In March of 2018, German composer and pianist, Tim Linghaus, released his debut full-length, titled Memory Sketches. I have immediately connected with his sonic palette and the concept of capturing a memory with music [for preservation and materialization thereof], and have subsequently selected the album as one of the best of the year, in Music For Watching The Snow Slowly Fall In The Moonlight list. Brian Housman of Stationary Travels has also picked up this fragile work, and in his syndicated words for Headphone Commute acknowledged that “bring this to realization in a sincere and compelling way that deeply affects the listener requires tremendous sensitivity to mood and texture…” Of course, I tend to agree. Following the release, Linghaus appeared on Sound In Silence with a collection of “B-sides,” and then again, a year later, with a 30+ min album of sixteen vignettes, titled We Were Young When You Left Home (Schole Inc., 2019) examining [his?] childhood emotions experienced during a parental divorce. Today I am premiering a brand new track for you, this time is taken from Tim’s upcoming release titled Memory Sketches II, which, as you can tell from the title, is a follow-up to his debut, once again focusing on shaping and archiving the memories with beautiful sound.

"Sometimes it can be felt. This sort of fact that a certain moment is a crucial one in our lives. But mostly we breathe and walk and talk and act without recognizing how huge the moment actually is, how important the memory of it will become for us. As for my part, Memory Sketches II is the second try to give my most precious memories a shape because, otherwise, they might disappear together with the person, the scent, the sound or whatever it is that the memory is about." — Tim Linghaus

The rhythmic journey of adolescent immediacy through rushing emotions, the discovery of new experiences, and, much later on, reflection on these initial feelings, are all conveyed in this very first track appearing on the album. On the fifteen successional pieces, Linghaus explores further recollections of heartbreak, repetitive school daydreams, and projected fantasies of a childhood long gone. The piano is occasionally gently cradled by lo-fi treatments, some strings and synth sequences and pads. It’s all rather lovely, a bit introspective, nostalgic and melancholy. Just how I like it… as if these memories were mine. Stay tuned for the full-length, released on the Japanese Schole Records on a CD, and Swedish 1631 Recordings on digital, on October 29th, 2021. This single is out this Friday, and then you can pre-order the album from Bandcamp.

Memory Sketches II

Running To School With S

TRACK PREMIERE : Tim Linghaus - Running To School With S

Café Papantla

"Lo Boier" is a mysterious Chant left for us by the Gnostic Cathars, when they were killed and annhiliated by religious powers in the 13th/14th century. It is highly symbolically and contains a hidden message for spiritual seekers. 

Lyrics: Traditional Chant "Lo Boier"
Vocals, Arrangement & Production: Patrick Lenk

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Chant of the Gnostics

Lo Boier

'Four Hands' is a song by Nils Frahm from the album 'So/o' originally released on Erased Tapes Records.

Reworked and performed by CEEYS (Brueder Selke).
Recorded, mixed and mastered by Sebastian and Daniel Selke at Klingenthal Studio, Potsdam.

This rework is part of a collection of pieces by contemporary composers,
reworked and performed by CEEYS (Brueder Selke).

Nils Frahm - Four Hands (CEEYS Rework)

To coincide with Piano Day 2017 we share a cover of an old Penguin Cafe Orchestra song by Penguin Cafe from their upcoming new album 'The Imperfect Sea' - out on Erased Tapes 5th May 2017.

"This piece by my father has always been a favourite of mine and when we were playing in the studio last year with making rocks resonate through the soundboard of the piano, the drone on F# made me think of it immediately. The transition between free-form and structure allows for space and some more expressionist moments and then the simple yet rather beautiful melody creates a sort of profound optimism I think." — Arthur Jeffes

Pre-order 'The Imperfect Sea' on Vinyl, CD and DL here: phonofile.link/the-imperfect-sea

The iconic Penguin Cafe join the Erased Tapes family and open a brand new chapter to their unique world with new album The Imperfect Sea.

A penguin stands in the middle of a scorching desert, far away from its natural habitat. This mirrors composer Arthur Jeffes’ journey and exploration into a new musical territory. Penguin Cafe have evolved into something of their own at the hands of Arthur who started the band in 2009 with the continuation and homage to his father’s legacy, to the late Simon Jeffes’ Penguin Cafe Orchestra. Now, their upcoming album echoes reminiscent sounds that embrace the new.

The album title refers to a saying by his father that “we wade in a sea of imperfections…”, reflecting upon the idea that beauty can be found amongst the chaos. “If there is a narrative to the album it’s coming to the acceptance of the imperfections in all aspects of life; moreover, the recognition that these imperfections and tiny randomnesses are in fact what make up the best parts”, Arthur explains. This has also been highlighted by the striking cover artwork designed by FELD under the art direction of label founder Robert Raths, resembling a lone figure adapting to and accepting its surrounding environment.

Predominantly self-composed, the new album also features covers of electronic works by Simian Mobile Disco and Kraftwerk, along with a re-working of Simon's 'Now Nothing'. Arthur has developed from the traditional folk and jazz heritage Penguin Cafe Orchestra is known for into another realm of blissful ambience and dance music, recreated using strictly acoustic elements.

“For this album I wanted to effect a departure from where we’d been up to now. The idea was to create a musical world that would feel familiar to an audience more used to dance records but stay true to our own values. So we replaced electronic layers with real instruments: pads with real string sections, synths with heavily-effected pianos, and atmospheric analogue drones with real feedback loops ringing through a stone and a piano soundboard.”

On the day of release, the band will play a headline show at New York’s Le Poisson Rouge, commencing the beginning of this new adventure for Penguin Cafe.

The Imperfect Sea

Buy LP/CD/DL

Penguin Cafe - Now Nothing (Rock Music)

Latest album by Aukai

Featured on BBC6 Music Recommends
CD of the Month on Echoes Radio January 2019

Order Limited Edition CD:  https://aukai.bandcamp.com/album/reminiscence
Watch the video : https://www.youtube.com/watch?v=0eVlyTRMPu8

Reminiscence

08 In The Trees

07 Paper Boat

Excerpt from Jeff Goldsmith's Q&A with Ray Bradbury, recorded at Comic Con 2010. Discussion and other highlights here: http://www.brainpickings.org/index.php/2012/09/04/ray-bradbury-comic-con-interview/

Full audio here: http://www.theqandapodcast.com/2012/06/ray-bradbury-q.html

Ray Bradbury on Libraries

I am so pleased to share with you another new rework as SLOW MEADOW  joins the family with a beautiful and haunting rendition of the East Forest x Ram Dass track, "You're A Guru".

Slow Meadow is Houston multi-instrumentalist Matt Kidd. His releases as Slow Meadow have been celebrated by the New York Observer, NPR, Echoes' John Diliberto, and 6LACK who sampled Lachrymosia for the platinum-selling song Luving U.  With You're A Guru (Slow Meadow Rework), he takes the multi layered Ram Dass teaching into a new liminal space of floating strings and muted piano.  It's stunning.

http://eastforest.org
http://ramdass.org
http://slowmeadow.com

Ray Bradbury on Libraries

brainpicker