote for McMafia. Here we are, full circle.”

www.1631recordings.bandcamp.com

The Man Behind The Microphone

Tom Hodge & Franz Kirmann - Ghost Of My Grandfather

Excerpt from Jeff Goldsmith's Q&A with Ray Bradbury, recorded at Comic Con 2010. Discussion and other highlights here: http://www.brainpickings.org/index.php/2012/09/04/ray-bradbury-comic-con-interview/

Full audio here: http://www.theqandapodcast.com/2012/06/ray-bradbury-q.html

Ray Bradbury on Libraries

Ray Bradbury on NASA

Ray Bradbury on (Not) Growing Up

Ray Bradbury on Loving Life

Read more: www.brainpickings.org/index.php/2013/01/10/massimo-vignelli-debbie-millman/

Excerpt from Debbie Millman's Design Matters interview: https://soundcloud.com/designmatters/massimo-vignelli

Graphic designer Massimo Vignelli on print vs. digital books

"Duvet" taken from Niklas Paschburg's second studio album 'Svalbard', out on February 28th 2020.

Pre-order album now: 7K.lnk.to/svalbard

Graphic designer Massimo Vignelli on print vs. digital books

brainpicker

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