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Ireland-based Peter Broderick returns with his new EP The Wind That Shakes The Bramble on September 10. Expanding on last year's Blackberry album, Peter pays homage to Irish poet Robert Dwyer Joyce’s ballad The Wind That Shakes The Barley. It sees Broderick share additional work from the Blackberry sessions, as well as a beautiful two-part rework from Bing & Ruth (4AD) and the 22-minute title track. 

Viewing the blackberry plant as a symbol of resilience, the song is an expansive and meditative ambient odyssey, a balm for the baffling chaos of the current era.

“It weaves itself all through our countryside, playing an important role in holding the soil together, and also makes its way into our cities, proliferating even in such hyper urban environments as London. And while most modern people have lost the ability to identify the wild plants growing around us, the Blackberry remains a commonly foraged plant all around the globe.”

The Wind That Shakes The Bramble

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Peter Broderick - The Wind That Shakes The Bramble

The Silver Tree

Come Tenderness

Ben Schott was born in North London in 1974. He was educated at University College School, Hampstead, and Gonville & Caius College, Cambridge, where he read Social and Political Sciences. He graduated in 1996, taking a double First. After an astonishingly brief "career" at the advertising agency J. Walter Thompson, Ben spent most of his twenties as a freelance portrait photographer for a diverse range of editorial and commercial clients. As a photographer, Ben worked with The Independent, The Times, The Sunday Times, Reader’s Digest, and Sunday Business, among many others, and has photographed a wealth of celebrities from Hugh Grant and Tony Blair, to Gordon Brown and Enoch Powell. In 2002, Ben turned a Christmas card into his first book—Schott’s Original Miscellany—which within weeks was a bestseller. He has subsequently published a series of Miscellanies and Almanacs which have sold some 2.5 million copies, and have been translated into twenty-one languages. As a journalist, Ben has worked with many of the great British titles; he now writes for the Times of London and the New York Times.

Photo © Mark Dudlik

Design Matters With Debbie Millman: Ben Schott

On this episode of Design Matters, Debbie Millman talks to Cooper Hewitt director Caroline Baumann about her career in museums and why the interest in design has surged in recent years.

Design Matters With Debbie Millman: Caroline Baumann

Google's Matias Duarte, Dropbox's Gentry Underwood, and Fast Company's Mark Wilson discuss The Smartphone of 2020 at Innovation Uncensored 2014.

The Smartphone of 2020

Sam Roberts, author of A History of New York in 101 Objects, in conversation with The New York Public Library's Jessica Strand. Peek inside his fascinating book here: http://www.brainpickings.org/2014/10/01/a-history-of-new-york-in-101-objects

Recorded at the Great Hall of The New York Public Library as part of the library's Books at Noon series: http://www.nypl.org/events/booksatnoon 

Subscribe to the NYPL podcast here: https://itunes.apple.com/us/podcast/new-york-public-library-podcast/id804982781?mt=2

NYPL's fantastic programming is made possible by donations from readers and listeners like us – join me in donating here: https://secure3.convio.net/nypl/site/SPageServer?pagename=donation_form&JServSessionIdr003=dwcz55yj27.app304a&s_src=FRQ14ZZ_NMN

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Sam Roberts on New York City

Tracks OST - Horizon By Garth Stevenson (Extended Version)

Reworked the Single for the Upcoming album... I wanted it to become more relaxed....

Never miss a new Release and follow "Complete Dirk Maassen" playlist on spotify....

https://open.spotify.com/user/1143970316/playlist/4SPgkG4NgnmjPfcZPiHun4



Dirk Maassen - Danse (Album Version, Pre Master)

Veteran Erased Tapes recording artist Peter Broderick set to release new studio album 'Partners' on 19th August 2016.

Order it on LP/CD/DL here: www.erasedtapes.com/store/index/ERATP088

In an email to Robert on February 3rd 2016: 

Dear Robert.

There’s a lot I’d love to tell you about this music.

The inspiration really came when I decided to learn to play John Cage’s In A Landscape on the piano . . . I listened to a recording I had over and over again, five seconds or so at a time, picking out every single note. Then cross referencing what I’d learned with other versions of the piece as well as the original score. The feeling of playing this piece really brought me close to the piano again, and brought new life to my own piano songs.

Beyond Cage’s music, his life and practice have interested me more and more, after having read about his love for foraging wild foods and using chance operations to compose music, in a sense taking his ‘self’ out of the music. I love his so-called ‘mesostics’ and began to write several poems using that method, around this phrase:

I    
N

A

L
A
N
D
S
C
A
P
E

When it came time to record in the studio, I rolled two dice to decide how many poems to read. I rolled 5. Then I assigned a number to each poem and rolled the dice to see which five poems would be read and in which order. That’s the first track Partners, which is also the last word of the last poem I selected through this chance-based process. Track two is my version of In A Landscape. I love playing that piece so much. Carried  is a piece I wrote in Berlin which I’ve played live from time to time. There was a soft vocal loop playing out through an amplifier in the room while I played the piano.

Under The Bridge is my first ever chance-based composition, written by assigning different numbers to different notes and then rolling dice to decide in which order to play those notes. Conspiraling is another piece I’ve been playing for a while. Actually a version of this was recorded in the session that became ‘How They Are’, but it didn’t quite feel right. I like to pretend my voice is like a synthesizer in this song. Then there’s Up Niek Mountain which is a piece I finished composing while in residence at a farm in the Netherlands back in 2010, and is named after one of the family farmers there, Niek, who passed away shorty after I was there. We miss you Niek. The last song is a cover of Brigid’s Sometimes. Brigid to whom I dedicate this recording.

And then there’s Tucker, Mr. Martine, who agreed to record this album without me ever hearing the mixes. We talked about all the sounds and he set up several devices with which to manipulate the sound live, as it was being recorded and mixed down to tape. Francesco also agreed to master the record without me hearing it. I like to imagine maybe one day, five or ten years from now, I’ll walk into a café or roadside diner and hear it for the first time, playing as background music while people eat.

OK surely that’s enough for now! Sorry for blabbing, Robert. Your support has really meant a lot to me. I’ve loved having you in mind while working on this project, knowing it could very well have a home on your sweeeeeet label. Hope all is well.

With love,
Peter

Partners

Carried

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Peter Broderick - Carried

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www.akariaryaca.com 

5th day Thursday  related to planet Jupiter - astrological connection Fire element.Astrologically speaking, Jupiter is associated with the principles of growth, expansion, healing, prosperity, good fortune, and miracles. Jupiter governs long distance and foreign travel, big business and wealth, higher education, religion, and the law.

Jupiter day 5 - Akari Aryaca 528 hz

Ambient Meditation

Songlink - https://song.link/us/i/1504581089

Mixed, Mastered, and Album Art by Equanimous

Ethereal Peace

Taken from the download only compilation album "13"

Two Kinds Of Silence

Poem text and context: https://www.brainpickings.org/2020/08/19/david-whyte-sometimes/

Sam Roberts on New York City

brainpicker

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