amiina's first release; EP released in 2004

Fjarskanistan

Aether - Hildur Gudnadottir

T.S. Eliot reads from his 1930s classic, Old Possum’s Book of Practical Cats. Poem text, background, and other goodies here: http://www.brainpickings.org/index.php/2013/09/26/t-s-eliot-reads-the-naming-of-cats-1947/

MORE / POEM TEXT

T. S. Eliot reads "The Naming of Cats" from Old Possum's Book of Practical Cats

Full context and poem text: https://www.brainpickings.org/2017/04/27/janna-levin-reads-planetarium-by-adrienne-rich/

Recorded at "The Universe in Verse," April 24, 2017.

Photograph of Janna Levin by Molly Walsh / Academy of American Poets

POEM TEXT / CONTEXT

Astrophysicist Janna Levin reads "Planetarium" by Adrienne Rich

Screws Reworked

La (Sebastian Freij Rework)

Streamer

Kakonita

On this week’s Global Research News Hour, we showcase a July 2019 interview with financial economist, author and historian Michael Hudson addressing the financial instruments utilized by the United States to retain its post World War II position of dominance on the world stage, and ways in which foreign economies can survive the looming implosion of the U.S. The conversation also addresses the decisions made by Canadian governments to abandon the Bank of Canada as the country’s lender of choice and the prospects of progressive political candidates and popular movements  to pull the U.S. out of its death spiral. 

Michael Hudson is a prominent U.S. critical economist and President of The Institute for the Study of Long-Term Economic Trends (ISLET), a Wall Street Financial Analyst and a Distinguished Research Professor of Economics at the University of Missouri, Kansas City.

A History of U.S. Economic Warfare, from WWII to the Present: A Conversation with Michael Hudson

www.duvaltimothy.co.uk
@duvaltimothy
"DUKOBANTI" 2012

07 - DTNM (Feat Nicholas Mandalos) DUKOBANTI

Sexy & Sensual – Bossa Nova Jazz Music Background for Erotic Massage & Pleasant Romantic Time

Night Time Fever

In 1968, Dr. Bernie Krause was leading a booming music career. A prodigiously talented musician and early master of the electronic synthesizer, Krause was busy working with artists like the Doors and the Beach Boys and performing iconic effects for blockbuster films. Then Warner Brothers commissioned him to create an album incorporating the sounds of wild habitats, so he headed into Muir Woods with his recording equipment. What he heard changed his life and triggered a fifty-year odyssey.

Then and there, Krause decided that he wanted spend the rest of his life recording and archiving the music of wild animals and wild places. He quit Hollywood and began traveling the world. The soundscapes he recorded were full of epiphanies about the origin of our own culture and music, about the profound connectedness of creatures, and about the unseen tolls of human activity. Previous wildlife recordings isolated the calls of individual creatures, but Krause recorded habitats as a whole. He soon proposed a new theory of ecosystem functioning: that each species produces unique acoustic signatures, partitioning and occupying sonic niches such that the singing of all of the creatures in a healthy ecosystem can be heard, organized like players in an orchestra. 

Today, Krause’s astonishing archive contains sounds made by more than 15,000 species. It is, as The New Yorker aptly put it, “an auditory Library of Alexandria for everything non-human." Fifty percent of the recorded habitats no longer exist due to habitat destruction, climate change, and human din. We spoke with Krause about the beauty of and perils facing wild music, the extraordinary science of soundscape ecology, and how sound impacts the welfare of animals. The music in this episode is from Wild Sanctuary (www.wildsanctuary.com).

T. S. Eliot reads "The Naming of Cats" from Old Possum's Book of Practical Cats

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