#convcomm

Recording taken directly from the desk.

Rhian Sheehan with band and Orchestra Wellington String section

Wellington State Opera House 2nd November 2013
Conducted by Ewan Clark. String arrangement by Steve Bremner
more info here: www.facebook.com/pages/Rhian-Sheehan/15584763065

Rhian Sheehan - Somnus (Live at the State Opera House 2nd Nov 2013)

Transcript, context, and related artwork: http://www.brainpickings.org/index.php/2014/02/17/dfw-leadership-debbie-millman/

TRANSCRIPT / DETAILS

David Foster Wallace on leadership, read by Debbie Millman

'Entanglement' is out on Erased Tapes.
Order the album on CD/LP/DL: http://www.erasedtapes.com/store/index/ERATP067
Or via iTunes: http://geni.us/entanglementitunes

“No click tracks, no headphones, and no film. Just the spontaneity of performance and the sound of musicians hearing, connecting and responding.” 

‘Entanglement’, the debut album by Michael Price fulfils his long-term desire to explore new musical territories, featuring Michael on the piano, with the addition of cello, soprano voice, string orchestra, modular synth, tape effects and electronics.

Throughout the record you will hear street sounds from 'Budapest' captured and processed on Michael’s mobile phone, as well as chamber music recorded direct to tape with vintage microphones in single takes. Album track ‘The Attachment’ was partly recorded onto a 1940s magnetic disc recorder, which immediately connected the piece back to a pre-digital musical age.

The cello and soprano vocal parts throughout the album were written specifically and directly for cellist Peter Gregson and vocalist Ashley Knight, whose expressive voice features on tracks ‘Maitri‘ and ‘The Uncertainly Principle‘. The lyrics for both songs are Japanese poetry sung in English, dealing with age, loss and the inevitable fading of beauty.

‘Entanglement’ was written over a period of two years on paper and by hand with Michael exploring oldest and newest technology at Abbey Road Studios and Snap Studios in London, before most of the recording and mixing took place at Vox-Ton in Berlin.

“I wanted to make an album that sounded like a dark, Berlin record store discovery from the 30s. Something that had timeless emotive power, and pre-digital rawness. Something that I hope would make a deeper connection in superficially networked times. I think there is a duty for artists to be honest, and vulnerable. Because then there is a possibility of real connection. Entanglement is both honest and vulnerable and to go through the two year process of writing, refining and recording an album has been more intense and more beautiful than I could have possibly imagined.

Entanglement is a very personal expression of my obsessions: music, love, physics and the inter-connectedness of things. There is structure and freedom, chaos and control, and the beauty of ancient instruments set against impassive machines." – Michael Price

ABOUT THE ARTWORK: Resembling the inter-connecting parts, the cover art for ‘Entanglement’ was created by South London artist Supermundane, with the packaging’s layout done by long-term Erased Tapes-collaborator Torsten Posselt at FELD in Berlin.

TRACK LISTING:

1. Tape Overture 2. Easter  3. Little Warm Thing 4. Budapest  5. The Attachment  6. Maitri  7. Digital Birds  8. The Uncertainty Principle 9. Entanglement

erasedtapes.com · michaelpricemusic.com

Entanglement

The Attachment

Buy LP/CD/DL

Michael Price – The Attachment

Arvo Pärt: Fratres

The potential to turn messaging into a platform is driving much of the excitement in mobile, says a16z’s Benedict Evans. It's a platform through which other apps flow (and where all the users get aggregated).

Take for example Facebook's recent announcements, which put it right where it wants to be on the mobile phone -- in control. So what’s next in messaging? And what will Apple, Google, and other players like WeChat have to say about it?

---

The views expressed here are those of the individual AH Capital Management, L.L.C. (“a16z”) personnel quoted and are not the views of a16z or its affiliates. Certain information contained in here has been obtained from third-party sources, including from portfolio companies of funds managed by a16z. While taken from sources believed to be reliable, a16z has not independently verified such information and makes no representations about the enduring accuracy of the information or its appropriateness for a given situation.
 
This content is provided for informational purposes only, and should not be relied upon as legal, business, investment, or tax advice. You should consult your own advisers as to those matters. References to any securities or digital assets are for illustrative purposes only, and do not constitute an investment recommendation or offer to provide investment advisory services. Furthermore, this content is not directed at nor intended for use by any investors or prospective investors, and may not under any circumstances be relied upon when making a decision to invest in any fund managed by a16z. (An offering to invest in an a16z fund will be made only by the private placement memorandum, subscription agreement, and other relevant documentation of any such fund and should be read in their entirety.) Any investments or portfolio companies mentioned, referred to, or described are not representative of all investments in vehicles managed by a16z, and there can be no assurance that the investments will be profitable or that other investments made in the future will have similar characteristics or results. A list of investments made by funds managed by Andreessen Horowitz (excluding investments and certain publicly traded cryptocurrencies/ digital assets for which the issuer has not provided permission for a16z to disclose publicly) is available at https://a16z.com/investments/.

Charts and graphs provided within are for informational purposes solely and should not be relied upon when making any investment decision. Past performance is not indicative of future results. The content speaks only as of the date indicated. Any projections, estimates, forecasts, targets, prospects, and/or opinions expressed in these materials are subject to change without notice and may differ or be contrary to opinions expressed by others. Please see https://a16z.com/disclosures for additional important information.

a16z Podcast: Messaging is the Medium

Softly

Preorder CD | Digital: https://futuresequence.bandcamp.com/album/earthworks 

'Earthworks' is Thom Brookes' debut album as Drombeg, following his acclaimed EP ‘Notes From The Ocean Floor’ in 2015. A soundtrack for the middle-of-nowhere, the wild landscapes of Brookes' native Southern Ireland are littered with historic (Tumulus), and geological (Béarra) structures hardened under the relentless elements. Sinuous string melodies, and tender piano phrases reach like sunlight breaking through heavy clouds, blended with electronics and field recordings in careful balance to produce a rich cinematic sound.



Tumulus by Drombeg

So... about those bots. Bots bots bots. Bots!

In this episode of the botcast, a16z partners Benedict Evans and Connie Chan -- along with Chris Messina, longtime advocate of the open web and more -- pull apart various threads related to the topic of bots, mobile, and beyond: the (evolution?) from web to apps to messaging to bots; chat as an interface; “conversational commerce”; and so on. They also discuss why framing messaging through the lens of WeChat both reveals useful things (what works/ might not work) and not-so-useful things (such as seeking the “WeChat of the West”).

More importantly, how can we keep bots, and what they represent, in perspective -- beyond the fad? Especially when it comes to considering innovation on the 'web' vs. 'mobile' (remember the mobile browser!) and when it comes to removing friction (vs. adding limited interaction). What contexts (like customer service) are most useful for thinking about bots? And how can we even know, given it’s early days yet and we haven’t moved much beyond the command-line interface... 

Finally, as computing moves outside the classic work-centric paradigm to room- and urban-scale, how do we think about integrating online and offline, ubiquitous and “diffuse” computing through bots?

---

The views expressed here are those of the individual AH Capital Management, L.L.C. (“a16z”) personnel quoted and are not the views of a16z or its affiliates. Certain information contained in here has been obtained from third-party sources, including from portfolio companies of funds managed by a16z. While taken from sources believed to be reliable, a16z has not independently verified such information and makes no representations about the enduring accuracy of the information or its appropriateness for a given situation.
 
This content is provided for informational purposes only, and should not be relied upon as legal, business, investment, or tax advice. You should consult your own advisers as to those matters. References to any securities or digital assets are for illustrative purposes only, and do not constitute an investment recommendation or offer to provide investment advisory services. Furthermore, this content is not directed at nor intended for use by any investors or prospective investors, and may not under any circumstances be relied upon when making a decision to invest in any fund managed by a16z. (An offering to invest in an a16z fund will be made only by the private placement memorandum, subscription agreement, and other relevant documentation of any such fund and should be read in their entirety.) Any investments or portfolio companies mentioned, referred to, or described are not representative of all investments in vehicles managed by a16z, and there can be no assurance that the investments will be profitable or that other investments made in the future will have similar characteristics or results. A list of investments made by funds managed by Andreessen Horowitz (excluding investments and certain publicly traded cryptocurrencies/ digital assets for which the issuer has not provided permission for a16z to disclose publicly) is available at https://a16z.com/investments/.

Charts and graphs provided within are for informational purposes solely and should not be relied upon when making any investment decision. Past performance is not indicative of future results. The content speaks only as of the date indicated. Any projections, estimates, forecasts, targets, prospects, and/or opinions expressed in these materials are subject to change without notice and may differ or be contrary to opinions expressed by others. Please see https://a16z.com/disclosures for additional important information.

a16z Podcast: Bots and Beyond

Those Who Stay

Kaziwa

Porya Hatami & Arovane - Uun

Jon Hopkins piano version of Modern Driveway by Luke Abbott

Modern Driveway (Jon Hopkins piano version)

Excerpt from Jeff Goldsmith's Q&A with Ray Bradbury, recorded at Comic Con 2010. Discussion and other highlights here: http://www.brainpickings.org/index.php/2012/09/04/ray-bradbury-comic-con-interview/

Full audio here: http://www.theqandapodcast.com/2012/06/ray-bradbury-q.html

Ray Bradbury on Predictions and the Secret of Life

Ray Bradbury on Loving Life

Hammers is Sofi's first song to ever be released in 2020. It is an ode to her piano and the relationship they've had for more than 10 years.
#pianoday2021

Hammers

New album 'Invisible Forces', released 22 April 2022 on Ahead Of Our Time: jamesheather.lnk.to/invisibleSo

Taken from 'Modulations: EP2', released 28 May on Ahead Of Our Time: https://jamesheather.lnk.to/ep2So

Follow James Heather -
Spotify: https://found.ee/jheather-sp
Apple Music: https://found.ee/jheather-am
Instagram: https://found.ee/jheather-ig
TikTok: https://found.ee/jheather-tt
Facebook: https://found.ee/jheather-fb
Twitter: https://found.ee/jheather-tw
YouTube: https://found.ee/jheather-yt
Bandcamp: https://found.ee/jheather-bc
Soundcloud: https://found.ee/jheather-sc

#pianoday2021 #classical #classicalcrossover #ambient #alternative

Ray Bradbury on Loving Life

brainpicker

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