Art lecture

Ken Aiso - Melody Chang - Violin
Valeria Morgovskaya - Prepared Piano
Lorenzo Marasso - Conductor
Recorded at the Lutheran Church of the Master
in Los Angeles on December 15th 2013

ARVO PART - Tabula Rasa - 1st Mov

We're really pleased to share the final single from our forthcoming EP, which is coming your way on October 20th.

This song is our cinematic-yet-reflective take on the traditional Kyrie Eleison (Lord, Have Mercy) liturgical text, and was written out of a time of uncertainty & unanswered questions.

Stream & download Kyrie Eleison https://on.echoes.blue/kyrie

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Kyrie Eleison, Kyrie Eleison
Kyrie Eleison, Christe Eleison

Lord have mercy, mercy on us
Lord have mercy, mercy on us
Lord have mercy, mercy on us
Lord have mercy, mercy on us

Kyrie Eleison, Kyrie Eleison
Kyrie Eleison, Christe Eleison

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Kyrie Eleison

Download & stream

“Glass Piano” is a sublime collection of  solo piano versions of Philip Glass by a master interpreter of the legendary minimalist composer. All formats have various tracklistings and will be released June 1st 2015 (and 2nd in the USA).  

Meet Bruce @ Vynil Factory : http://www.thevinylfactory.com/vinyl-factory-news/premiere-listen-to-a-track-from-bruce-brubakers-glass-piano-a-new-album-reimagining-phillip-glass/

Glass Piano

Metamorphosis 2

Nowness

Bruce Brubaker - Metamorphosis 2

Nordic Quartet (John Surman, Karin Krog, Terje Rypdal, Vigleik Storaas) - Wild Bird 
My cover on one of my favorites.

One guitar cover version
Loop station (track reversed) + solo guitar 

#jazz #cover #rypdal #surman


Wild Bird (Cover) Nordic Quartet (John Surman, Karin Krog, Terje Rypdal, Vigleik Storaas)

Buy / Stream Album: https://lnk.to/wsmsettlers

Follow WSM on Bandcamp: http://westernskiesmotel.bandcamp.com
 
'Settlers' is the new album from Western Skies Motel in a limited edition of 170 gatefold 180gram vinyl, CD and digital formats.  'Settlers' was mastered for vinyl and digital by Taylor Deupree, with master lacquers cut by Roger Siebel at SAE.  The first 50 Vinyl & CD's ordered come with a bonus EP, 'Generations' mastered by Kirk Marrison of Kiln.

In the dry desert of Arizona that Lost Tribe Sound calls home, a letter is received from guitarist René Gonzàlez Schelbeck who’s eager to share a collection of intimately composed songs, titled 'Settlers'. Upon listening, we are immediately enthralled. There’s a timeworn, arid, and almost badlands quality to Schelbeck’s hypnotic, cyclical guitar style. It seems to perfectly capture the lonely, barren landscape of the American West. 

Yet, there are curious dynamics at play here as Schelbeck, who makes music under the alias Western Skies Motel, is from Denmark and far removed from any upbringing in the rough-hewn Americana style of folk guitar. Conceivably, his music has more in common with the lonesome, calculated tone of Berlin's modern classical scene or the rainy day folk of the UK. Those are intriguing parallels, since the collective mood of Western Skies Motel's music would adapt so well to either environment. 

Words hardly do justice to the rich, immersive experience of 'Settlers'; yet a few may help to set the stage. Schelbeck is a remarkably well rounded instrumentalist, who spent his early days losing his hearing in local punk rock bands. This youthful love for walls of sound and discordant guitar squalls survives in his modern sound palette. However, a more mature approach to these techniques brings moments of palpable tension, adding in uneasy waves of guitar feedback and droning harmonium. 

But ultimately, the truth of what Schelbeck hopes to convey through his music may rest rmly in his subconscious. In hindsight, 'Settlers' is about moving between worlds: not in the dimensional sense, but more as a constant change in form. Each influence and sound Schelbeck incorporates into his music feels native to the delicate ecosystem of these songs and each turn feels as organic and nuanced as that of the natural world. Just as a tree’s leaves wither and fall; a fire sparks and expands only to expend its last bit of fuel, extinguished and left for ash. So true are the parallels we find in our own existence, the complex ritual of growing old and returning to dirt. Decay is inevitable for all life, yet through this it becomes the rich soil for all things proceeding. Western Skies Motel's weighty instrumental mantras may root in this and other meanings yet to be culled. One thing is clear, this music contains signicant power, and, regardless of our conceived themes or geographic locations, it tells a story that is lasting and instantly familiar. 

'Settlers' sees a 180-gram heavy weight gatefold release very similar to the recent Mute Forest debut, 'Deforestation'. The acetate and test pressings were scrutinized for anomalies on world-class vinyl setups at Arizona’s esteemed audio dealer, Arizona Hi-Fi.

Western Skies Motel is building upon a busy year in 2015, having released two very different full-length albums 'Prism' (Preserved Sound) and 'Buried and Resurrected' (Twice Removed).

Settlers

Whirl

Buy Album

Western Skies Motel - Whirl (from Settlers)

FatCat Records’ 130701 imprint has played a pioneering role in the development of today’s vibrant post-classical scene. It has introduced the likes of Max Richter, Hauschka, and Set Fire To Flames, and been home to Sylvain Chauveau, Jóhann Jóhannsson, and Dustin O’Halloran. 

With its fifteenth anniversary approaching on 13th July 2016, 130701 is celebrating with the release of a compilation featuring eleven exclusive tracks - one from each of the artists to have graced the roster over the past fifteen years, plus three new signings - Ian William Craig, Olivier Alary and Resina - whose first 130701 albums are each set to appear this year. Curated and compiled by 130701’s David Howell, none of these tracks has previously seen a physical release.


Dustin O'Halloran - Constreaux No 2

Order 'Iris' on (Ltd. Clear) Vinyl, CD and digitally here: http://phonofile.link/iris-bonus

A Winged Victory For The Sullen, the otherworldly collaboration between Adam Bryanbaum Wiltzie and Dustin O’Halloran, commence the New Year with their third full-length titled Iris – available worldwide via Erased Tapes on January 13th 2017.

Adam Bryanbaum Wiltzie and Dustin O'Halloran first met the director Jalil Lespert after he had discovered A Winged Victory For The Sullen on a music search online. After listening to their music, he immediately knew: "it was the sound of my new film". With an excellent cast of France’s finest actors Romain Duris, Charlotte Le Bon, and the director himself, plus a script filled with tension, sexuality and darkness, they knew there was a lot of musical territory to mine. It was agreed that they wanted to explore more analogue electronique experiments as well as working with a large string ensemble, to create something that felt very modern and still cinematic.

“Despite A Winged Victory For The Sullen being associated with film score type music, trying to survive the process of creating the modern film score is not for people with fragile egos. It requires those who are the most responsive to change. The director and the film presented a new set of challenges, so we decided to stop thinking about cinema as an object, and moved closer to using the film’s images as triggers for experiences. The more we were able to let go, and see the music as something that happens, like a process – not a quality, the more we were able to reach a place that sounded like us. It was as if we were making our first record all over again, except being filtered through another language littered with dead metaphors”, the duo elaborate.

The recording sessions began with their long time sound collaborator Francesco Donadello in the form of some modular synth sessions in Berlin. Dustin and Adam began working from the script in their own studios, and after filming commenced they continued to create music that could be used for first edits of the film – each day getting new scenes that triggered ideas that would become the base of the film score. Over the course of the next few months the two slowly crafted the music with weekly discussion from their studio to the editing room. The final sessions to what is now the score of Iris were recorded with a 40-piece string orchestra at Magyar Radio in Budapest.

Upon label founder Robert Raths' request the over sixty minutes of material were then edited down to a concise album listen at forty-one minutes with a physical release set for January 13, 2017. The digital bonus track edition includes two solo pieces by Adam Bryanbaum Wiltzie entitled The Endless Battle Of The Maudlin Ballade Part 2 and The Endless Battle Of The Maudlin Ballade Part 3, as well as tracks by Petite Noir, dOP, DJ Pone and The Shoes which feature in the film. The artwork was created by Berlin based illustrator Stephanie F. Scholz who also created the iconic cover for Nils Frahm's Music for The Motion Picture Victoria.

TRACK LISTING

1. Prologue Iris  
2. Retour Au Champs De Mars 
3. Fantasme  
4. Gare Du Nord Part One  
5. L’embauche  
6. Le Retour En Foret  
7. Metro Part Three  
8. Flashback Antoine  
9. Galerie  
10. Le Renversement  
11. Normandie  
12. Comme On A Dit

A Winged Victory For The Sullen - Galerie

Electric - or perhaps more fittingly electrifying - are the sounds emanating from the loudspeakers.  And all of it is unplugged.  The sounds are created by sonic.art - not only one of the finest saxophone quartets but also perhaps the most compelling chamber music formation anywhere. Featuring works by Philip Glass and Michael Nyman.

Philip Glass: String Quartet No. 3 - sonic.art Saxophone Quartet

Philip Glass Inspiration

Jóhann Jóhannsson - Odi Et Amo featuring Iskra String Quartet (Brussels, April 2009)

Excerpt from Jeff Goldsmith's Q&A with Ray Bradbury, recorded at Comic Con 2010. Discussion and other highlights here: http://www.brainpickings.org/index.php/2012/09/04/ray-bradbury-comic-con-interview/

Full audio here: http://www.theqandapodcast.com/2012/06/ray-bradbury-q.html

Ray Bradbury on Predictions and the Secret of Life

Ray Bradbury on (Not) Growing Up

Recording courtesy of PennSound. Background and context: http://www.brainpickings.org/index.php/2012/12/14/adrienne-rich-on-love-loss-happiness-creativity/

Adrienne Rich on love and loss as the foundation of all art

Adrienne Rich on art (2005)

2013 SVA Commencement Address. 

Transcript, highlights, and discussion: http://www.brainpickings.org/index.php/2013/05/13/greil-marcus-sva-commencement-address/

Ray Bradbury on (Not) Growing Up

brainpicker

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